The House of Yes

This is the kind of movie that I would have ordinarily RUSHED to the movie theaters to see. It's got all the right elements: it's dark comedy, a great female lead, a bizarre storyline...Yet I read reviews that the movie disappoints so I was in no rush to see it. But I finally saw it last night and wow was it great! What terrific performances, esp. from Genevieve Bujold. Posey was as delightful as ever, and even Spelling was able to do a complete 180 in contrast to her usual Bev. Hills type. The dialogue was so witty yet dark. It's a two night rental so for the first time I think I'll see a movie twice in two days! I give this movie a 9 - I would give it a 10 if it weren't for the very predictable ending.

When you have a house with 5 insane family members in it, you know it has got to be interesting. The strange mother. The foolish dumb son. The other son who has "some kind of past." The girlfriend who reminds me alot or Chrissy &/or Cindy Snow from Three's Company. The daughter, who by far is the craziest insane & jealous person you will meet...played by no other than the incredible Parker Posey! The second this film started, I was hooked. For sure this movie is NOT for everyone. But if you enjoy independant quirky flims, then this is MUST-SEE! Its twisted, perverted, and in some parts mad. In my opinion, Parker has yet to do a bad movie. But if you are not familer with her work, this is a good one to start with. If you like this, you'll enjoy: Clockwatchers; Party Girl; Misadventures of Margret. 1-10(10)Z.

The House of Yes is one of my personal favorites. Is it creepy? Yes. Is it funny? No - it's hysterical, at least to those of us accustomed to laughing at things you're not supposed to laugh about - like bizarre social taboo. Younger indie fans may not care for this flick, but The House of Yes is not to be compared with the likes of Chasing Amy. For Parker Posey fans, the film is apples to the oranges of Party Girl, Henry Fool, Clockwatchers, etc.

The House of Yes was adapted from Wendy McLeod's play, so it is a dialogue film with its own language - similar to the Coens' Miller's Crossing. As with Miller's Crossing, the snappy dialogue never misses. While watching The House of Yes, I've caught myself rewinding to catch a phrase I missed because I was still laughing a the preceding gag.

Facial closeups dominate this film, and for reason - the actors' expressions are more telling than the dialogue, delivered flawlessly by every member of the crew - looks you could spread onto a cracker, like when Mama (Bujold) warns her son Marty about Jackie-O's mental state: "I'm going to baste the turkey, and hide the kitchen knives."

The film's biggest surprise: Tori Spelling, as a prudish and naiive Pennsylvanian - perhaps her most believable role to date.

If there were a Cooperstown for comedic acting, this film alone puts Parker Posey into the Hall of Fame.

Highly recommended for the sick-minded and perverse.

Miles Keaton Andrew

This is in my top five, a very eclectic list. I happened upon it years ago in Blockbuster of all places. This was before they had their "indie film" section. Typically I would walk through looking for movies that they only had one of. Parker Posey is riveting, she plays the part of a mentally unstable individual all too well. Unlike other people on this site I will not give away any plot lines but it is a MUST see. Do not be swayed by Tori Spelling and Freddie Prinze Jr. They do a surprisingly amazing job also. Rent it, own it, love it.

A wonderful Altmanesque cross between Nashville and Come back to the Five and Dime Jimmy Dean, Jimmy Dean. This is one obsessive, compulsive, spread-eagled, dysfunctional play, extremely well written and very tight. Parker Posey's best performance yet and extremely well cast all around.

I can't recommend it highly enough. This is the kind of movie worth waiting years for!

Enjoy.