Auf einem amerikanischen Atom-U-Boot meutert ein junger Erster Offizier, um zu verhindern, dass der Kapitän die Atomraketen abfeuert, bevor der Befehl dazu bestätigt ist.Auf einem amerikanischen Atom-U-Boot meutert ein junger Erster Offizier, um zu verhindern, dass der Kapitän die Atomraketen abfeuert, bevor der Befehl dazu bestätigt ist.Auf einem amerikanischen Atom-U-Boot meutert ein junger Erster Offizier, um zu verhindern, dass der Kapitän die Atomraketen abfeuert, bevor der Befehl dazu bestätigt ist.
- Für 3 Oscars nominiert
- 5 Gewinne & 9 Nominierungen insgesamt
Jaime Gomez
- Ood Mahoney
- (as Jaime P. Gomez)
Lillo Brancato
- Russell Vossler
- (as Lillo Brancato Jr.)
Ricky Schroder
- Lt. Paul Hellerman
- (as Rick Schroder)
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Tense little action thriller on par with "The Hunt for Red October" has a nuclear submarine commander (Gene Hackman) and his new second-in-command (Denzel Washington) getting in a chess match of words and wits ala "Mutiny on the Bounty". Russian rebels may be about to launch nuclear missiles at any moment. Commands come through for Hackman to detonate the weapons from their ship, but then another message after that one which is incomplete splits the entire crew. Hackman thinks it is time to take control with aggression while Washington believes that this is way too important without knowing everything there is to know. A wide range of characters on the submarine (which includes Viggo Mortensen, Steve Zahn, James Gandolfini, Rick Schroeder, George Dzundza) must decide which of the all-world performers they are going to side with. The screenplay is mediocre really, but Hackman and Washington know how to overcome that and director Tony Scott keeps the pulse of his audience in high over-drive. Definitely an acceptable piece from the genre. 4 stars out of 5.
This is the type of movie Tony Scott should have stuck to creating. While most Jerry Bruckheimer films prove to be bad, modern interpretations of old school martial arts movies, this was one of the better films Bruckheimer ever produced. While the story was completely plot-driven and the performances a little over the top, the rivalry between Denzel Washington and Gene Hackman made this film a cut above the rest of the trash Bruckheimer tends to produce. While simple and direct, it proves to be effective in the annals of storytelling, never overindulging the viewer.
The suspense is relentless in this believable, tense and superbly acted war drama. One of the best modern war movies I have seen, Crimson Tide is a story about strained loyalty, respect, command, discipline, power, and military practice. Hackman and Washington are perfectly cast as an older battle-hardened nuclear submarine captain and his younger, less experienced but highly educated executive officer, caught in a crisis of potentially world-threatening proportions. Pursued by an enemy submarine, the USS Alabama has nuclear warheads aimed and ready to fire as a pre-emptive strike against a Russian rebel commanding his own nuclear arsenal. The Alabama is commanded to launch, and begins preparations, but the enemy sub attacks, knocking out all communications just as a second command is being received. The nature of that second command and what to do about then becomes the key problem that the Captain and XO have to deal with. Suffice to say, they do not agree on how to proceed, and the remainder of the film is a struggle between the two men and those who support each, in a crippled but still lethal sub, with the fate of the world hanging in the balance.
What's is amazing about Michael Schiffer's story is its plausibility. The basic scenario upon which the script is based could happen. The cast - all of them - are spectacular, and the directing is masterful. Although some of the behavior of the men aboard the Alabama seems improbable at times, given the military realities of chain of command and discipline, the sheer performance power of this film's cast and production team make it all seem very real and extremely compelling. the characters are HUGE, complex, and real. More than just a cautionary tale, this is a very human drama about who people become under extreme conditions, and how they work out problems to reach solutions, or fail to do so. If that final sentence sounds cryptic, then let it entice you to see the film so you can figure out what I mean for yourself.
What's is amazing about Michael Schiffer's story is its plausibility. The basic scenario upon which the script is based could happen. The cast - all of them - are spectacular, and the directing is masterful. Although some of the behavior of the men aboard the Alabama seems improbable at times, given the military realities of chain of command and discipline, the sheer performance power of this film's cast and production team make it all seem very real and extremely compelling. the characters are HUGE, complex, and real. More than just a cautionary tale, this is a very human drama about who people become under extreme conditions, and how they work out problems to reach solutions, or fail to do so. If that final sentence sounds cryptic, then let it entice you to see the film so you can figure out what I mean for yourself.
Enjoyable, good tension, good dilemma, good cast. But:
You have a movie like this where either Washington's or Hackman's character side could be right about their course of action. The aim of the movie, ostensibly, is to present both sides and let the viewer figure out which is the correct course.
But you can't possibly side with Hackman, can you?
After all, his character goes nuts when everything starts happening. His character is possibly racist. And his character is prepared to launch nukes. Washington's character is, quite nobly, none of those things.
Ho hum. Hollywood audience manipulation at its finest.
Would it kill these writers and producers to present a dilemma movie in an intelligent fashion for once? I'd like to struggle with "who's right and who's wrong?" just once in my moviegoing life.
You have a movie like this where either Washington's or Hackman's character side could be right about their course of action. The aim of the movie, ostensibly, is to present both sides and let the viewer figure out which is the correct course.
But you can't possibly side with Hackman, can you?
After all, his character goes nuts when everything starts happening. His character is possibly racist. And his character is prepared to launch nukes. Washington's character is, quite nobly, none of those things.
Ho hum. Hollywood audience manipulation at its finest.
Would it kill these writers and producers to present a dilemma movie in an intelligent fashion for once? I'd like to struggle with "who's right and who's wrong?" just once in my moviegoing life.
I saw a picture of 93 year-old Gene Hackman the other day riding a bicycle. He still has the youthful energy. I'll bet he could act if he still wanted to. We lost Michael Caine to retirement this last year and Jack Nicholson hasn't come back either. Three of the best to ever do it. Well...make that four with Denzel Washington. Hope he goes for many more years.
We don't appreciate these guys when we have them. I was a kid when this movie came out but I remember the fight between Hackman and Washington like it was 10 minutes ago. I've never seen a more intense scene. It might even be one of the best square offs in cinematic history and there's only one punch! Two of the greatest actors to ever walk the Earth and in the same scene. What a climax. Thank you Denzel and thank you to Gene Hackman. I hope you un-retire for one last go.
We don't appreciate these guys when we have them. I was a kid when this movie came out but I remember the fight between Hackman and Washington like it was 10 minutes ago. I've never seen a more intense scene. It might even be one of the best square offs in cinematic history and there's only one punch! Two of the greatest actors to ever walk the Earth and in the same scene. What a climax. Thank you Denzel and thank you to Gene Hackman. I hope you un-retire for one last go.
Wusstest du schon
- WissenswertesThe refusal of an executive officer to agree in launching nuclear weapons due to a fragment order is based on a similar incident within the Soviet Navy. During the Cuban Missile Crisis, the Soviet submarine B-59 attempted to infiltrate the US Navy blockade by running submerged. By doing so they had been out of contact for several days with Moscow at the depth they ran at. When US destroyers dropped signal depth charges to force the sub to surface, the Soviet captain, Valentin Grigorievitch Savitsky, believed war had broken out between the US and the Soviet Union. His sentiments were concurred by the on board political officer, Ivan Semonovich Maslennikov. However, Savitsky's second-in-command, Vasily Arkipov, who also was the flotilla commodore, refused. All three needed to agree before launching. Being out of contact for so long and with no clear orders, Arkipov convinced Captain Savitsky to surface and they found themselves surrounded by US destroyers. Their communication was reestablished with Moscow and they received orders to return home, thereby averting nuclear war.
- PatzerBoomers have two requirements while out on patrol: remain undetected and maintain communications. They carry as many radios as they do missiles. There is ALWAYS a backup should one fail.
- Alternative VersionenThe English language version includes a scene where Lt. Cmdr. Hunter (Denzel Washington) breaks up a fight between two sailors. One of the two men tells Hunter that they were arguing over which version of the character Silver Surfer was best, the one drawn by Jack Kirby or the one by Moebius. In the Italian version the comic book character over which the two men are fighting have been changed to Betty Boop and Felix the Cat.
- VerbindungenEdited into Time Under Fire (1997)
- SoundtracksPiano Sonata No.14 Op.27 No.2
Written by Ludwig van Beethoven
Performed by Tatiana Nikolayeva
Courtesy of Olympia Compact Discs, Ltd.
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- USS Alabama - Crimson Tide
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 53.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 91.387.195 $
- Eröffnungswochenende in den USA und in Kanada
- 18.612.190 $
- 14. Mai 1995
- Weltweiter Bruttoertrag
- 157.387.195 $
- Laufzeit
- 1 Std. 56 Min.(116 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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