Perdita Durango

Being a huge Barry Gifford fan, having enjoyed De La Iglesia's Day of the Beast, and of the opinion that Wild at Heart was one of the best novel to film adaptations in the history of cinema, needless to say, my expectations for this movie were very high. I couldnt have imagined it being so satisfying.

De La Iglesia's adaptation of Perdita Durango takes its liberties but (like Wild At Heart) finds its inspiration in the original source material without destroying the spirit.

Romeo and Perdita carve their way through the world with violence, magic, and sex. They are sadistic, perverse, and perfect for each other. From their first fateful meeting, to their kidnapping of two suburban white kids, to driving a truck full of fetus destined to be black market makeup, it is a dark destiny, a collision of two black souls. If the movie has any message, it is that even the most wicked person has a diabolic soulmate. Love does not discriminate.

The performances are great. Javier Bardem as Romeo was totally unrecognizable as the same guy who played the stud in Jamon, Jamon. He plays Romeo as charming, self preserving, and almost noble killer because of his beliefs in darkness, sacrifice, revenge, and amoral spirituality. My fears of Rosie Perez, an actress I am not fond of in any way, were unfounded as she embodied Perdita perfectly with sadism and sizzle. James Gandolfini, as the Wile E Coyote like DEA agent Dumas, was also very good, perpetually abused and doggedly determined.

De La Iglesia handles with the film with great skill. The pacing is fast and furious. Every scene is alive with energy, and his composition is masterful. He has vastly improved from the flawed, yet entertaining, Day of the Beast, and demonstrates that his is a talent that continues to grow. Given the proper material and time, I can see him providing a enjoyable body of manic, surreal, and outrageous work.