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That's Entertainment, Teil 2

Originaltitel: That's Entertainment, Part II
  • 1976
  • 6
  • 2 Std. 13 Min.
IMDb-BEWERTUNG
7,3/10
2528
IHRE BEWERTUNG
That's Entertainment, Teil 2 (1976)
Official Trailer
trailer wiedergeben3:18
1 Video
99+ Fotos
DocumentaryFamilyMusical

Füge eine Handlung in deiner Sprache hinzuThe second installment in the "That's Entertainment" trilogy features more classic scenes from MGM's vast musical library with the addition of comedy and drama films.The second installment in the "That's Entertainment" trilogy features more classic scenes from MGM's vast musical library with the addition of comedy and drama films.The second installment in the "That's Entertainment" trilogy features more classic scenes from MGM's vast musical library with the addition of comedy and drama films.

  • Regie
    • Gene Kelly
  • Drehbuch
    • Leonard Gershe
  • Hauptbesetzung
    • Fred Astaire
    • Gene Kelly
    • Judy Garland
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,3/10
    2528
    IHRE BEWERTUNG
    • Regie
      • Gene Kelly
    • Drehbuch
      • Leonard Gershe
    • Hauptbesetzung
      • Fred Astaire
      • Gene Kelly
      • Judy Garland
    • 32Benutzerrezensionen
    • 19Kritische Rezensionen
    • 67Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Gewinn & 2 Nominierungen insgesamt

    Videos1

    Thats Entertainment, Part II
    Trailer 3:18
    Thats Entertainment, Part II

    Fotos218

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    Topbesetzung99+

    Ändern
    Fred Astaire
    Fred Astaire
    • Self - Co-Host…
    Gene Kelly
    Gene Kelly
    • Self - Co-Host…
    Judy Garland
    Judy Garland
    • Jo Hayden
    • (Archivfilmmaterial)
    • …
    Mickey Rooney
    Mickey Rooney
    • Clips from 'Girl Crazy' & 'Words and Music' etc.
    • (Archivfilmmaterial)
    Bing Crosby
    Bing Crosby
    • Clip from 'Going Hollywood'
    • (Archivfilmmaterial)
    Robert Taylor
    Robert Taylor
    • Clip from 'Broadway Melody of 1936'
    • (Archivfilmmaterial)
    Greer Garson
    Greer Garson
    • Katherine
    • (Archivfilmmaterial)
    Clark Gable
    Clark Gable
    • Clips from 'Gone with the Wind' & 'Strange Cargo' etc.
    • (Archivfilmmaterial)
    Kathryn Grayson
    Kathryn Grayson
    • Clip from 'Lovely to Look At'
    • (Archivfilmmaterial)
    Leslie Caron
    Leslie Caron
    • Lili
    • (Archivfilmmaterial)
    • …
    Jeanette MacDonald
    Jeanette MacDonald
    • Clips from 'New Moon' & 'Broadway Serenade'
    • (Archivfilmmaterial)
    Nelson Eddy
    Nelson Eddy
    • Clip from 'New Moon'
    • (Archivfilmmaterial)
    Doris Day
    Doris Day
    • Ruth Etting
    • (Archivfilmmaterial)
    Ann Miller
    Ann Miller
    • Clip from 'Kiss Me Kate'
    • (Archivfilmmaterial)
    Ann Sothern
    Ann Sothern
    • Dixie Donegan
    • (Archivfilmmaterial)
    Frank Sinatra
    Frank Sinatra
    • Clarence Doolittle
    • (Archivfilmmaterial)
    • …
    Jimmy Durante
    Jimmy Durante
    • Clips from 'Hollywood Party', 'Two Girls and a Sailor' & 'Jumbo'
    • (Archivfilmmaterial)
    Eleanor Powell
    Eleanor Powell
    • Clips from 'Born to Dance' & 'Lady Be Good'
    • (Archivfilmmaterial)
    • Regie
      • Gene Kelly
    • Drehbuch
      • Leonard Gershe
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen32

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    Empfohlene Bewertungen

    Michael_Elliott

    Fun Clips for MGM Fans

    That's Entertainment, Part II (1976)

    *** (out of 4)

    Gene Kelly and Fred Astaire co-host this sequel to the 1974 hit and Kelly also directed this, which would be his final time in the director's chair. Obviously this film was made because MGM made a lot of money the first time around. While many of the great classics were used in the original, this film here still offers up some classic dance and song numbers as well as showing off some MGM comic talent.

    Apparently when this was released a lot of people joked at the studio's money grab by asking "what else" was in their vaults that would be good enough for a second film. Well, there was plenty more in their vaults and this film proves that. For the most part the musical numbers here aren't nearly as good as the ones shown in the original film but that was to be expected. After all, MGM put all their classics in the first film so this film here get what would be considered a second group of hits. Instead of Singin' in the Rain we get Good Morning from SINGIN' IN THE RAIN.

    Clips from dozens of musicals are shown but this one here also takes it a step further and shows off the dramatic actors like Gable, Garbo, Tracy and various others as well as comedy stars like Laurel and Hardy, Abbott and Costello and The Marx Brothers. Obviously the studio was pushing more than just their music talent and for the most part all of it is entertaining, although, as with the first film, one could argue that the best way to watch any of these clips are by watching them in the context of their full films.

    While there are some very good clips shown throughout the running time, a lot of people will be most entertained by Kelly and Astaire doing a few dance numbers together. Apparently these were done with a request by Astaire and it was a smart move because it's certainly the highlight.
    didi-5

    those grand old troopers do it again

    Part of the joy of watching 'That's Entertainment, Part 2' is seeing the ageing Astaire and Kelly dance together again, with all the skill and the joy they put across in their respective heydays.

    Part 2 doesn't just rely on clips from MGM musical productions, but also celebrates the dramatic output of this prince of studios - Tracy and Hepburn, Garbo ... - as well as two amusing segments, one on comedy (including the Marx Bros.), and one on films about composers writing songs and melodies.

    Also of note is the excellent title sequence, where each artiste is represented by some kind of introduction that sums them up (Garbo by a rose, Betty Hutton and Howard Keel branded into wood, Hepburn and Tracy announced by a gong, Nelson and Jeanette as floating petals on a lake).

    A little peach of a movie, and proof positive that they really don't make 'em like this anymore.
    9gaityr

    Now this is *really* entertainment!

    You really would think that no other film musical documentary could possibly top THAT'S ENTERTAINMENT. Come on--it's got personal appearances by a host of stars, and some of the most famous and best-loved clips ever. Including, you know, the singing in the rain bit from SINGIN' IN THE RAIN. Could it get any better?

    Well, THAT'S ENTERTAINMENT II certainly tries its darned hardest to be better. Not a single clip is repeated from the first film in the trilogy, and watching this film really makes you realise just how much talent was all focused in the one studio from the 30s through to the 50s. Judy Garland admiring Fred Astaire's Easter bonnet in EASTER PARADE, Garland and Astaire sailing up the avenue as 'A Couple Of Swells' in the same film, Gene Kelly and Garland dueting on FOR ME AND MY GAL, Ann Miller and Bob Fosse in KISS ME KATE, a montage of musicals before colour, a Garland tribute, a Spencer Tracy/Katharine Hepburn love-fest... this film unabashedly brings them all (and much much more) together. There are a couple of clunkers, of course, like Bobby Van hopping like a maniacal rabbit-freak through the town, or the token Esther Williams number. But as you listen to Garland sing 'Have Yourself A Merry Little Christmas', or Frank Sinatra croon his way through 'I Fall In Love Too Easily', and see Gene tap dance on skates as naturally as if he had been born with them strapped on... again you're struck with just how special an era this was in film-making, one that unfortunately is lost to the rest of us except through video and DVD.

    And I know that this isn't the most popular of opinions, but I think THAT'S ENTERTAINMENT II not only matches but far surpasses the original. There was nothing special about the first film--its only gimmick was the coup it had managed in bringing all these glorious film legends back together to talk about their work. The only caveat was that the incredible personalities behind the stars just couldn't shine through except with some pretty special people... otherwise, they were all reading off a pre-written script. Kind of dampening, really.

    THAT'S ENTERTAINMENT II, on the other hand, is a small but successful exercise in creativity: from the title sequence through to Gene Kelly's direction of the new footage between himself and Astaire. It's also a delight for fans of both Astaire and Kelly when these two dancing men, you know... dance together again. Sure, they're not as nimble and quicksilver as they used to be, and some of the lyrics they're singing are--well, the only word for it is corny. But there's no denying that both these men have a kind of screen charisma that doesn't disappear with time, and having them both onscreen together, singing... now that really *is* entertainment as it should be. In the final scene they tell us that the best films have the audience leaving the film with a glow. How right they are.

    Quite simply, THAT'S ENTERTAINMENT II is sheer, perfect nostalgia bottled and kept simmering, just waiting for an audience. About the only flaw with it is that it simply couldn't be better than its source material... but that's also what's so good about this film. It makes you want to go out and rent all the others... and still watch it over again just to revel in Astaire and Kelly being onscreen together for the first time since 'The Babbitt and The Bromide' in ZIEGFELD FOLLIES almost three decades ago.

    What more could you ask for?
    6planktonrules

    Not nearly the quality of "That's Entertainment!"

    Following the tremendous success of "That's Entertainment", MGM created a second compilation film for theaters--"That's Entertainment, Part II". Unlike "That's Entertainment!", this followup film is a bit different because it's not just about MGM's singing and dancing but the full range of films--with clips from comedies, westerns and dramas as well--but still the lion's share (so to speak) were of musicals. For me, this was a problem because the range was TOO broad and the rest of the films got the short end of it. In other words, you can't sum up ALL of MGM's classic films (including travelogues and comedy shorts) in only about two hours. Another problem with the film is that instead of the classic actors introducing the clips like they did in "That's Entertainment!", this time they try to entertain as well--such as Fred Astaire and Gene Kelly doing a song and dance number near the beginning of the film and some new cartoon bits later in the film. While the pair danced well for old men (Astaire was nearing 80), it also felt a bit creepy and sad--especially when Kelly tried to sing and roller skate in Paris. It took up time they could have been showing other clips plus I wanted to see more MGM stars than just these two fine dancers (and in the previous film it was narrated by several classic actors, not just two). Had the film just been a retrospective of the films of Kelly and Astaire, however, this material would have worked a lot better.

    It helped that I saw this film only a few days after I saw the other--so it's very clear in my head that there were problems in addition to the narration. For the most part, the dance numbers not as good in "That's Entertainment, Part II" and I assume it's because they'd put the best stuff in the first one--as they didn't realize there's be a second film. Now this isn't to say the dance clips are bad--they're just not quite as good. Oddly, however, the clips from the non-musicals also were occasionally disappointing. There weren't enough of them and represented too few films. To me, put simply, it looked a bit rushed--like they threw clips together without as much thought as in the first film or as much of a theme. Overall, worth seeing if you are a fan of Hollywood's golden age, but I think the first film AND the later documentary "MGM: When the Lion Roared" are a lot better.
    7TheLittleSongbird

    Even the weakest of the 'That's Entertainment' films lives up to its name

    All three of the 'That's Entertainment' films are recommended very highly, with the first film being the best. Its two follow ups are not quite as good, but anybody expecting entertainment from such a title will not be disappointed as there's entertainment aplenty in all three.

    'That's Entertainment II' is the weakest and a slight disappointment after being fresh from seeing the first film, which was not perfect but when it was good boy was it good and even the word good didn't do it justice. This said even though it is not as strong as the other two it still lives up to its name and also achieves the goals of being a delightful couple of hours, a nostalgic trip down memory lane it is affectionate, hugely entertaining and also moving and makes one want to watch or re-watch the films and scenes included, goals that the first film in particular did so brilliantly.

    Where 'That's Entertainment II' falls down in particular is in the hosting scenes between Gene Kelly and Fred Astaire. It is a joy seeing both of them dance together and so well and Astaire looks great for his age, but their dialogue aims for the wistful approach and ends up being clunky, very cheesy and corny, while also not saying enough about the personalities and life stories behind the stars. The travelogue scenes also slow the film down and look just as jarringly cheap as the dilapidated MGM backdrops and sets in the hosting segments.

    Also disappointing is that it doesn't feel very ordered structurally. 'That's Entertainment' had a logical, ordered and thematic structure that made sense, the structure in 'That's Entertainment II' feels sprawling, random and somewhat jumpy. Not confusing or incoherent or anything, just wished it was more logical and focused. Editing can be an issue too, not always but scenes like the scene from 'A Night at the Opera' are too short and edited too hastily and that scene and a few others (especially "Good Mornin" do deserve better than that.

    However, What immediately captivated was seeing the who's who of musical/dance/singing talent being featured. The production values are lavish and just beautiful to look at, the music dazzles and is full of emotions and the choreography is often enough to make the jaw drop. Almost all the scenes featured are great to masterpieces, with the exceptions being the ones with Bobby Van, liked the energy but the routine was just weird, and the French segment with Kelly.

    It is interesting to see Robert Taylor sing and Greta Garbo dance, not brilliant but a long way from bad (nowhere near to Joan Crawford bad for example). Esther Williams skiing was almost as dazzling as that incredible water ballet featured in the first 'That's Entertainment'. Also loved the moving tribute to Katharine Hepburn and Spencer Tracy (almost as moving as Liza Minnelli's tribute to Judy Garland in the first film, though do have to agree that the omission of 'Guess Who's Coming to Dinner' was a mistake). One can't mention the film either without mentioning the awesome title sequence, definitely the cleverest and most memorable one of all three films to me.

    Standout sequences are Judy Garland singing "Have Yourself a Merry Little Christmas", Gene Kelly's roller-skating routine, Frank Sinatra "I Got Rhythm", Ethel Waters, Garland and Kelly in 'The Pirate', Eleanor Powell, Lena Horne, the use of classics like "Ol Man River" and "There's Nothing Like Show Business" and Cyd Charisse in one of 'Singin in the Rain's' most unforgettable moments.

    Overall, 'That's Entertainment II' is the weakest of the 'That's Entertainment' trilogy but it lives up to its name and meets nearly all its main objectives. 7/10 Bethany Cox

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    Handlung

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    • Wissenswertes
      This was Fred Astaire's final dance performance on film.
    • Patzer
      During the clip from Küß mich, Kätchen! (1953), Gene Kelly identifies the choreographer as Hermes Pan. But the clip shown, "From This Moment On", was actually choreographed by Bob Fosse, one of the dancers.
    • Zitate

      Gene Kelly: Fred, I hear tap dancing is popular again.

    • Crazy Credits
      The opening credits introduce not only hosts Fred Astaire and Gene Kelly, but mention all the other performers from the clips before the movie's title card; all are done in different styles: names drawn in the sand, scrolls, inside a book, tiles spelled out on satin, inside a file cabinet, typed on stationery, branding iron, the 'Rank Organisation' gong, etc.
    • Alternative Versionen
      The original release print ran 133 minutes and contained a handful of sequences that were ultimately shorn from the general release print. In the first section, you can see Astaire and Kelly rotating enormous photos of each song that appears in that section. One of them is "You Stepped Out of a Dream" from Ziegfeld Girl (1941), which originally appeared between "La Chica Choca" and "I Wanna Be a Dancin' Man." In the Great Songwriters section, "Lonesome Polecat" from Seven Brides For Seven Brothers (1954) originally appeared between "All of You" and "The Lady is a Tramp." In the 'Shubert Alley' sequence, Astaire and Kelly dance among a series of marquee song titles that eventually appear in the section. Among them are "Concerto in F" from An American In Paris (1951) which originally appeared between "Triplets" and "Have Yourself a Merry Little Christmas" (in fact, due to hasty editing, Oscar Levant's final "Bravo!" can still be heard over the first image of Judy Garland and Margaret O'Brien on all VHS and laserdisc editions; it was edited out of the DVD and Blu-ray issues). Fred Astaire's "Drum Crazy" from Easter Parade (1948) was also slated for this sequence (replaced by "Steppin' Out With My Baby"), as was "The Stanley Steamer" from Summer Holiday (1948), which was to have capped the entire section (it was ultimately replaced by Gene Kelly's "I Got Rhythm").
    • Verbindungen
      Featured in MGM/UA Home Video Laserdisc Sampler (1990)
    • Soundtracks
      Overture
      (1976) (uncredited)

      "That's Entertainment" (1953) (uncredited)

      Music by Arthur Schwartz

      Lyrics by Howard Dietz

      "Temptation" (1933) (uncredited)

      Music by Nacio Herb Brown

      Lyrics by Arthur Freed

      "Hi-Lili, Hi-Lo" (1953) (uncredited)

      Music by Bronislau Kaper

      Lyrics by Helen Deutsch

      "Be A Clown" (1948) (uncredited)

      Music and Lyrics by Cole Porter

      "Good Morning" (1939) (uncredited)

      Music by Nacio Herb Brown

      Lyrics by Arthur Freed

      "Broadway Rhythm" (1935) (uncredited)

      Music by Nacio Herb Brown

      Lyrics by Arthur Freed

      "Have Yourself A Merry Little Christmas" (1944) (uncredited)

      Music and Lyrics by Hugh Martin and Ralph Blane

      Performed by the M-G-M Studio Orchestra Conducted by Nelson Riddle

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 8. April 1977 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Erase otra vez en Hollywood
    • Drehorte
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, Kalifornien, USA(Studio)
    • Produktionsfirma
      • Metro-Goldwyn-Mayer (MGM)
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Bruttoertrag in den USA und Kanada
      • 4.979.380 $
    • Weltweiter Bruttoertrag
      • 4.979.380 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      2 Stunden 13 Minuten
    • Farbe
      • Black and White
    • Sound-Mix
      • Stereo
      • 70 mm 6-Track
    • Seitenverhältnis
      • 1.85 : 1

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