Mysterious Skin - Unter die Haut

Araki has abandoned the nihilistic day-glo world of L.A teens to create his first truly great film. Indeed, by any standards, this film is magnificent. It follows two boys; one of whom was abused as a child and the other who believes that he was abducted by aliens' from childhood to their troubled later lives. The film has a visual beauty that pulls the viewer in even though the subject matter is both difficult and painful. The director pulls no punches in confronting the viewer with the horror of the situation but neither does he exploit it for tabloid style sensationalism. From the superb performances, the excellent and intelligent script, through to the inspired direction and stunning 'shoegazer' soundtrack this is a splendid film. I left the cinema deeply moved by what I had seen and can now only hope that Araki continues to work at this level of quality. Something quite special and a work of art

In 1981, in Hutchinson, Kansas, the eight years old boy Neil McCormick is sexually abused by his pedophile baseball coach and his deranged and promiscuous mother does not pay attention. Meanwhile, the also eight years Brian Lackey awakes from a brief amnesia of four hours with a bleeding nose, but his negligent father does not pay attention to the event. Brian grows-up believing he had been abducted by aliens. The gay Neil grows-up as a hustler. When Brian is eighteen years old, he looks for and meets Neil, who discloses dark innermost secrets of their past.

"Pedophilia" is one of the most unpleasant themes to make a movie, and I recently saw an excellent film called "The Woodsman" (http://www.imdb.com/title/tt0361127/usercomments-134), about a child molester trying to have a normal life after twelve years in prison. "Mysterious Skin" approached the same theme, but through the eyes of the victims, showing how irreversible this crime might be, due to negligence of the parents. The powerful story is very impressive, with a awesome performance of Joseph Gordon-Levitt that deserved an Oscar nomination. The direction of the unknown (for me) Gregg Araki is amazing, and the actors and actress are simple magnificent. This movie was presented in the "Festival de Cinema do Rio de Janeiro" ("Rio de Janeiro Cinema Festiva"l and in the "29ª Mostra BR de Cinema de São Paulo" ("29th Exhibition BR of Cinema in São Paulo"). My vote is eight.

Title (Brazil): "Mistérios da Carne" (Mystery of the Flesh")

As a movie lover and social worker, I was really moved throughout this film - for most of this film - by the subject matter and by the powerful portrayal and production of these characters. Overall, this is a highly rated movie and one can only wonder at the mentality of persons in Australia who pushed for the banning of this film. This is a realistic account of the affects on the victims of child abuse and tells a compelling story of their plight. But don't expect a happy ending; there is some resolution but you know the battle continues and their struggle to overcome will go on. (I'm getting emotional again just thinking about the last scene.) I work with young people (15-25) who have been abused, often by their own parents, and placed into the care system. However, I have had clients who have then been abused in care as well. It is hard to reconcile such young people but gaining justice is quite central, as is a belief they are accepted and worthwhile human beings. Because they may have been sexually aroused during the abuse they can often feel guilty and to blame. They often internalise these feelings and depending on their personalities they will implode against themselves (drugs etc) and/or become de-sensitised to certain feelings and take risks. The boys in this film portray these two dichotomies and they do it very well. 10 stars.

I had high hopes for this film, since I have been a big fan of the novel on which it is based. The film exceeded my expectations in every way. Although quite faithful to the book (with many lines of dialogue and narration moving straight from Scott Heim's poetic prose), the movie has more drive and focus and pulls you so far into the troubled characters. Credit for the movie's strength goes all around -- director Araki put his mark on the story without taking it over. He got uniformily good performances (and somehow managed to direct scenes that any reader of the book would have thought completely unfilmable). Kansas has never looked better, or more sinister. The music is used well throughout.

And the acting is terrific. The two youngest leads, Chase Ellison and George Webster, were entirely convincing in their scenes (and I hope they feel proud of their work, seeing as how there's no way they'll get to see this movie until sometime next decade). Michelle Trachtenberg and Jeff Licon have fairly thankless roles, playing characters who are somewhat less clear and crucial in the film than their characters were in the book. But they don't sweat that, they just play what the screen play has them do, and they excel. Licon, especially, I think, although Trachtenberg is at a disadvantage, as her part is really pretty small.

And for me, at least, I think Mary-Lynn Rajskub, Brady Corbet, and Joseph Gordon-Levitt give about as good performances as one can give. Rajskub is so good that she gives the other actors in the film a space to react that is almost visible. Corbet is quiet and intense; if his performance sometimes lacks motivation, it is probably deliberate, as his character is struggling with identity and memory. And as for Gordon-Levitt, man, that guy can act. I really have a hard time thinking of any acting performance ever that has affected me as much.

It is a difficult story, although I felt it ends hopefully. Hopefully, you will agree. Content is very strong, although perhaps not NC-17 strong. Not for kids. Adults, if you can get past the 2nd scene, you can get through it, but there is a lot of outlawed sexuality and violence. It is painful to watch at times, but to me at least, that's because the actors and the director managed to immerse me in the characters.

Not since HAPPINESS has such a difficult subject been tackled head on! Without spoiling any of the film, I will just say that I was engrossed in the film, shocked at how far the director was able to go, and heartened by how many issues he was able to raise, and show so many possible effects of what the characters go through. There were so many situations in this film that I had never seen portrayed before, that this proves how much film-makers avoid so many issues.

A familiar, likable cast are taken deep into dark territory. I enjoyed all the performances and believed the characters, even though I had seen all the actors before on TV. The music is just wonderful - from the guy behind The Cocteau Twins - it adds to the dreamlike/nightmarish quality of the film. It's unusual enough to add to the uniqueness of this film - it really is ground-breaking - and Robin Guthrie's music/The Cocteau Twins haven't been used before in movies (though you may have recognised Liz Fraser's vocals in the last Lord of the Rings soundtrack).

This film impressed me the most in 2004 - I hope everyone gets a chance to see it!