Ein Blutiges Erbe

This is not a film where everything appears obvious. It is dark and complicated. It is about how the past haunts you and affects your life in the present. It is the stuff that Freud would have fun dealing with.

The stars in this film give performances that are among the best in their careers.

Dennis Quaid (Frequency, Far From Heaven) is clearly the lead in this picture as the son of a soulless murderer and thief (James Caan). He carries the devil with him through his life and it affects his relationships with women. He runs into an abused housewife (Meg Ryan, in a non-romantic role), and they travel the back-roads of Texas together. Gwyneth Paltrow (Shakesphere in Love) is a thief that plays Caan's companion, even if he is old enough to be her grandfather.

This is written and directed by the Oscar nominated (Wonder Boys) writer of all of the Harry Potter movies, Steve Kloves. He does a fabulous job.

Definitely a movie to watch when you get a chance.

Very few false moments in this Sydney Pollack ensembled film. Steven Kloves shows skilled insight as both writer and director here, putting fine oblique touches to his dialogue, applying a steady observant eye (with DP Phillipe Rousselot's help) to the blocking and shooting, and using Thomas Newman's music to optimum effect. His sparse and well-placed music cues highlight the great writing by Tom Newman here, which is of a quality equal to Newman's later score for Horse Whisperer. TN is truly one of the most evocative composers working in film this decade.

Flesh and Bone features the best acting I've ever seen Meg Ryan do, though she won't probably cite it herself, any more than Sarandon cites Lorenzo's Oil. Disregard the flack. Serious character work going on here if you want to see what Ryan can really do.

Her hubby Dennis Quaid antes up too, combining sullen, well modulated internal work with a wry vocal tone and a great understanding of his character's moment to moment decision making. No rakish charm here.

Paltrow is surprisingly edgy and cynical, although mostly a foil for Ryan and Caan. Caan is workman-like, effective, but a hair hammier than the rest. Luckily the script and director don't give Jimmy too much rein; he's done better (For fine Caan see Chapter Two or Thief). Overall, Flesh and Bone is a solid nine drama, well worth renting, and graced with a few story surprises. Real film buffs will be gratified.

I'm not sure how many other fans of this excellent film realize that it's really an argument against determinism--in this case, biological determinism, but it could also be used as a valid refutation of environmental determinism. Father/murderer James Caan believes that since he himself is evil, and since his son's blood is the same as his, then his son Arlis (Dennis Quaid) must also have evil tendencies--as if Arlis is powerless to act otherwise. Arlis even buys into this nonsense: "It's not in your blood"; "If you're born to it..." He lives a solitary life, as if he's afraid that establishing a close relationship with someone would endanger them, because of the evil taint of his bloodline and his consequent evil potential--which isn't really there at all. But he realizes at the end that we all make our own decisions by means of our free will, and that our bloodline has nothing to do with that process. ("That's nothing. It's only blood.") Dostoevsky knew this too, when in CRIME AND PUNISHMENT or THE POSSESSED (I forget which) he shows how the revolutionaries of that era believed that "the environment" determines all human action--and he also saw how dangerous this idea is. The 20th century was a grim validation of his prophecies.

Once in a while you come across someone who is a little odd, or haunted, or unsociable, or all of the above, and you wonder to yourself how they might have gotten that way. What made them that way? Why are they so terminally sad? Steve Koves has brought us the back story to those questions. His script and handling of the story are stellar. This is not a happy film. But it is a fascinating one.

Everyone in this cast is at their best. But it is Dennis Quaid, who gives the best performance of his ample career, that breaths this story to life, or, death, as it were. He plays Arliss. Arliss has a nickel and dime vending machine business that takes him through the most desolate parts of Texas. His work is so lowly that he doesn't even handle paper money. Coins and dyed chickens are his stock and trade. He pours himself into his boring work as if he is trying to take his mind off of something. Something unpleasant. We know what that something is from the opening of the movie. What unfolds now is the picture of what a destroyed life looks like as it tries to outrun it's past. Quaid is brilliant at creating a haunted and wounded Arliss without making him pathetic. He is the obscure guy you might run across unexpectedly that makes you go, hmmm, what happened to him.

There is nothing about this film that isn't first rate. I am mystified by it's "average" rating here on this site. I suppose if you hate good scripts, skillful directing, brilliant performances, and haunting sound and cinematography, I guess I could see giving this movie a 5. It is certainly possible not to like this type of film. But it is negligent, as a viewer, not to acknowledge it's quality. It is an excellent piece of film making and Dennis Quaid shows just what a brilliant and understated actor he is. James Caan, Meg Ryan, and Gwyneth Paltrow are also up to Quaids level here. I highly recommend this movie. It's different. It's interesting. It's engrossing. And it's brilliantly done.

Arlis (Dennis Quaid) is a vending machine owner who roams from town to town in West Texas. Greatly disturbed by horrific memories from his childhood, Arlis fails to connect with the women he meets. He prefers trysts with married women where no strings are attached. All of this changes the day Arlis meets Kay (Meg Ryan). Running away from an abusive and spendthrift husband, Kay encounters Arlis in a bar under amusing circumstances. Soon after, she is traveling with him on his circuit and they are falling in love. Bliss, however, is short. Arlis' evil father (James Caan) re-enters the life of his son and Arlis must once again suffer the consequences of the ties that bind them. Will it be possible for Arlis to break free from his past and begin a new life with Kay?

This is, truly, one of the most haunting films ever made. The story is a multi-faceted study of the nature of good and evil. Quaid and Ryan give such depth to their doomed and complex characters that the viewer stays mesmerized as the story unfolds. Caan, too, is a wonder as the bad-to-the-bone father. As for the sweeping and lovely cinematography, it perfectly realizes the beauty and desolation that is west Texas. The final scenes are guaranteed to put a lump in anyone's throat, tears included. Recommended highly for discriminating movie fans everywhere.