Füge eine Handlung in deiner Sprache hinzuThird installment in the "That's Entertainment" series, featuring scenes from "The Hollywood Revue of 1929," "Brigadoon," "Singin' In The Rain," and many more MGM films.Third installment in the "That's Entertainment" series, featuring scenes from "The Hollywood Revue of 1929," "Brigadoon," "Singin' In The Rain," and many more MGM films.Third installment in the "That's Entertainment" series, featuring scenes from "The Hollywood Revue of 1929," "Brigadoon," "Singin' In The Rain," and many more MGM films.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
- Beginning Narrator
- (Synchronisation)
- Self in Film Clip
- (Archivfilmmaterial)
- (Nicht genannt)
- Performer in Clip from 'Hollywood Revue of 1929'
- (Archivfilmmaterial)
- (Nicht genannt)
- Performer in Clips from 'Easter Parade'
- (Archivfilmmaterial)
- (Nicht genannt)
- …
- Performer in Clip from 'Ziegfeld Follies'
- (Archivfilmmaterial)
- (Nicht genannt)
- Performer in Clip from 'Hollywood Revue of 1929'
- (Archivfilmmaterial)
- (Nicht genannt)
- Performer in Film Clip
- (Archivfilmmaterial)
- (Nicht genannt)
- Chris Maule
- (Archivfilmmaterial)
- (Nicht genannt)
- Self - Newsreel Clip
- (Archivfilmmaterial)
- (Nicht genannt)
Empfohlene Bewertungen
It also was interesting to see some of the stars in the early '90s when this was made, as they host certain segments of this 113-minute tribute. I am referring to June Allyson, Cyd Charisse, Lena Horne, Howard Keel, Gene Kelly, Ann Miller, Debbie Reynolds, Mickey Rooney and Esther Williams. I'd say the person who most looked a lot like they did when they were much younger was Horne.
I also appreciated the fact they showed quite a bit of numbers in the widescreen format, something we never saw viewing these great musicals on VHS. We also see a very early edition of "Singin In The Rain," with the likes of Jack Benny and Joan Crawford.
Overall, a worthy edition to the "That's Entertainment!" package.
The films starts too much like a television special for my liking, with Generic Narrator #1 introducing the material, and thankfully throwing promptly to Gene Kelly, who has considerably more interesting things to say. A lot had taken place since Part I and II of 'That's Entertainment!' found their way into theatres; the advent of home video ensured that no household was without an assortment of family entertainment, including countless classic MGM musicals, and, among others, Fred Astaire was no longer with us, having passed away in 1987. Gene Kelly is almost unrecognisable from the Gene Kelly of decades past, and certainly didn't look as though he was going to start tappin' away any time soon; however, it's just good to hear his contribution. The other hosts, most of them "second-tier" performers (I don't intend this negatively) who wouldn't usually get such an opportunity, provide some useful information on the clips that we are seeing. There's also the usual tributes to Fred Astaire and Judy Garland, and the obligatory selection from Esther Williams.
While 'Part II' had been somewhat haphazardly edited, 'Part III' has a solid structure and good progression. Some of the archival wells do, indeed, seem to be running dry we get the "Fit as a Fiddle" number from 'Singin' in the Rain (1952)' but, otherwise, the footage is fascinating. Fred Astaire taps away in two alternative versions of "I Wanna Be a Dancin' Man" from 'The Belle of New York (1952),' showing such perfect rhythm and timing that, side-by-side, both Astaires are faultlessly synchronised; Eleanor Powell dances to "Fascinating Rhythm" from Lady Be Good (1941),' as a behind-the-scenes camera captures the frantic crew members shifting pieces of the stage back and forth; in an unfinished early musical 'The March of Time (1930),' an elaborate musical sequence calls to mind Elvis Presley's 'Jailhouse Rock (1957).' If you pressed me to make a decision, I'd probably rank 'That's Entertainment! III' as the third-finest entry into the series, which has been remarkably consistent in quality. I think I'll always love 'Part II' best of all how can anybody pass up Gene Kelly and Fred Astaire dancing together?
This new version concentrates on the singing and dancing stars. Its 113 minutes running time flies by without noticing because of the quality of the material selected to be shown.
There is a magnificent black and white sequence showing Eleanor Powell performing a number and at the same time on a second screen we are taken to the actual filming of the routine as the technicians worked on it. Even for the time when it was filmed, it was revolutionary. Also, we see a dance routine by Fred Astaire with two different costumes and the same music shown on split screen where the "master" himself performs the exact same steps in both sequences. Amazing!
The only sad note of the documentary is to see how Lena Horne, a talented and gorgeous black woman who was employed by the studio, but was never given a starring role on films that involved other white actors. In fact, it's a shame she lost a plum role in "Showboat" because of the discrimination at the time.
It was great to watch the MGM stars narrating the different segments. Thus, we saw June Allyson, Cyd Charisse, Ann Miller, Gene Kelly, Debbie Reynolds, Esther Williams, Howard Keel introducing the different production numbers in the documentary.
Without a doubt, Hollywood was a factory of dreams and MGM was the best place where they came true.
Easily among the best of the 'That's Entertainment' compilations, it features June Allyson, Cyd Charisse, Lena Horne, Howard Keel, Ann Miller, Debbie Reynolds, Mickey Rooney and Esther Williams all giving us a guided tour of some of their best MGM moments. The late Gene Kelly is included among the hosts.
Especially fascinating is the dance sequence showing how the crew worked hard to keep up with Eleanor Powell's dance routine in "Lady Be Good"; Esther in an underwater number for 'Jupiter's Darling'; and outtakes of Judy Garland's attempt at 'Annie Get Your Gun'. Elvis fans will get a chance to see his 'Jailhouse Rock' routine.
Also intriguing is an early glimpse of the first Hollywood musicals, with Joan Crawford, Jack Benny, Marion Davies and others doing an awkward version of 'Singin' in the Rain', complete with overweight chorus girls and early color.
Film nostalgia of the highest kind--a treasure for fans of MGM musicals. Those were the days!!
Such is particularly the case with the legendary Lena Horne, who presents a casually-spoken but quite powerful narrative about the racism that limited her career. But the real power of THAT'S ENTERTAINMENT III is in it's "never-before-seen" footage--footage that includes memorable performances by Judy Garland, Fred Astaire, Cyd Charisse, and Lena Horne among others. The film also offers the chance to see some truly rare bits of film, including Vaudeville acts hoping for film stardom, scenes from the early Technicolor and never-completed film MARCH OF TIME, and pre-code bathing-beauties. THAT'S ENTERTAINMENT III doesn't have quite the same dash and splash or variety as the original THAT'S ENTERTAINMENT, but it moves at a smart pace, and fans of movie musicals will find a great deal to enjoy. Recommended.
Gary F. Taylor, aka GFT, Amazon Reviewer
Wusstest du schon
- WissenswertesFinal screen appearance of Gene Kelly.
- Zitate
[last lines]
Gene Kelly: What a time it was! Life was simpler then and so was the movie business. MGM's dream factory created a rich, romantic, compelling world of illusion. And although we may not see anything like it again, we're blessed with memories and miles and miles of film. In the words of Irving Berlin, "The song has ended, but the melody lingers on."
- Crazy CreditsProduction stills from MGM musicals are shown under the end credits.
- Alternative VersionenHome video and DVD release contains several additional musical excerpts.
- SoundtracksHere's to the Girls
(1945) (uncredited)
Music by Roger Edens
Lyrics by Arthur Freed
Performed by Fred Astaire, Lucille Ball, and Chorus
From Broadway-Melodie 1950 (1945)
Top-Auswahl
- How long is That's Entertainment! III?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Érase una vez en Hollywood III
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 2.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 280.163 $
- Eröffnungswochenende in den USA und in Kanada
- 36.220 $
- 8. Mai 1994
- Weltweiter Bruttoertrag
- 280.163 $
- Laufzeit1 Stunde 53 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1