Füge eine Handlung in deiner Sprache hinzuAn introverted garbageman writes his thoughts in a notebook after Henry Fool, writer and ex-con, rents the basement and gives him a notebook and the idea. He writes poetry and Henry helps hi... Alles lesenAn introverted garbageman writes his thoughts in a notebook after Henry Fool, writer and ex-con, rents the basement and gives him a notebook and the idea. He writes poetry and Henry helps him along.An introverted garbageman writes his thoughts in a notebook after Henry Fool, writer and ex-con, rents the basement and gives him a notebook and the idea. He writes poetry and Henry helps him along.
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
- Pearl - Age 14
- (as Christy Romano)
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Hartley has gone for an atmosphere of strangeness, a kind of artificiality which still rings true, and it works completely. Henry Fool (the character whose nature this movie is an investigation into, which takes the narrative form of his walking into the lives of a low-class suburban family, especially disaffected garbage-man and potential poet Simon) talks and behaves like what he imagines himself, which is the roguish hero of some tragic, romantic Shakespeare play, and a kind of difficult genius. But is he a genius for real? Is this "confession" he's writing, his life's work, a masterwork, or a piece of sh*t? Henry affects the lives of a small group of great characters in Simon's local neighbourhood, all drawn with marvellously light brushstrokes, and all seeming like imagined, literary beings, yet still very human. But is he a good influence or a bad influence on this neighbourhood?
I can't predict whether you'll like Henry Fool or not - all i can tell you is that i found it captivating and original to the last.
Having started out that way, Henry Fool was, for me, something to "get through" in order to get to the "good stuff" with Jeff.
Boy, was I surprised. Henry Fool is a brilliant piece of work. I was shocked, frankly. Now, I can't stop telling my friends about it. This is thoughtful, even if it is a bit dialog-heavy. It is fun, even as it takes itself seriously. It appears superficially fun and quirky, even as it surreptitiously broadens its depth. It entertains, even as it teaches us to shoot for the stars.
Henry appears to follow his own advice - he appears to shoot for the stars, when all the while, he seems to be buying into his own con...or does he? This film is awesomely quirky, but there is substance beneath the idiosyncratic screenplay. This has become one of my new favorites. However, you can't fully appreciate the depth of the deceit without following this one up with a good strong dose of Fay Grim. Check it out, or lose out on a GREAT ending to this film.
I would recommend this for just about anyone who likes intrigues, livid dramas, and/or Parker Posey. I have to say this is one of her best performances. She's a NUT in this!
It rates an 8.4/10 from...
the Fiend :.
Wusstest du schon
- WissenswertesIncluded in The New York Times Guide to the Best 1,000 Movies Ever Made.
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Simon Grim: I worked, while you sat back and comfortably dismissed the outside world as too shallow, stupid and mean to appreciate your ideas.
Henry Fool: Is that such a priority? Is that some sort of measure of a man's worth? To drag what's best in him out into the street so every average slob with some pretense to taste can poke it with a stick?
Simon Grim: Maybe. Maybe it is.
- Crazy CreditsGrip Dog - Edie
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Генрі Фул
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 1.338.335 $
- Eröffnungswochenende in den USA und in Kanada
- 40.939 $
- 21. Juni 1998
- Weltweiter Bruttoertrag
- 1.338.335 $
- Laufzeit
- 2 Std. 17 Min.(137 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1