Ein Offizier der U.S. Army, verzweifelt über einen tödlichen Fehler, den er begangen hat, untersucht, ob ein weiblicher Hubschrauber-Kommandeur für die Ehrenmedaille würdig ist.Ein Offizier der U.S. Army, verzweifelt über einen tödlichen Fehler, den er begangen hat, untersucht, ob ein weiblicher Hubschrauber-Kommandeur für die Ehrenmedaille würdig ist.Ein Offizier der U.S. Army, verzweifelt über einen tödlichen Fehler, den er begangen hat, untersucht, ob ein weiblicher Hubschrauber-Kommandeur für die Ehrenmedaille würdig ist.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 9 Gewinne & 7 Nominierungen insgesamt
Mark Adair-Rios
- Bobcat 5
- (as Mark Adair-Riós)
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A DESERT STORM veteran, Lt Col Nat Serling (played by Denzel Washington), is assigned the task of recommending whether or not to award the first (posthumous) combat Medal of Honor to a woman, Capt Karen Walden (played by Meg Ryan). In investigating the inconsistent mission accounts of Walden's surviving crew, Serling constantly flashes back to his own searing DESERT STORM experience and the Army's subsequent attempts to whitewash the incident, resolving that his investigation will not suffer the same fate. As Serling tries to rectify the competing competing accounts it becomes clear that director Edward Zwick has crafted a contemporary "Rashomon," complete with reminders that the truth is always subjective and our accounts of it typically affected by self-interest.
The story is a simple one. Washington is a Lt. Colonel responsible for some accidental deaths during a tank battle in the Gulf War. The experience leaves him feeling pretty lousy. He neglects his family and begins drinking. He's assigned to investigate the suitability of Meg Ryan as a posthumous recipient of the Medal of Honor. She was flying a medevac helicopter to a crash site when her aircraft was shot down by small arms fire and, apparently, she stayed behind voluntarily and ordered her crew to save themselves while she covered them. Washington interviews the crew members and gets different stories. In one story Ryan behaves heroically as described. In a second, she is a coward and collapses under fire. In yet a third, the truth emerges. Yeah, it's Rashomon, but not as original or subtle.
Still it's pretty good. And, Gott sei dank, it is not a story in which a woman proves herself as a good as a man, despite the fact that she is a member of the weaker sex. (What condescension.) Meg Ryan is a capable and courageous officer who happens to be a woman. Her sex is important to the politicians who are positively drooling over the prospect of awarding her the decoration, but isn't really important to the narrative.
The performances are better than I'd expected. Everyone, in fact, is quite good in their different ways. Matt Damon, in particular, gives a sensitive performance as a guilt-ridden medic, and looks the part, somewhat ascetic, his facial features askew with uncertainty. Meg Ryan doesn't have a chance to do more than shout orders with a Texas accent but she registers pain and determination well. Lou Diamond Phillips is perhaps the least articulated character, but that may be the fault of the role as written, which is fairly complex but a little obvious. Denzel Washington is the central figure. He's good as carrying that burden of guilt left over from his battlefield mistake but isn't too convincing as a drunk. In the end, he relieves himself of some of that torture by visiting the parents of one of the men he had killed and confessing his part in the incident. The first few times I saw this I kept thinking what some other actors would have done with this scene, but the last time I found his incarnate remorse rather moving.
There is one scene delicately shot, an uneasy exchange between the lying Damon and the perceptive Washington that's beautifully staged and acted, and another memorable first encounter between Washington and Phillips, in which both actors probe the edges of insubordination. Michael Dolan stands out in a featured bit part as a hospital orderly.
The battle scenes are well done, although a little confusing, as I'm sure they would have been at the time. Some generic conventions are adhered to. Four of our guys can slaughter dozens of them. The enemy runs headlong into a hail of bullets. But there are some interesting twists given to the situation. The Iraqis on the other side of the hill can be heard laughing at our boys (and our woman). And the ending is revisionist, but I won't go into it. Justice outs, let's say that.
It's a worthwhile watch for any number of reasons. Craftsmanlike if not poetic.
Still it's pretty good. And, Gott sei dank, it is not a story in which a woman proves herself as a good as a man, despite the fact that she is a member of the weaker sex. (What condescension.) Meg Ryan is a capable and courageous officer who happens to be a woman. Her sex is important to the politicians who are positively drooling over the prospect of awarding her the decoration, but isn't really important to the narrative.
The performances are better than I'd expected. Everyone, in fact, is quite good in their different ways. Matt Damon, in particular, gives a sensitive performance as a guilt-ridden medic, and looks the part, somewhat ascetic, his facial features askew with uncertainty. Meg Ryan doesn't have a chance to do more than shout orders with a Texas accent but she registers pain and determination well. Lou Diamond Phillips is perhaps the least articulated character, but that may be the fault of the role as written, which is fairly complex but a little obvious. Denzel Washington is the central figure. He's good as carrying that burden of guilt left over from his battlefield mistake but isn't too convincing as a drunk. In the end, he relieves himself of some of that torture by visiting the parents of one of the men he had killed and confessing his part in the incident. The first few times I saw this I kept thinking what some other actors would have done with this scene, but the last time I found his incarnate remorse rather moving.
There is one scene delicately shot, an uneasy exchange between the lying Damon and the perceptive Washington that's beautifully staged and acted, and another memorable first encounter between Washington and Phillips, in which both actors probe the edges of insubordination. Michael Dolan stands out in a featured bit part as a hospital orderly.
The battle scenes are well done, although a little confusing, as I'm sure they would have been at the time. Some generic conventions are adhered to. Four of our guys can slaughter dozens of them. The enemy runs headlong into a hail of bullets. But there are some interesting twists given to the situation. The Iraqis on the other side of the hill can be heard laughing at our boys (and our woman). And the ending is revisionist, but I won't go into it. Justice outs, let's say that.
It's a worthwhile watch for any number of reasons. Craftsmanlike if not poetic.
"Courage Under Fire" is perhaps the best illustration of how flexible and adaptive actors like Denzel Washington are. What makes "Courage Under Fire" impressive is not so much its plot or storyline (which is somewhat inconsistent), but its portrayal of a lone officer torn between personal conscience and duty. Denzel's overweight build and alcoholic demeanor create the highly credible image of a man barely attached to his life. Basically the story of a budding Army officer re-assigned to administrative duties following a Desert Storm friendly fire incident, "Courage Under Fire" submerges the viewer into pure emotional hell as it progresses. The stunning emotional catharisis portrayed at the film's end is incredibly dramatic and almost entirely unmatched. Anyone who has ever been under the extreme pressures of stress or suffered cognitive dissonance following a bad judgement will definitely connect with this film. A great psychological thriller and a tour-de-force drama. Definitely one of the best films...if only it would be released on DVD!!
This movie has 2 stories that that run side by side, depicting the same image of war from different perspectives.
Denzel's story is one of sadness and guilt over the death of a friend during the Gulf war, a friend that he himself killed in a 'Friendly Fire' incident, during the confusion of battle. His country won't let him speak, and they shower him with medals; this only adds to the pain that begins to tear him apart.
Denzel's Character is given an assignment to determine whether a female helicopter pilot (Meg Ryan) deserves the medal of honour.
Meg's story, played out in flashbacks, is about a helicopter pilot and her crew saving a handful of soldiers, from the Iraqi onslaught. She is the first female to be considered for the medal of honour, and the question is, does she deserve what the American people would so love too see her receive.
Denzel, determined to get this one right, collects evidence and testimony from Ryans crew and the men that were saved. The problem is, Denzel's superiors want this medal awarded, but the simple truth is difficult to unveil. Every shred of evidence leads to more and more uncertainty as to whether this medal should be awarded.
Truly compelling direction and very special character portrayal make this an extremely enjoyable, very dramatic movie.
If you've over looked it, then give it a try. I think you'll be glad you did.
8/10
Denzel's story is one of sadness and guilt over the death of a friend during the Gulf war, a friend that he himself killed in a 'Friendly Fire' incident, during the confusion of battle. His country won't let him speak, and they shower him with medals; this only adds to the pain that begins to tear him apart.
Denzel's Character is given an assignment to determine whether a female helicopter pilot (Meg Ryan) deserves the medal of honour.
Meg's story, played out in flashbacks, is about a helicopter pilot and her crew saving a handful of soldiers, from the Iraqi onslaught. She is the first female to be considered for the medal of honour, and the question is, does she deserve what the American people would so love too see her receive.
Denzel, determined to get this one right, collects evidence and testimony from Ryans crew and the men that were saved. The problem is, Denzel's superiors want this medal awarded, but the simple truth is difficult to unveil. Every shred of evidence leads to more and more uncertainty as to whether this medal should be awarded.
Truly compelling direction and very special character portrayal make this an extremely enjoyable, very dramatic movie.
If you've over looked it, then give it a try. I think you'll be glad you did.
8/10
Courage Under Fire is a movie that will stay with me for a while. Denzel Washington continues to be one of the finest actors today and proves it in this movie. The premise was interesting and was entertaining. I was disappointed with Meg Ryan's performance. I usually like her but she got annoying with her constant shouting. Yet that didn't keep the movie down. It was extremely dramatic and my two favorite scenes are the scene with Lou Diamond Phillips in the car and when it shows what really happened. A great film and terrific acting by Denzel Washington.
Wusstest du schon
- WissenswertesIn order to lose the required amount of weight for the present-day scenes, Matt Damon went on a strict regimen of food deprivation and physical training. This caused his health to become so frail that he was put on medical supervision for several months after the shoot. However, his efforts didn't go unnoticed: director Francis Ford Coppola was so impressed by Damon's display of method acting that he offered him the leading role in Der Regenmacher (1997). While making Good Will Hunting: Der gute Will Hunting (1997), after regaining his healthy weight, Damon met Steven Spielberg (who was then casting Der Soldat James Ryan (1998)). Spielberg told Damon that he had loved his performance in this movie and had wanted to hire him to play Private Ryan, but was afraid that Damon was too skinny. Once Spielberg saw Damon at his normal weight, he hired him for Ryan.
- PatzerThe Medal of Honor is never placed around the neck of anyone but the recipient of the award.
- Zitate
Captain Karen Emma Walden: [to Monfriez, after she's been shot in the abdomen] I gave birth to a nine-pound baby, asshole. I think I can handle it.
- SoundtracksAngel from Montgomery
Written by John Prine
Top-Auswahl
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Details
Box Office
- Budget
- 46.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 59.031.057 $
- Eröffnungswochenende in den USA und in Kanada
- 12.501.586 $
- 14. Juli 1996
- Weltweiter Bruttoertrag
- 100.860.818 $
- Laufzeit
- 1 Std. 56 Min.(116 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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