IMDb-BEWERTUNG
5,9/10
7387
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuMax has a one night stand with Karen in New York City. He returns to his wife, two kids and career in Los Angeles but is affected. A year later, Max and Karen meet again by chance, but this ... Alles lesenMax has a one night stand with Karen in New York City. He returns to his wife, two kids and career in Los Angeles but is affected. A year later, Max and Karen meet again by chance, but this time they're with their spouses.Max has a one night stand with Karen in New York City. He returns to his wife, two kids and career in Los Angeles but is affected. A year later, Max and Karen meet again by chance, but this time they're with their spouses.
- Auszeichnungen
- 1 Gewinn & 3 Nominierungen insgesamt
Marcus T. Paulk
- Charlie Carlyle
- (as Marcus Paulk)
Empfohlene Bewertungen
LEAVING LAS VEGAS affected me like almost no other movie has, so I was bound to find this film somewhat of a let-down, but even I was surprised by how much. In his other films, Figgis has demonstrated he's a master with mood and atmosphere, and he's good here as well. The scene where Max and Karen first meet is nicely played, without too much foreshadowing thrown in. But this is a conventional plot, and try as he might, Figgis isn't able to make it interesting enough. And as much as I hate Joe Eszterhas (whose screenplay this is re-written from), I can't imagine his ending was any worse (or maybe this was his ending).
I'm not a big fan of Kinski to begin with, but to be fair, she has almost nothing to work with, and she does try. And I like Ming-Na Wen, but she's also stuck, she with a too-unsympathetic character. The men come off better; Snipes and MacLachlan are good, but really, the main reason this is worth watching is Robert Downey Jr., who avoids cliche even when his character is dying. Otherwise, you're left wondering, what the hell was the purpose here?
I'm not a big fan of Kinski to begin with, but to be fair, she has almost nothing to work with, and she does try. And I like Ming-Na Wen, but she's also stuck, she with a too-unsympathetic character. The men come off better; Snipes and MacLachlan are good, but really, the main reason this is worth watching is Robert Downey Jr., who avoids cliche even when his character is dying. Otherwise, you're left wondering, what the hell was the purpose here?
10Edgar-3
This is a great movie with amazing actors. One suggestion for all the people who give it a bad review: Rent the DVD and listen to the track with the directors commentary (the full length movie). What I read so far on reviews, including the official ones from all the Siskel and Eberts, they seem to misunderstand the movie. They are criticizing exactly what the director did on purpose. Watch the movie - watch the commentary version - watch the movie again. It is a great experience.
I don't know what it is with films but some capture the mood for me and some don't. 'Leaving Las Vegas' didn't but this did. So why? The latter didn't receive half the aclaim of the first, but somehow despite 'Las Vegas' being the more technically perfect film 'One Night Stand' was more a more interesting study of Human relationships and how real life is.
I don't think I have seen a better performance from Snipes and Robert Downey Jnr leaves me stunned at why he hasn't been given more leading roles. Downey Jnr is up there with the best of them when it comes to ability and 'Chaplin' should have led to a continuous stream of top dramatic billing, A small but again thoughtful performance from him, never totally stealing the limelight but always there as the part demanded. There are only a few actors that leave me wanting more because of the insight they brought to the character, Pacino, De Niro, Duvall, Hopkins, to name some, but also, strange as it may be, based on the few decent roles he has had, Downey Jnr.
Figgis brings to this film a mood that captivates. The dialogue levels are appalling in places (sound recordists when are you going to learn its no good spending millions on a movie and people working their guts out if we cant hear the bloody thing!) and the story a little rushed at times. It could be compared, for those of you who are musicians, to recording a piece of Jazz or R & B Live in a studio and then quantizing the track so that all the notes and rhythms are absolutely in time, they then sound too mechanical. A little rough round the edges can often make the difference and ironically make the film perfect.
I had a problem with the ending and couldn't figure out why. Then it struck me, when you look at the two dinner scenes it was plain that the foursome only worked with the second arrangement and the end was inevitable thus the attempt by Figgis to make a twist was lost on an audience who were already half expecting that to happen at the first dinner scene, me included.
So flaws aside I still enjoyed this film immensely and certainly give it an above average rating.
On a a final note has anyone seen so many lowly parts played by such reputable British actors, namely Julian Sands, Amanda Donohue, and Ione Skye!
I don't think I have seen a better performance from Snipes and Robert Downey Jnr leaves me stunned at why he hasn't been given more leading roles. Downey Jnr is up there with the best of them when it comes to ability and 'Chaplin' should have led to a continuous stream of top dramatic billing, A small but again thoughtful performance from him, never totally stealing the limelight but always there as the part demanded. There are only a few actors that leave me wanting more because of the insight they brought to the character, Pacino, De Niro, Duvall, Hopkins, to name some, but also, strange as it may be, based on the few decent roles he has had, Downey Jnr.
Figgis brings to this film a mood that captivates. The dialogue levels are appalling in places (sound recordists when are you going to learn its no good spending millions on a movie and people working their guts out if we cant hear the bloody thing!) and the story a little rushed at times. It could be compared, for those of you who are musicians, to recording a piece of Jazz or R & B Live in a studio and then quantizing the track so that all the notes and rhythms are absolutely in time, they then sound too mechanical. A little rough round the edges can often make the difference and ironically make the film perfect.
I had a problem with the ending and couldn't figure out why. Then it struck me, when you look at the two dinner scenes it was plain that the foursome only worked with the second arrangement and the end was inevitable thus the attempt by Figgis to make a twist was lost on an audience who were already half expecting that to happen at the first dinner scene, me included.
So flaws aside I still enjoyed this film immensely and certainly give it an above average rating.
On a a final note has anyone seen so many lowly parts played by such reputable British actors, namely Julian Sands, Amanda Donohue, and Ione Skye!
I am not that big a fan of wesley snipes but he seems to pull this role of okay. I don't really like the film that much either but when it comes on TV i never miss it because of Robert Downey Jr. His role as a man dying of AIDS touched me deeply. It deserved a best supporting actor nomination from the academy. He is the only real comic relief too. with a lift of his eyebrow he can make you chuckle and can express all those feelings without words. Horrible film, But Downey is great. I can't forget to mention at the beginning when Snipes is visiting Downey at that studio, the cinematography is amazing, that dance idea is pure brilliance with the ballerina and then cutting back to Downey in a god like stance.
The movie is heart warming and full of hope. Robert Downey,JR playing a gay man with AIDS is phenomenal and well worth seeing the picture. Under-rated by critics i found it compelling and very moving. It shows a very shapley Wesley Snipes playing a very sympathetic role, different for him, plus the best friend of Robert Downey Jr,
Wusstest du schon
- WissenswertesAccording to the book "Robert Downey, Jr. - The fall and rise of the comeback kid", Mike Figgis and Robert Downey Jr. met at Kate Mantilini's, a restaurant on Wilshire Boulevard in Beverly Hills, to discuss this movie. Downey arrived two hours late, barefoot, high, and carrying a purse with a gun sticking out of it. Figgis was shocked at first, but started a conversation anyway. Downey, who had lost a lot of weight because of his addiction, still expected to be offered the lead role of Max. Figgis offered him the part of Charlie, a man dying of A.I.D.S. instead. This in turn, gave Downey a shock, but after taking a good look in the mirror (and doing a line of coke) he decided to accept the part.
- PatzerThe photo that Max takes of Charlie has both Max and Charlie in it
- SoundtracksThe Blues From Wayback
Written and Performed by Mark Whitfield
Courtesy of Warner Bros. Records
By Arrangement with Warner Special Products
Top-Auswahl
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Details
Box Office
- Budget
- 24.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 2.642.983 $
- Eröffnungswochenende in den USA und in Kanada
- 978.819 $
- 16. Nov. 1997
- Weltweiter Bruttoertrag
- 2.642.983 $
- Laufzeit1 Stunde 42 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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