IMDb-BEWERTUNG
6,9/10
40.021
IHRE BEWERTUNG
Die autobiografische Geschichte von Howard Stern, dem Radio-Rebellen, der jetzt auch eine Fernsehpersönlichkeit, ein Autor und ein Filmstar ist.Die autobiografische Geschichte von Howard Stern, dem Radio-Rebellen, der jetzt auch eine Fernsehpersönlichkeit, ein Autor und ein Filmstar ist.Die autobiografische Geschichte von Howard Stern, dem Radio-Rebellen, der jetzt auch eine Fernsehpersönlichkeit, ein Autor und ein Filmstar ist.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 3 Nominierungen insgesamt
Empfohlene Bewertungen
I SO enjoyed this movie.
I watched this movie without realizing until close to the end that Howard Stern was playing himself.
I was a radio announcer myself, during the period when Stern got going. This movie has the 'feel' of reality to it. I recognized so many of the people I worked with in this movie. Every radio station has some of them. The studios of the period were just like this.
Of course, this movie was severely compressed in time and space. Radio is like warfare: lengthy periods of utter boredom punctuated by periods of pure panic. We don't need to see the slow bits. Each hour of on-air radio presentation requires something like three hours of preparation: we don't see the hard work that goes into such a show.
We do see a very funny and entertaining movie. Don't forget, I was in the industry at the time this all happened: and this one feels 'real' to me.
Many autobiographical pieces by "stars" turn into awful sycophantic schmaltz-fests. This one didn't. It could have been awful. Most of this kind are. This one... is excellent.
And if you've never worked in broadcasting -- it's still very funny!
I watched this movie without realizing until close to the end that Howard Stern was playing himself.
I was a radio announcer myself, during the period when Stern got going. This movie has the 'feel' of reality to it. I recognized so many of the people I worked with in this movie. Every radio station has some of them. The studios of the period were just like this.
Of course, this movie was severely compressed in time and space. Radio is like warfare: lengthy periods of utter boredom punctuated by periods of pure panic. We don't need to see the slow bits. Each hour of on-air radio presentation requires something like three hours of preparation: we don't see the hard work that goes into such a show.
We do see a very funny and entertaining movie. Don't forget, I was in the industry at the time this all happened: and this one feels 'real' to me.
Many autobiographical pieces by "stars" turn into awful sycophantic schmaltz-fests. This one didn't. It could have been awful. Most of this kind are. This one... is excellent.
And if you've never worked in broadcasting -- it's still very funny!
This film documents the life and times of radio talk host Howard Stern. While his younger years are displayed in a hit and miss fashion, the years concerning his radio heyday are nicely done. He started out as a local d.j., merely spinning records and doing weather. Becoming bored with this format, he chooses to do a more spontaneous show which causes trouble with his employers. When he reaches the top of the pile at NBC, his antics become even more outrageous which catapults him to enormous fame. Vulgar, but very funny. Go on and watch it.
This movie is for everyone including those who "think" that they don't like Howard. It shows Howard as a regular guy who can do some outrageous bits. Some bits you like, some you don't. The two thoughts that I was left with leaving the theatre is 1) he is devoted to his wife and family, 2) he is a success story despite so very many obstacles. Love him or hate, all but the most prudish will enjoy this.
The true story of Howard Stern's "rise" from schoolboy nerd to leading DJ in the USA. This is adapted from his book and is a whirlwind ride through 30 years, with the main focus being on his career at small stations and his big break at NBC. The fact that it is from Stern himself means that the story focuses on his good sides and tends to brush over the more difficult issues relating to his insensitivity towards his wife etc, but that doesn't stop this being a funny enjoyable film.
Stern plays himself with a great sense of self - most of his jokes put himself down rather than being arrogant. This helps endear the audience to him with great effect and makes him more sympathetic. The comedy is very sharp (and rude) throughout and even if we don't get any great insights at least we have a good laugh.
Stern is good in the lead role (admittedly if he can't play himself what can he do!) And his colleagues are also good as themselves. Paul Giamatti is great as the put upon producer at NBC and the rest of the cast is filled out with weird characters. One complaint would be the copious amount of nudity in the film - I realise that it's a true story but it did seem to be put in just to get the audience at times (well....like Stern's show itself I guess).
Overall this plays like a rude Woody Allen film (funny narrative voice-overs) and it has a certain charm to it that towers over the smuttiness to make it feel a much nicer film than it is. Even if you don't know who Stern is (i.e. most people outside of America) this is a very funny enjoyable film.
Stern plays himself with a great sense of self - most of his jokes put himself down rather than being arrogant. This helps endear the audience to him with great effect and makes him more sympathetic. The comedy is very sharp (and rude) throughout and even if we don't get any great insights at least we have a good laugh.
Stern is good in the lead role (admittedly if he can't play himself what can he do!) And his colleagues are also good as themselves. Paul Giamatti is great as the put upon producer at NBC and the rest of the cast is filled out with weird characters. One complaint would be the copious amount of nudity in the film - I realise that it's a true story but it did seem to be put in just to get the audience at times (well....like Stern's show itself I guess).
Overall this plays like a rude Woody Allen film (funny narrative voice-overs) and it has a certain charm to it that towers over the smuttiness to make it feel a much nicer film than it is. Even if you don't know who Stern is (i.e. most people outside of America) this is a very funny enjoyable film.
I was working as an usher at my local cinema when I first saw this movie, so I saw it quite a few times and it seemed to get better with every viewing. The story is of American disc jockey Howard Stern and his rise to superstardom. It has a great script with good scenes especially the one through the end titles.
Wusstest du schon
- WissenswertesFinal on-screen appearance of Tiny Tim. He died months before this movie was released.
- PatzerRobin makes the statement that Howard, "...wasn't old enough to be in Vietnam" and Howard replies, "no duh". The Vietnam War started in 1965 and ended in 1975. Howard was 18 years of age in 1972 which does make him old enough to be in the war.
- Zitate
[after seeing Howard in his Fartman oufit]
Ozzy Osbourne: What a fucking jerk.
- Crazy CreditsStern cohort 'Stuttering John' Melendez rants about Howard not putting him in the movie.
- Alternative VersionenFor its airings on the USA Network, the movie occasionally pauses and 'Howard Stern' appears to provide commentary on the movie. Also, in an atypical move for a basic cable channel, USA Network presented the movie with no edits -- but with all spoken obscenities bleeped and objectionable visuals (nudity, drug use) electronically masked. This version also airs on VH1.
- VerbindungenFeatured in Saturday Night Live: Alec Baldwin/Tina Turner (1997)
- SoundtracksThe Great American Nightmare
Written by Rob Zombie & Charlie Clouser
Performed by Rob Zombie with Howard Stern
Courtesy of Geffen Records
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Private Parts - Dirty Radio
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 28.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 41.230.799 $
- Eröffnungswochenende in den USA und in Kanada
- 14.616.333 $
- 9. März 1997
- Weltweiter Bruttoertrag
- 41.230.799 $
- Laufzeit1 Stunde 49 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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