Prince of Jutland

Call this Prince of Jutland, call it Royal Deceit, the only thing tragic about this film is the terrible waste of some very talented people. Christian Bale-heads in particular will be sad to see him in this retelling of the Hamlet legend from material presumably closer to the source, but stuck with a screenplay that hasn't an ounce of poetry and cinematography that wouldn't do for a TV movie of the week. Bale applies himself manfully, as does Gabriel Byrne, but one is embarrassed for them speaking thudding dialogue. Greatest embarrassment of all perhaps is rendered the great Helen Mirren who, like her co-stars, gives it her U.K. all, but is undermined by a tackiness of production and a cast of extras who mill around like location gawkers in medieval drag. Please. Spare us.

I'm immediately thrown off by the costumes, which are all new fabric. Nothing is worn looking, all of it looks straight out of a fabric store. Leather for belts brand new. This is first time I have felt such a distraction over costume design.

The sets also seem to new to believe. New wood on boat, sail brand new material. All the pitchers on tables match along with drinking glasses. Candles all burning exactly. It is a "set" in the worst possible way.

Building appear to have been created hours before filming. Cute little community but no authenticity.

It's a shame that no one associated with the production/filming/director/actors brought up the obvious flaws in creating this movie.

If you have seen Babette's Feast and can appreciate the difference between a more European, understated style of film making and the slam-bang, in-your-face style the Yanks dish out year in and year out... Then this may be a movie for you.

Here is a small film by a director working in a language that is not his own. An experiment in story telling that succeeds on its own terms. Here is a film that is scored by one of the more highly rated, avant-guard classical composers in Europe. It re-tells a well beloved story by going at it by the roots in order to give it a fresh spin. The wonderful cast of British (and Irish) stars can be applauded for endorsing what must have been a modestly budgeted film.

Of course it is not Shakespeare. But it sheds new light on the Hamlet play by exploring the legend that inspired the bard to choose it as story material. For fans of history and drama.

When I got over the initial surprise of what this movie was,(for some reason the writers of the blurb on the tape packaging don't want you to know), I found myself enjoying it.

This is not Shakespeare's Hamlet, with poetry, dramatic speeches and opportunities for showy histrionics but a steadily paced re-telling of the original Norse legend.

It's not for everybody but I found the combination of bleak Jutland scenery, calm voice-over narration and the momentum of the Royal intrigues fascinating and hypnotic.

Good acting by the principals.

I'm not quite sure how an 85 minute version of Amleth's story can seem longer than Kenneth Branaugh's five hour Hamlet, but somehow it does. Sadly, most of the time is yawningly empty except for lovely panoramics of the Danish countryside. The script is atrocious, making the rather dynamic Viking story of Amleth into some sort of whack emo coming of age story for (admittedly super hot) Christian Bale. Narration runs over the entire story (perhaps Brian Cox's turn in Adaptation was some sort of penance for being in this movie), but the scenes present are so badly shot one becomes grateful for skipping the rest via obnoxious voice-over.

So what gets this movie four stars? A fabulous cast, even if they are completely and entirely under-utilized. Brian Cox alone pretty much makes up for everything else lacking in the viewing experience. Helen Mirren's part is especially thin, but she does manage to get her top off, so core audience will be pleased. Christian Bale does well with a few moments where there actually are lines written, but his 'acting mad' schtick is tiresome, and unlike Helen, he doesn't get to show off topless (he is naked in one scene, but you see nothing... sigh). Kate Beckinsale is barely in the movie, but at least one can see the old nose, the old eyebrows, and the now missing freckles, and remember how cute as a button she used to be before she went Hollywood. Gabriel Byrne is mehh, mainly just sounding like an odd ripoff of Sean Bean. The real fun is his henchmen, a veritable cornucopia of 'where are they now' - we have Spud, Gollum, and Mr. Weasley! I can't honestly say that any of them have a part as written, but it's definitely worthwhile to see all of them so young (and in Serkis' case, thin!!!). Lastly, Batman Begins fans will be amused to see Tom Wilkinson cast as Bale's father, and remembering Wilkinson's 'they say he begged... like a dawg' line made a minute or two of this movie very nearly fun.

Movie is recommended if: you think Christian Bale is hot (100% satisfaction) you have to watch Brian Cox's filmography (78% satisfaction) you want to see Helen Mirren's golden globes (50% satisfaction) you are a Hamlet completist (60% satisfaction) you are planning a trip to Denmark (31% satisfaction)

Movie is NOT recommended if: you thought Cars was 'kinda draggy in the middle' (99% hatred) you have a Viking fetish (77% hatred) you like watching movies with a budget (65% hatred) you think Gabriel Byrne's redheaded accomplice is that guy from Dodgeball and First Knight (21% hatred) you just watched Underworld and want to see more of that Selene chick (40% hatred)