Pusher

Wow, I've just watched it. Probably, it'd be better to just lay back, think about the movie and, only after cooling down on emotions, review it.

But not this one.

"Pusher" tells us the story of, perhaps, the worst week of Frank's life, a 'middleweight' dealer caught in an unpayable debt to pay to Eastern European type mafia. And as his story unfolds, your blood pressure will rise just like the incredible tension increasing throughout the movie. No wonder, the debt grows higher and higher every day. Will Frank be able to ever repay it? Its just like the tag-line says:

"You've got no chance! Grab it!"

The fresh thing about this movie is that it shows what is actually happening somewhere in the middle of the 'food-chain' of drug dealing. Not at the top, covered by movies such as Casino, Scarface, Blow, or any other high budget movie made in Hollywood. After all Copenhagen is just not a world of amazing luxury and incredible piles of coke here and there. But the movie doesn't follow another cliché' either. It doesn't show us the bottom, where junkies scavenge on each other, sell their mothers for a gram of heroin, a topic which is usually covered by some low-budget off-movies.

Pusher is the ultimate, pure, refined truth about drug dealing. I have a personal experience, myself being for a time an immigrant into Denmark (I've never been a criminal or ever wanted to be, though, just to clarify that matter). And some guys, that I've came across upon coming here, went into this businesses and well, they all hit rock bottom. OK, the movie is hard to get into with its dramatic realism, but I assure you: this movie is as close to coarse truth and gritty reality as it gets!

This movie blew me and my friends away 10 years ago. This rock steady and realistic tale about real criminals, not the typical American teen age- BS. These people are real, that's as simple as it gets. The docu-kind of outlook fits this movie perfect.

Someone was complaining how he couldn't sit through this movie because he didn't understand why Frankie made the choices he did. That's the point, there is no reason in real life. People make choices because they are bored or simply don't want to think about life outside the carnival. What is a family, Volvo or a house in the suburbs to a guy, who still at about 35-40 goes out clubbing and gets hi on crank and what-not everyday. These human fates don't need explanation. Perhaps I've been too close to need an explanation. One thing is for sure, these guys have made a great movie that has become a legend within certain groups of people. I guess the point of the movie was very clear in the end. Where does a man go, who keeps pushing the envelope day after day? The answer is - nowhere... Learn your lessons people, no more explanations needed.

Absolutely fabulous, that's all I can say... And I won't say too much about the movie, just that it kicks ass. Definitely one of the most enticing criminal stories in the last 20 years.

Although i've heard only good things about Pusher, it took me several years to pick it up. The result was surprisingly good.

The movie is shot almost as a documentary, which is well suited for the subject it depicts. Unlike hip-hop videos advertising gangster lifestyle, Pusher shows us the reality of a low level drug dealer. There is no glamor, but rather hard labor without strict working hours providing questionable financial gain.

Serbian gangsters are depicted rather realistically, presumably due to Slavko Labović'S experience as bouncer and mingling in the appropriate milieu.

Despite its independent funding, Pusher is rubbing shoulders with the best gangster movies of all times.

I just don't know what to say about this film: I just saw it and I feel so ignorant - I don't know who the director is, I don't know who the cast members are, but man-o-man I'm going to find out! What a compelling, gripping story! In this particular case I feel that a few of of us underground movie geeks knowing and loving this film just isn't enough. I feel like I want to run out and tell the world - in brief, I haven't been this excited about a film in a long, long time!

PUSHER (Nicolas Winding Refn - Denmark 1996)

A genuinely original and completely fresh take on the gangster genre by first time Danish director Nicolas Winding Refn, giving us an insight in the live of Frankie, a lowlife Copenhagen drug-pusher. The film follows his day-to-day pusher-routine during a crucial week in his life but in this particular week things go wrong, as he sets up a heroine deal with a former mate of him, that goes completely bust because the police was informed. He is arrested but is released soon. Problem is, he lost the drugs AND a lot of money and now owes big time to one of the most dangerous criminals in town, a Balkan low-life Yugoslav mafia type, named Milo. Now he desperately tries to find money to repay him in what is very likely to be the last week of his life.

There must have been some buzz about this movie when it came out in 1996, but it completely passed me by. Luckily I managed to catch up at the 2006 International Film Festival Rotterdam when hordes of people were attending a screening of the complete Pusher-trilogy ( a bit too much for me at the time, it was sold out anyway). At the same time, Nicolas Winding Refn, was giving an intriguing interview for quite a huge crowd. He had a very dry sense of humor and a scene from MEAN STREETS by Martin Scorsese was shown as his main inspiration for this film, so it stuck with me and I simply had to see it for myself.

A tense, exciting storyline, executed in a raw almost documentary-like fashion with a hand-held camera, this film grabs you by the collar and never lets go once it's gets going. Not for the squeamish though, as the sometimes very violent and intense confrontations come very unexpected. Kim Bodnia, who was equally outstanding in NATTEVAGTEN (1994) is exceptionally good. His character, Frank, doesn't invoke much sympathy, but somehow he manages to make his character very much alive and even touching at times. The rest of the cast is equally good with some truly extraordinary performances.

Camera Obscura --- 9/10