IMDb-BEWERTUNG
6,3/10
20.449
IHRE BEWERTUNG
Im Los Angeles der 1950er Jahre untersucht ein Sondereinsatzkommando des LAPD den Mord an einer jungen Frau.Im Los Angeles der 1950er Jahre untersucht ein Sondereinsatzkommando des LAPD den Mord an einer jungen Frau.Im Los Angeles der 1950er Jahre untersucht ein Sondereinsatzkommando des LAPD den Mord an einer jungen Frau.
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
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A top drawer cast stars in "Mulholland Falls," a 1996 film starring Nick Nolte, Chazz Palmentieri, Melanie Griffith, Jennifer Connelly, Michael Madsen, Treat Williams, Bruce Dern, and John Malkovich, directed by New Zealand director Lee Tamahori.
Sometimes when I don't know the year of a film, I try to guess. I placed this film in 1998 because I concluded it must have come after "L.A. Confidential" since it's about '50s crime investigation. Also, Jennifer Connelly is very young here - reminiscent of the way she looked in "Dark City." I was two years off.
The story concerns the L.A. Hat Squad, led by Max Hoover (Nolte) called to investigate the brutal murder of Allison Pond (Jennifer Connelly). When her body is turned over, Hoover realizes it's an ex-girlfriend. He's never told his wife (Melanie Griffith) about the affair, stating that he had the affair, it ended, no one got hurt, and to tell her would hurt her deeply. The investigation of the murder leads to a general (John Malkovich), an atom bomb testing site, secret film footage, and military secrets.
Very good performances from everyone - had Nolte been able to keep his life together, he could have been up there with the very greatest. He's always been capable of truly great performances, all the way back to the "Rich Man, Poor Man" days. Here one can feel his tremendous sadness and weariness. It's a pall that hangs over the entire film. Jennifer Connelly, whose part isn't very large, is gorgeous, sexy, and tough. Melanie Griffith gives a mature performance as Hoover's wife. Uncredited in the film are Rob Lowe and Louise Fletcher. There is a very exciting scene at the end of the movie.
"Mulholland Falls" never received the attention that "L.A. Confidential" did. One can blame marketing, but the story isn't special enough, the characters not as well delineated, and the pace is a bit too leisurely. This isn't to say it's not a good film. It's just not exceptional.
I applaud anyone who does a period noir that comes off like a noir and not a bad attempt. There, "Mullholland Falls" succeeds admirably.
Sometimes when I don't know the year of a film, I try to guess. I placed this film in 1998 because I concluded it must have come after "L.A. Confidential" since it's about '50s crime investigation. Also, Jennifer Connelly is very young here - reminiscent of the way she looked in "Dark City." I was two years off.
The story concerns the L.A. Hat Squad, led by Max Hoover (Nolte) called to investigate the brutal murder of Allison Pond (Jennifer Connelly). When her body is turned over, Hoover realizes it's an ex-girlfriend. He's never told his wife (Melanie Griffith) about the affair, stating that he had the affair, it ended, no one got hurt, and to tell her would hurt her deeply. The investigation of the murder leads to a general (John Malkovich), an atom bomb testing site, secret film footage, and military secrets.
Very good performances from everyone - had Nolte been able to keep his life together, he could have been up there with the very greatest. He's always been capable of truly great performances, all the way back to the "Rich Man, Poor Man" days. Here one can feel his tremendous sadness and weariness. It's a pall that hangs over the entire film. Jennifer Connelly, whose part isn't very large, is gorgeous, sexy, and tough. Melanie Griffith gives a mature performance as Hoover's wife. Uncredited in the film are Rob Lowe and Louise Fletcher. There is a very exciting scene at the end of the movie.
"Mulholland Falls" never received the attention that "L.A. Confidential" did. One can blame marketing, but the story isn't special enough, the characters not as well delineated, and the pace is a bit too leisurely. This isn't to say it's not a good film. It's just not exceptional.
I applaud anyone who does a period noir that comes off like a noir and not a bad attempt. There, "Mullholland Falls" succeeds admirably.
Looking at the four stern faces of the suited men on the cover, you'd think this was yet another movie about gangsters. But it isn't. Fans of another fantastic period cop drama, L.A. Confidential, should enjoy this film, as they are quite similar in theme. Like Russle Crowe's hard-edged cop character in L.A. Confidential, the four cops in this movie, do what they must to dispense justice. Despite their violent methods, they are nonetheless vigilante about justice.
Unorthodox and often unethical Los Angeles cops, Max Hoover (Nick Notle), Elleroy Coolige (Chaz Palminteri), Eddie Hall (Mike Madsen), and Arthur Relyea (Chris Penn), do what they can from keeping the trash from moving into the city. Tossing gangsters down Mullholland Falls, the symbolic dumping site for the exiled criminals, and tearing up coke dealers and pimps with a handy black jack, these cops don't take crap. (It should be interesting enough at this point to see both Penn and Madsen not playing their usual roles as sadistic gangsters).
The four cops are preoccupied with a new investigation after Max's former lover, Allison Pond (Jennifer Connelly), is discovered dead in a development yard. The case tests Max's limits on the ability to sift out the suspects and overcome whatever obstacles stand in his way of justice. At first, it seems as though this is just another story in which the villain turns out to be zealous leaders of the mafia who go to all ends to get what they wants (usually a profit venture). But that is not the case here. Max and the gang find themselves going up against the government and military, implicating Atomic Energy Commissioner (John Malkovich) and an eager Colonel (Treat Williams), to find out what is what that Allison was involved with that lead to her death. The movie takes place during the 1940s around New Mexico's White Plains nuclear testing site, and makes some challenges to the ethics of nuclear testing.
This movie has a tremendous cast, even in minor roles. Nick Nolte does a fantastic job, as does John Malckovich in the role of the dreamy, dying Atomic Energy Commissioner.
I also compare this film to L.A. Confidential because it seemed like some of the settings (and even the arrangement of scenes) are very similar to those used in the former. For example, Max Hoover's house (especially the living room and bedroom) looked almost identical to the one where Kevin Spacey and Danny DeVito break into the house in the beginning to bust up a minor "pot party." The bedroom looked much like that one for Kim Basinger's house as well. I wouldn't be surprised if some of the same people involved in Mullholland Falls likewise worked on L.A. Confidential.
It isn't your traditional cop drama/political thriller because of the nature of the main characters. They don't always play by the rules, but in the end, they are the good guys. And, it's got a good finale.
Unorthodox and often unethical Los Angeles cops, Max Hoover (Nick Notle), Elleroy Coolige (Chaz Palminteri), Eddie Hall (Mike Madsen), and Arthur Relyea (Chris Penn), do what they can from keeping the trash from moving into the city. Tossing gangsters down Mullholland Falls, the symbolic dumping site for the exiled criminals, and tearing up coke dealers and pimps with a handy black jack, these cops don't take crap. (It should be interesting enough at this point to see both Penn and Madsen not playing their usual roles as sadistic gangsters).
The four cops are preoccupied with a new investigation after Max's former lover, Allison Pond (Jennifer Connelly), is discovered dead in a development yard. The case tests Max's limits on the ability to sift out the suspects and overcome whatever obstacles stand in his way of justice. At first, it seems as though this is just another story in which the villain turns out to be zealous leaders of the mafia who go to all ends to get what they wants (usually a profit venture). But that is not the case here. Max and the gang find themselves going up against the government and military, implicating Atomic Energy Commissioner (John Malkovich) and an eager Colonel (Treat Williams), to find out what is what that Allison was involved with that lead to her death. The movie takes place during the 1940s around New Mexico's White Plains nuclear testing site, and makes some challenges to the ethics of nuclear testing.
This movie has a tremendous cast, even in minor roles. Nick Nolte does a fantastic job, as does John Malckovich in the role of the dreamy, dying Atomic Energy Commissioner.
I also compare this film to L.A. Confidential because it seemed like some of the settings (and even the arrangement of scenes) are very similar to those used in the former. For example, Max Hoover's house (especially the living room and bedroom) looked almost identical to the one where Kevin Spacey and Danny DeVito break into the house in the beginning to bust up a minor "pot party." The bedroom looked much like that one for Kim Basinger's house as well. I wouldn't be surprised if some of the same people involved in Mullholland Falls likewise worked on L.A. Confidential.
It isn't your traditional cop drama/political thriller because of the nature of the main characters. They don't always play by the rules, but in the end, they are the good guys. And, it's got a good finale.
It's 1950s L.A. Lieutenant Maxwell Hoover (Nick Nolte), Coolidge (Chazz Palminteri), Hall (Michael Madsen) and Relyea (Chris Penn) are a squad of rough LAPD detectives who throw bad guys off a hill on Mulholland Drive. They investigate the murder of Allison Pond (Jennifer Connelly) who actually is linked to Hoover. They uncover secretly filmed sex sessions as well as the Nevada Atomic Testing Site. They are threatened by Colonel Fitzgerald (Treat Williams). She also had an affair with General Thomas Timms (John Malkovich), head of Atomic Energy Commission.
It's a tightly wound neo-noir. Connelly is a sort-of-femme-fatale on celluloid. Maybe they should have included a sister following the investigation in the present. The flashback aren't as interesting. Nick Nolte is good at being hard but his desperation needs to be heightened. This movie has most of the elements of a hard-boiled film noir but it does lack the sharp dialog. It needs more thrills to go along with the style.
It's a tightly wound neo-noir. Connelly is a sort-of-femme-fatale on celluloid. Maybe they should have included a sister following the investigation in the present. The flashback aren't as interesting. Nick Nolte is good at being hard but his desperation needs to be heightened. This movie has most of the elements of a hard-boiled film noir but it does lack the sharp dialog. It needs more thrills to go along with the style.
Along with movies such as "The public eye" or "LA Confidencial", "Mulholland Falls" is one of those products that aim to recreate the atmosphere of film noir, making everything look a little bit more modern, more violent
.
"Mulholland Falls" moves between the thriller and the detective movies, and the cast is its strong point: Nolte, Palminteri, Penn, Maden four time bombs, four real tough guys. When Nolte or Palminteri lose their temper you'd rather not be around Murder, questions, a good script, great actors Nice movie.
*My rate: 7/10
"Mulholland Falls" moves between the thriller and the detective movies, and the cast is its strong point: Nolte, Palminteri, Penn, Maden four time bombs, four real tough guys. When Nolte or Palminteri lose their temper you'd rather not be around Murder, questions, a good script, great actors Nice movie.
*My rate: 7/10
As a fan film noir, I loved the 1940s and '50s period atmosphere in this movie. This particular story takes place in the early 1950s. Parts of this reminded me of "Chinatown," but this film doesn't have the impact of that one. It's just not as memorable.
You get an idea that this might be another cops-or government officials-are-a- little-over the top when you see who plays them: Nick Nolte, Michael Madsen, Chris Penn, Chazz Palminteri, Treat Williams, Bruce Dern, John Malkovich, Ed Lauter, Andrew McCarthy, etc. Those guys usually play crooks, not cops. Same with the women in here. Jennifer Connelly and Melanie Griffith aren't exactly Irene Dunne and Doris Day!
We also see CSI star William Petersen playing a Chicago mobster! Unbilled in this film were Louise Fletcher, of "One Flew Over The Cuckoo's Nest" fame, and Rob Lowe.
This story is a rough-edged for my tastes, with the normal political agendas (government is bad.....again) thrown in here and there, but what I really liked - outside of the look, the "whodunit" angle and the deep cast, was Haskell Wexler's photography. He makes it fun to watch, even if it is no "Chinatown" or "The Big Sleep."
You get an idea that this might be another cops-or government officials-are-a- little-over the top when you see who plays them: Nick Nolte, Michael Madsen, Chris Penn, Chazz Palminteri, Treat Williams, Bruce Dern, John Malkovich, Ed Lauter, Andrew McCarthy, etc. Those guys usually play crooks, not cops. Same with the women in here. Jennifer Connelly and Melanie Griffith aren't exactly Irene Dunne and Doris Day!
We also see CSI star William Petersen playing a Chicago mobster! Unbilled in this film were Louise Fletcher, of "One Flew Over The Cuckoo's Nest" fame, and Rob Lowe.
This story is a rough-edged for my tastes, with the normal political agendas (government is bad.....again) thrown in here and there, but what I really liked - outside of the look, the "whodunit" angle and the deep cast, was Haskell Wexler's photography. He makes it fun to watch, even if it is no "Chinatown" or "The Big Sleep."
Wusstest du schon
- WissenswertesThe story based the film's four detectives on the real life LAPD foursome known as the Hat Squad. As portrayed in the film, the LAPD leadership empowered them and the larger "Gangster Squad", subsequently renamed the "Intelligence Division", to specifically interdict the movement of East Coast organized crime into Los Angeles. The actual LAPD units allegedly used tactics commensurate with the level necessary to counter and repulse organized crime groups.
- PatzerWhen Hoover and his men are caught trespassing by Colonel Fitzgerald and the MP's, there is an offstage ADR line heard as one of the men speak on the radio, "Sierra, Tango, Zero, One." "Sierra, Tango" is the phonetic alphabet representing the letters "S" and "T". However, this is the current phonetic alphabet which became effective in 1957. The ADR line should have read, "Sugar, Tare, Zero, One" to be authentic to the period.
- Zitate
Lieutenant Max Hoover: See, that's federal property. This isn't. This is L.A. This is my town. Out here you're a trespasser. Out here I can pick you up, burn your house, fuck your wife, and kill your dog. And the only thing that'll protect you is if I can't find you. And I already found you.
- SoundtracksHarbour Lights
Written by Jimmy Kennedy and Will Grosz (as Hugh Williams)
Arranged by Jimmie Haskell
Performed by Aaron Neville
Aaron Neville appears courtesy of A&M Records
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Abuso de poder
- Drehorte
- Perino's Restaurant - 4101 Wilshire Boulevard, Los Angeles, Kalifornien, USA(where the boys pick up Jack Flynn, demolished)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 29.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 11.526.099 $
- Eröffnungswochenende in den USA und in Kanada
- 4.306.221 $
- 28. Apr. 1996
- Weltweiter Bruttoertrag
- 11.526.099 $
- Laufzeit
- 1 Std. 47 Min.(107 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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