Ein junger Kampfkünstler ist gefangen zwischen dem Respektieren der Wünsche seines pazifistischen Vaters oder dem Verhindern, dass eine Gruppe respektloser Ausländer wertvolle Artefakte stie... Alles lesenEin junger Kampfkünstler ist gefangen zwischen dem Respektieren der Wünsche seines pazifistischen Vaters oder dem Verhindern, dass eine Gruppe respektloser Ausländer wertvolle Artefakte stiehlt.Ein junger Kampfkünstler ist gefangen zwischen dem Respektieren der Wünsche seines pazifistischen Vaters oder dem Verhindern, dass eine Gruppe respektloser Ausländer wertvolle Artefakte stiehlt.
- Auszeichnungen
- 3 Gewinne & 1 Nominierung insgesamt
- Master Fu Wen-Chi
- (as Lau Kar-Leung)
- John
- (as Low Houi Kang)
- Fo Sang
- (as Chin Ka Lok)
- Tso
- (as Tseung Chi Kwong)
- Uncle Hing
- (as Hon Yee Sang)
- Fun
- (as Ho Wing Fong)
- Marlon
- (as Kar Yung Lau)
- Lady in Coffee Shop #1
- (as Evonne Yung)
- Lady in Coffee Shop #2
- (as Chan Wai Yee)
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With a decent plot, good acting, and a dash of humor to go along with the frenzied action, Legend of Drunken Master is one of those rare complete martial arts films that do more than just throw fights at you. Honestly, there has yet to be a perfect martial arts film. Whether its bad acting, a weak plot, too much focus on action, a pointless romantic story attached, or way too over-the-top substance, there hasn't been a martial arts film worthy of being up there with the best films in the modern era. Jui Kuen II (as they call it overseas) is the closest to the complete package as you can get.
We start the film off with Jackie Chan as the tough yet uncontrollable young kid by the name of Wong Fei-hung who accidentally takes a seal from British smugglers. The smugglers, also involved in overworking Chinese men in a factory resembling slave-like sweatshop of some sort, want the seal back. In the meantime, Wong's controversial fighting technique, drunken boxing, has been met by disapproval of his father, and wants him to refrain from ever using it. Drunken boxing also has a lot of competition and shun from others in the community. Chaos follows as soon as the British and their henchmen find out who has the seal, and vow to do whatever it takes to get it back and to spread fear in the community.
The plot isn't groundbreaking, but its something different than the average martial arts film. While it still contains the themes of family, honor, respect, and dignity contained in most Chinese movies of this genre, the preservation of Chinese art is a concept not used often. Nonetheless, it works, as we see the traditional values of the Chinese being threatened by the more modern mechanisms of the Europeans. There is also a major issue with honor, as Wong's father is morally against drunken boxing, and hates it when his reputation is damaged even a little. The acting involved with the tension amongst Chan and his family is at times a bit overblown, but for the most part gets the job right.
Jackie Chan is one of the few actors/actresses in modern cinema history that can both be taken seriously and lightly. We see Chan at his playful side, especially when he is drunk. But, take away the smile, watch him pose, and you will fear him. Seeing that look in his eye right before a major fight starts can send shivers down your spine, as you know he will not back down easy, and will use whatever technique necessary to take you out. His physical appearance isn't exactly intimidating, but his agility and amazing ability to be balanced and whip out an insane combo of punches and kicks remains to be matched by anyone else out there. The best of Chan is here in terms of acting, usage of props, and kung fu. Don't let his usage of props fool you, he can engage in a brutal victory without the use of any objects. Few Jackie Chan films prove this, but Drunken Master has its share of fights without any other objects floating around.
The fights are what Chan is best known for, and the fights are where the film excels towards jaw-dropping levels. From the first fight, involving swords and extending from underneath a train to a nearby house, to the final fight that lasts over 10 minutes without exaggeration; Drunken Master will wow you, will keep you on the edge of your seat, and will make you almost jump back in amazement. Hollywood does not have enough patience to spend four months on one fight alone, which is why we don't see fights in action films like the ones seen here. The final fight, involving a well-trained kicker and Chan at his drunkest stage is easily one of the best fights in historyit's so well choreographed, so well-timed, and so brilliantly executed, that it deserves a spot on one of modern film's greatest achievements. Raising the bar for generations to come, the last fight mixes speed, agility, humor, combos, fast movements, and unbelievable stunts. In truth, all the clashes prior do the same, but this one puts all the others to shame.
Bottom Line: Missing this film would be a travesty, especially if you enjoy a good martial arts film. This time its not Chan alone that makes the film; we have a good cast of characters and fighters, a decent plot, and never really drifts into an unbelievable level unlike most action movies of today. This is Chan at his absolute best; and this is famed director Chia-Liang Liu at his best. Almost a complete package in terms of quality and substance, Legend of Drunken Master is as close as you can get to martial arts perfection; and remains the greatest martial arts film of all-time.
Fe-Hung doles out justice throughout the film with his unique fighting style, drunken boxing, despite ridicule by his opponents, insisting that drunken boxing is inferior. Needless to say, Jackie proves them wrong.
Historically speaking, the real Huang Fe-Hung did not use drunken boxing at all. In fact, he was a practioner of the much more effective style of Kung Fu called Hung-Gar. And his exploits can be alikened more to the Jesse James of America's old west. But Fe-Hung was more commonly found fighting for the underdog and battling tyranny. However, of all the innumerable depictions of Huang Fe-Hung "DRUNKEN MASTER 2" is by far the best.
This movie can be described as a "Big Budget" Kung Fu movie, done in a very traditional period style. The cinematography, direction, action sequencing, writing, and story line are all TOP KNOTCH. There has never been a Kung Fu movie made that is "better" than this one. And there has never been better fight choreography.
As you might well expect, there are some breath-taking stunts. And this is the movie that has the fire stunt responsible for Jackie's skin graft on his arm. He did not get burned so severly until the THIRD take! He wasn't happy with the first two. And if that is not painful enough to watch, then check out the fight against the Ax Gang, when one member gets knocked of the up-stairs portion of the restaraunt and slams into a cross beam before smashing in to the floor.
If you are looking for the best martial arts flick ever, this is it.
Hong Kong action comedy full of over-the-top struggles , excitement , thrills , ingenious stunts , slapstick , lots of fights but with abundant humor and tongue-in-cheek . This bemusing movie is packed with adventure , intrigue , unstopped action , and overwhelming stunt-work , in fact , the seven-minute fight at the end of the film took nearly four months to shoot , Jackie Chan indicated that one day's filming typically produces three seconds of usable film . Jackie Chan is top notch as one army man fighting a group of heinous villains and as always he makes his own stunts like is well showed . Awesome , incredible stunts and brief comic touches , as usual ; the picture is better constructed than Chan's predecessors films . The lighting-paced storyline slows down at times , but frantic action sequences make up for it . Spotlights movie include spectacular brawls , including bounds and leaps , impressive and interminable fights , a breathtaking final struggle between Jackie Chan and enemies . Jackie Chan actually crawled over the burning hot coals two times , he felt he "didn't have the right rhythm" the first time he did it . In addition other fine action sequences in overwhelming style . This is an acceptable action movie distinguished by nicely cinematography of the spectacular sequences , and contains agreeable sense of humor such as previous entries . Jackie Chan usually forms couple to notorious actresses as Maggie Chung and Michelle Yeoh . In this outing Jackie teams up again to prestigious Chinese actress Anita Mui , who plays his stepmother , a fine action star in their own right but sadly she early died by cancer . Both of them starred together several films such as ¨ Mr Canton and Lady Rose¨ and ¨Rumble Bronx¨ .
The ¨Wong Fei Hung¨ role is a Chinese historic character who has been played by several actors , as Tak Hing in numerous films , the same Jackie Chan in ¨Drunken monkey in the tiger's eyes (1978)¨ and Jet Li in ¨One upon a time a hero in China¨ series , ¨Dr Wong in America¨ and recently Sammo Hung in the recent version of ¨Around the world in 80 days¨ also starred by Chan . ¨Jui Kuen II¨ is a good action movie distinguished by fight sequences , noisy action and packs silly sense of humor as well as Jackie's subsequent entries . The picture achieved big success in China and all around the world . However , Jackie Chan's failed at Box-office in his American debut ,¨Battle creek brawl¨ . Chan is a hard-working actor and director throughout his long and varied career . Chan usually pays overt homage to two of his greatest influences as Charles Chaplin and Harold Lloyd . He went on playing ¨Cannoball¨ , ¨The protector¨ and "Rumble in the Bronx", until getting all American success with ¨Shangai Knights¨ , ¨The tuxedo¨ , ¨Around the world in 80 days¨ and ¨Rush hour¨ trilogy , and the recent ¨Karate kid¨. Of course , his biggest hits were ¨The Police story¨ series that won the Golden Horse Award, a Chinese version of the Oscar , the first was titled ¨Police story (1985)¨ directed by the same Chan , it was a perfect action film for enthusiastic of the genre ; the following was ¨Police story 2 (1988)¨ also pretty violent and with abundant humor touches . It's followed by ¨Supercop¨ or ¨Police story 3¨ and finally , ¨Police story IV : Crime story¨ . The picture is well produced by the great Asian producer Raymond Chow and Golden Harvest production and compellingly directed by Chia Liu and completed by Jackie Chan . Rating : Acceptable and passable , the picture has its sensational moments here and there , but also with abundant humor touches mostly provided by its agile star , the super Jackie stunningly accompanied by Anita Mui and Lung Ti . It's a perfect action film for enthusiasts of the genre and especially for Jackie fans .
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- WissenswertesJackie Chan actually crawled over the burning hot coals two times. He felt he "didn't have the right rhythm" the first time he did it.
- PatzerJust at the beginning of the first street fight drunken boxing scene, Fei-hung's Step-Mother pushes past a tall blond man in a grey suit and tie to go inside with her girlfriends and get Fei-hung some wine. In the next scene, we see them go up to the bar and grab some bottles, first pushing past the exact same blond man from outside.
- Zitate
Wong Fei-hung: [Drinking some very strong alcohol in the middle of a fight] What the hell is that?
Mrs. Wong: What does it mean when there's a picture of a skull?
Wong Fei-hung: Good stuff!!!
- Crazy CreditsOpening credits list Jackie Chan as "His stuntperson's double".
- Alternative VersionenSome versions open with an introduction from Jackie Chan, wishing viewers a happy new year.
- VerbindungenEdited into Fist to Fist (2000)
Top-Auswahl
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Details
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Box Office
- Budget
- 10.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 11.555.430 $
- Eröffnungswochenende in den USA und in Kanada
- 3.845.278 $
- 22. Okt. 2000
- Weltweiter Bruttoertrag
- 11.555.430 $