Metroland

Okay, you can tell me I'm crazy but I completely wonder why the hell this movie was made. I gave it an okay rating, but only because I hate butchering films. The cinematography was less than good, the story was weak and lacked and real twist or meat to it and the characters were so bland that there really wasn't much to invest in. I mean, I found this difficult to bother to sit through on television while sick with a cold and dying just to chill to the TV. To me, that's a pretty bad sign. I love Emily Watson, so I stuck it through to the end, but even my enthusiasm for her as an actress was not enough to make a difference in the taste this movie left in my mouth, which I can only describe as blander than any food I've ever tasted, even when I was a baby on Gerber.

My advice to others that wish to take any... Do not bother wasting your time. Life is too short and if you're going to watch a movie about other people's lives, it should at least be as interesting as your own.

"Metroland" should appeal to boomers, particularly ones who now find themselves in the suburbs and/or with families. (It did not appeal to the two senior citizen couples next to and in back of me who did not shut up throughout the whole movie as they didn't seem to grasp the concepts of flashbacks or fantasy images)

I'm sure there's other movies that have a friend and/or sibling interfering in a stable relationship and shaking the tree (my friend thought of "Hilary and Jackie"-- but maybe because both have Emily Watson, here bundled up in sweaters to try and make her less ravishing) but I couldn't think of one that deals with our time period of post-'60's measurements of personal happiness and fulfillment. We could relate to the English and Parisian experiences with parallel ones here from the same time periods of '68 vs. '78 (nicely accurate hair styles, make-up and clothes).

While there are no shortage of shots of gorgeous naked women, there's ironic visual comment regardless the lead character's lovemaking techniques don't improve over the decade of experience. One sees plenty of Christian Bale, such that I think it would, I imagine, appeal to gay men as well.

Nice use of punk music (freaking out the senior next to me!), otherwise the score was quite lovely by Mark Knopfler, with a closing song original to the movie, with apropos lyrics.

(originally written 4/17/1999)

This film adapted from a novel by one of England's best writers, Julian Barnes, was a story to anyone who has been married for a while. Set mainly during 1977, the drama focuses on Chris (Christian Bale) and Tony (Lee Ross), who grew up together in suburban England a decade earlier.

Chris is now happily married to Marion (Emily Watson) and has a baby daughter. Tony has never settled down. A surprise visit from his childhood friend causes Chris to reassess his present life and to remember his days working in Paris; there he lived with Annick (Elsa Zylberstein), a young, liberated French woman, before he fell in love with Marion.

Bale and Watson were superb in this film. He fantasizes about how his life would have been had he not gotten married. Tony is trying to convince him to give it all up, and Marion is trying to save her marriage.

There is a lot of nudity and sex, but none is gratuitous. It all adds to the story and , at times, is funny, especially when he was new at sex in Paris.

The most interesting part of the film consists of two related scenes. he tells Tony that he is "content." Maybe that is the best you can hope for from an Englishman. His wife asks later if he is "happy." he says, "If not now, never." That is certainly, to me at least, not a ringing endorsement. Maybe again, it is particularly English.

The film was very enjoyable, and the only criticism I would have is the graininess in the middle. I am beginning to like Bale more and more.

Every person, once in a while, during his adolescent years, dreams of doing something different- something more meaningful. But then he grows up and makes the choices- mostly ending up on paths that many had taken before him and many will take after him. While traveling on that path of course, he often stops and wonders whether he made the right decision- is this the right path for him. Metroland beautifully explores this state of mind when a person is half way down the road and wondering whether the decision he took was right or whether he should really become that rebel he always dreamed of becoming. The fact that this movie (made in nineties) is shot in the context of seventies emphasizes this point even further- the situation doesn't change with the decade- or with the ages.

The acting is brilliant with Christian Bale on the top. The two leading ladies are OK though not too impressive.The direction is the one that truly steals the show. The director is able to create the effect of the viewer actually being part of the journey with the protagonist, where he starts from the feeling of what if and ending up in the awakening. A must watch for anyone past there 20s and feeling settled in their life.

I agree with all the posts about what this movie was about -- a man evaluating his present life. But what made this film so good to me was the fantastic acting by Christian Bale and Emily Watson who portrayed their characters so authentically. As a 30 yo single woman myself, the relationships portrayed in this movie came off in a genuine way. What it's like to be married for nearly 10 years and how to preserve the love in the relationship and yet deal w/ the tensions and problems from it. All of this was portrayed subtly, sensitively, and with humour at many times throughout this movie in a natural and unforced way. I credit this to Christian Bale and Emily Watson's acting abilities and the Director's talent. To me, underlying the mid-life crisis of one man in this movie is the theme of "relationship" and how he gets his life from them. Whether it's with his wife, girlfriend or best friend from childhood. I really thought everything about this moview was excellent: script, acting, directing, scenes. More than that, it captured the subtle nuances and emotions shared between people which wasn't stated in words but one "felt" as a viewer that one knew what that look meant or the silent treatment was for. It's now my favorite top 10 movies in my book.