Jordan White und Amy Blue, zwei rebellische Teenager, nehmen einen jugendlichen Herumtreiber, Xavier Red, im Auto mit. Gemeinsam begibt sich das Trio auf eine Reise voller Sex und Gewalt dur... Alles lesenJordan White und Amy Blue, zwei rebellische Teenager, nehmen einen jugendlichen Herumtreiber, Xavier Red, im Auto mit. Gemeinsam begibt sich das Trio auf eine Reise voller Sex und Gewalt durch das Amerika der Psychopaten und Quickie Marts.Jordan White und Amy Blue, zwei rebellische Teenager, nehmen einen jugendlichen Herumtreiber, Xavier Red, im Auto mit. Gemeinsam begibt sich das Trio auf eine Reise voller Sex und Gewalt durch das Amerika der Psychopaten und Quickie Marts.
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Gregg Araki's Doom Generation is a satirical look at a generation that has been played out in cookie cutter versions of Gen X films. Don't get me wrong, Doom Generation is a little more "visual" than let's say, "Reality Bites," but then so is "Nowhere." The graphic nature of the violence and language play into Araki's satire and even the subliminal messages throughout the film play into the hands of those who look upon the "Gen-X" films as hip because we all go to a coffee house. Capitalism is evident in these films because of all the product placement, but we are not supposed to give in to this commercialism. Giving into this wasteland of over-marketed products is what Gen-X'ers say that they will not do while wearing their $60 Tommy pants and sipping on a $6.00 latte. Araki does what any brilliant director would do in this situation: make THE DOOM GENERATION.
One of my personal favorite films is this tale of a road adventure between a teenage couple and a guy they pick up, leading to lots of sex, gory violence and bizarre events. This one is quite a dark movie, with lots of death and tragedy, but at the same time a brilliant look at the whacked-out characters involved in these harrowing situations. Director Gregg Araki seems to have a knack for these types of movies. His next film was the even better NOWHERE. Definitely Recommended.
This was one of the strangest movie I've ever seen, but at the same time, one of the most meaningful. This was a good movie. There was a sadistic violence, a bunch of sex scenes, vulgarity, more graphic violence, more sex, a three way, and an incredibly sad, tragic ending.
If you are able to look past all this (many people cannot, mind you), than you will see a good movie about three teenage tortured souls cruising along the urban pits of Los Angeles, who run into a crazy clerk with a shotgun, a crazy drive thru attendant with a shotgun, a nasty blonde with a sword, and some really scary Neo Nazis, who all think Amy Blue is someone else.
Rose McGowen is Amy Blue, the sexy, angry, speed taking, tough as nails lead character, James Duval is Amy's naive, stoner boyfriend Jordan White, and Johnathon Schaech was Xavier Red, the crazy, dangerous, kinky, and violent source of trouble. If you have a strong stomach, and don't mind harshly sad endings, check it out, but be aware, because you might get grossed out and leave (I almost did). 9/10
If you are able to look past all this (many people cannot, mind you), than you will see a good movie about three teenage tortured souls cruising along the urban pits of Los Angeles, who run into a crazy clerk with a shotgun, a crazy drive thru attendant with a shotgun, a nasty blonde with a sword, and some really scary Neo Nazis, who all think Amy Blue is someone else.
Rose McGowen is Amy Blue, the sexy, angry, speed taking, tough as nails lead character, James Duval is Amy's naive, stoner boyfriend Jordan White, and Johnathon Schaech was Xavier Red, the crazy, dangerous, kinky, and violent source of trouble. If you have a strong stomach, and don't mind harshly sad endings, check it out, but be aware, because you might get grossed out and leave (I almost did). 9/10
The Doom Generation is an art film trying to please the audience that its making fun of. It has gratuitous violence and is pretty much a soft core porn. The dialog is poor at best. But these are the things that make it a "good" film. The movie is basically taking to task generation X, I mean there is after all a character named "X" who leads the two other "innocent" characters down the road to hell. The gratuitous violence is suppose to highlight the characters apathy toward fellow human beings. In the string of murders and violence that ensues the only time the 3 of them show remorse or concern is when they hit a dog on the road. They end the dogs suffering and bury it! And Amy says something to the effect of "Life Sucks".Out of all the human death they only show concern for themselves and the effect it will have on them, i.e. getting caught, but they all suffer for the poor dogs death. The sex, voyeurism, partner swapping etc. are just examples of more apathy and general selfishness-if it feels good do it. But your not even sure if it feels good because towards the end when the climax of violence is happening nobody seems overly upset that the sex has taken such a bad turn. Maybe Perry Farrel's earlier cameo is to get you to keep in mind the Jane's addiction lyric "... sex is violence"? Any way I could ramble on maybe I'm so brimming with insight because the first time I saw it I was high and then on finally re-watching it I was truly frightened by how many friends I have fit the film's stereotypes
Some films divide audiences immediately. 'Eraserhead', 'Beyond The Valley Of The Dolls', 'Night Of The Living Dead'. 'The Doom Generation' is one of those movies! I don't know of anyone who has seen it that has a luke warm response. You either love it or hate it, and I love it!
Gregg Araki makes unique movies. Self conscious, self parodying, INTELLIGENT trash. His world is not really our world. It's an exaggerated, surreal version of "reality". Sexy, violent, pop culture bombarded, dream-like, impossible to forget or ignore. 'The Doom Generation' is clever, ironic, disturbing fun.
Personally, I think his next movie 'Nowhere' is his masterpiece, but this is almost as good. Plus we get lots of Rose McGowan flesh on display - not a bad thing! Her performance as Amy Blue ALMOST makes her the 1990s version of Tura Satana! She will never knock off Tura's crown as Queen of Sleaze, but she seems to be having a hell of a lot of fun trying, and I have a hell of a lot of fun watching her!
Gregg Araki makes unique movies. Self conscious, self parodying, INTELLIGENT trash. His world is not really our world. It's an exaggerated, surreal version of "reality". Sexy, violent, pop culture bombarded, dream-like, impossible to forget or ignore. 'The Doom Generation' is clever, ironic, disturbing fun.
Personally, I think his next movie 'Nowhere' is his masterpiece, but this is almost as good. Plus we get lots of Rose McGowan flesh on display - not a bad thing! Her performance as Amy Blue ALMOST makes her the 1990s version of Tura Satana! She will never knock off Tura's crown as Queen of Sleaze, but she seems to be having a hell of a lot of fun trying, and I have a hell of a lot of fun watching her!
Wusstest du schon
- WissenswertesEvery time one of the characters uses the skull lighter, the flame is a different color; Blue when Jordan White lights it, White when Xavier Red lights it and Reddish Orange when Amy Blue lights it.
- PatzerAround 12:30 when the trio are running out of the store, you can see Jordan White's flannel fall off. it reappears throughout the film.
- Crazy Credits"A big no thanks to Cheryl Ladd"
- Alternative VersionenThe edited, R-rated version omits 13 minutes of footage, including explicit dialogue bits, sex scenes, and large portions of the ending.
- SoundtracksHeresy
Performed by Nine Inch Nails
Written by Trent Reznor
©TVT/Interscope Records
Courtesy of Warner Special Products and TVT Records
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Details
- Erscheinungsdatum
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- Auch bekannt als
- Generación sin futuro
- Drehorte
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Box Office
- Bruttoertrag in den USA und Kanada
- 284.785 $
- Eröffnungswochenende in den USA und in Kanada
- 27.812 $
- 29. Okt. 1995
- Weltweiter Bruttoertrag
- 287.334 $
- Laufzeit1 Stunde 23 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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