Das Leben von Drogenschmuggler Julian, der in Bangkoks krimineller Unterwelt aufblüht, wird noch komplizierter, als seine Mutter ihn zwingt, denjenigen zu finden und zu töten, der für den kü... Alles lesenDas Leben von Drogenschmuggler Julian, der in Bangkoks krimineller Unterwelt aufblüht, wird noch komplizierter, als seine Mutter ihn zwingt, denjenigen zu finden und zu töten, der für den kürzlichen Tod seines Bruders verantwortlich ist.Das Leben von Drogenschmuggler Julian, der in Bangkoks krimineller Unterwelt aufblüht, wird noch komplizierter, als seine Mutter ihn zwingt, denjenigen zu finden und zu töten, der für den kürzlichen Tod seines Bruders verantwortlich ist.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 14 Gewinne & 20 Nominierungen insgesamt
Kowit Wattanakul
- Choi Yan Lee
- (as Kovit Wattanakul)
Empfohlene Bewertungen
Other reviewers have done a better job than I could. In all truth - i think I really have to see the film again. It's a movie that will offer up levels, after review( I think...maybe) At times I was thinking: Tarkovsky.
6OnZa
"Only God Forgives" is a dark, serious and ultra-violent movie. It weighs in on Asian symbolism, spiritualism and response to revenge or own hand rights. It flows more like a music video than actual movie (even though it does not have fast cuts). That description also fits "Drive" but whereas that movie gained critical acclaim, this one has had way more split response and it's easy to see why.
Considering that even with star Ryan Gosling, "Only God Forgives" is to be considered a sub-genre movie and indie release, I can predict many people go to see it because of the previous (director & lead star) collaboration "Drive". I, like many others marching into movie theater to see it, had high hopes after Drive. I jokingly said that this is "Drive II". Well, it's not.
Director Nicolas Winding Refn has leaned towards heavy symbolism here, and unfortunately at the cost of plot where one considers how movies should have even a some kind of structure and character development. I had the impression after the movie that tackling the symbolism the writer/director probably thought he had invested more to his characters than he actually has. Gosling is the less spoken man like in the predecessor Drive, but without any likability. The "heroism" of the Drive main character could have been argued on but in this case there are no heroes or good guys in the movie. Just a self made perception of each religious or other view.
Some reviews said that the movie is style of substance but again (sorry) I need to reference to Drive and question even the style. It had couple of really nice shots and scenes with unique atmoshpere but I found it lacked the coolness. Also the stylisticity (is it a word?) of some the gore scenes only show of a bad taste. In my opinion you're either full on splatter or you're on the other end of the scale, not something in between.
This type of story would have been more powerful with some kind of invested emotion. I did not feel about anything when watching this movie. That is what separates if from it's predecessor and also other great movies. Now it's barely good.
I am afraid Nicolas Winding Refn have taken a step back here, although I am also pretty sure he does not entertain a thought of mainstream acclaim -that much we've seen from the previous movies. I hope he takes a sidestep for his next movie, and tries something different because he really is talented and an INDIVIDUAL director.
Considering that even with star Ryan Gosling, "Only God Forgives" is to be considered a sub-genre movie and indie release, I can predict many people go to see it because of the previous (director & lead star) collaboration "Drive". I, like many others marching into movie theater to see it, had high hopes after Drive. I jokingly said that this is "Drive II". Well, it's not.
Director Nicolas Winding Refn has leaned towards heavy symbolism here, and unfortunately at the cost of plot where one considers how movies should have even a some kind of structure and character development. I had the impression after the movie that tackling the symbolism the writer/director probably thought he had invested more to his characters than he actually has. Gosling is the less spoken man like in the predecessor Drive, but without any likability. The "heroism" of the Drive main character could have been argued on but in this case there are no heroes or good guys in the movie. Just a self made perception of each religious or other view.
Some reviews said that the movie is style of substance but again (sorry) I need to reference to Drive and question even the style. It had couple of really nice shots and scenes with unique atmoshpere but I found it lacked the coolness. Also the stylisticity (is it a word?) of some the gore scenes only show of a bad taste. In my opinion you're either full on splatter or you're on the other end of the scale, not something in between.
This type of story would have been more powerful with some kind of invested emotion. I did not feel about anything when watching this movie. That is what separates if from it's predecessor and also other great movies. Now it's barely good.
I am afraid Nicolas Winding Refn have taken a step back here, although I am also pretty sure he does not entertain a thought of mainstream acclaim -that much we've seen from the previous movies. I hope he takes a sidestep for his next movie, and tries something different because he really is talented and an INDIVIDUAL director.
An absolute masterpiece. My favorite movie of all time.
Probably only in 30 years will the world fully appreciate it and recognize how far ahead in time it was.
There isn't a lot of dialog because there isn't much of a plot. What there is, is at best, clumsy and predictable. I am not sure that it was even that believable.
There is however lots of silence, dark brooding nothingness, Thai Karaoke, lots of blood and questionable sexual relations of one sort or another. Perhaps these elements were supposed to fill the void. However it was not enough.
Great performances from all the cast but even they couldn't save it. At times Ryan Gosling just looked lost and bewildered and I don't think he was acting. I found it annoying and pretentious.
There is however lots of silence, dark brooding nothingness, Thai Karaoke, lots of blood and questionable sexual relations of one sort or another. Perhaps these elements were supposed to fill the void. However it was not enough.
Great performances from all the cast but even they couldn't save it. At times Ryan Gosling just looked lost and bewildered and I don't think he was acting. I found it annoying and pretentious.
This film is worth watching, it is very gripping and suspenseful. There isn't much dialouge at all, it is mostly just atmospheric. The plot is relatively simple, a chain of people killing others who are then linked to someone else. The ending is left open to your imagination too. There are some really gruesome scenes in this movie but this sort of thing was needed to keep the viewer gripped on the way the story was unfolding. Ryan Gosling was a very mysterious character again (as in Drive) and he portrayed this very well. The supporting cast were also good.
Overall I found this film to be quite good, was a relatively short film but I didn't feel it was 'dragging' like some said. I preferred 'Drive' but this one is still worth a watch.
7/10
Overall I found this film to be quite good, was a relatively short film but I didn't feel it was 'dragging' like some said. I preferred 'Drive' but this one is still worth a watch.
7/10
Wusstest du schon
- WissenswertesJulian (Ryan Gosling) only speaks seventeen lines throughout this movie.
- PatzerWhen Julian fought Chang, Chang kicked Julian in the left leg several times leaving Julian unable to walk normally, but later on Julian is seen stumbling on his right leg rather than the left.
- VerbindungenFeatured in Showreel: We've Got Keanu Reeves (2013)
- SoundtracksJai-Orn
("Falling in Love")
Lyric/Melody by Kanokwan Kung-noi
Performed by Fon Thanasuntornas (first recorded in the album titled "Jai-Orn , released in B.E.2543)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Sólo Dios perdona
- Drehorte
- Emporium Suites - 622 Sukhumvit Road, Khlong Toei, Bangkok, Thailand(Crystal's hotel)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.800.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 779.188 $
- Eröffnungswochenende in den USA und in Kanada
- 313.958 $
- 21. Juli 2013
- Weltweiter Bruttoertrag
- 10.658.332 $
- Laufzeit1 Stunde 30 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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