The Hot Spot - Spiel mit dem Feuer

This film is great. The atmosphere, heat, casting, setting, plot, you name it. Everyone in the film is sweating up to the eyeballs, constantly mopping their brows, with stains all over their clothes, looking very hot and tense indeed. The seeds for a necessary release are sown! And sure enough, the pressure reaches boiling point and everything erupts. I don't want to give too much away, nor can I be bothered writing a proper commentary but this film is BLEAK in it's honesty with respect to it's (secondary/primary?) plot - all ideals are shattered: romance and (true?) love, freedom (whatever that really is) and so on. Some would call this a cynical work, I'll call it realistic - Sod's Law applies as heavily in the movie as it does in real life. Go on Dennis, more of this please!!

Dennis Hopper delivers the goods in this meticulously conventional tale of a charismatic underachiever finding his level. Harkening back to the gender and class warfare sensibilities of the Forties, The Hot Spot excels across the board, in acting, dialogue, plotting, music, and cinematography.

HOT SPOT is what Virginia Madsen calls her loins, dear ones. Don Johnson does his best to keep them cooled them off but he has trouble keeping up with her, especially since Don has his eye on the luscious and very young Jennifer Connelly. Don plays a drifter who picks up a job at a used car lot in a small Texas town. He soon finds himself bedding the owner's absolutely insatiable wife. And he is soon working on the oh-so innocent Connelly. The lusty trio is ably supported by such veteran character actors as Jerry Hardin, Jack Nance and Barry Corbin, and this his hot-as-hell, steamy production was directed by none other than Dennis Hopper. A great film for adults. The ending is a classic. I wonder how much fun the notorious lothario Johnson had while filming this, since he spends a lot of screen time in the arms of Madsen and Connelly, both of whom are at the top of their form.

The audience for this film stayed away because of Don Johnson. In his defense, Johnson has been in a few very good films (Melanie, A Boy & His Dog), and he is very smooth and sleazy here. Fueled by a great sound-track, provided by John Lee Hooker, Miles Davis and Jack Nitzsche, this dirty edged noir evokes a Jim Thompson like feel, and is beautifully lit and shot. Dennis Hopper directed, and he did just fine. There is so little good noir in the last 30 plus years, that fans of the genre will want to see this. And if you get the chance to see it on the big screen, it is well worth it. In an era when no 'new noir' comes close to Polanski's Chinatown, this movie is way better than Body Heat or LA Confidential. It certainly looks better, and has a much rawer sensibility and texture.

This is classic southwest film noir/romance novel brought to life. Although the plot is the standard lets kill a cuckolded, rich husband (with sex!) and take off with the new handsome stranger, the heat of this film lies in its characterizations. Don Johnson is almost perfect as the handsome stranger/used car salesman/bank robber/arsonist/white knight in shining (but obviously tarnished) armor. Jennifer Connelly's understated desperation at her situation is almost exactly balanced by Virginia Madsen's almost over the top vixen/gold digger. Other characters add the perfect backdrop to the action (Charles Martin Smith's "nose sniff" scene is absolutely classic). The twists and turns of the plot and revelations makes this movie constantly interesting.

It really doesn't get much better than this--Jennifer Connelly does a rare, for her, nude scene, as does Virginia Madsen, Don Johnson, and a bevy of strippers.