Kolya

I like this movie very much and I am glad to read that most of you like it too. However, some comments here describe it as predictable and having the funny parts far from one another. It is not true. There are two more things that you cannot appreciate: 1) The background. I am a Czech myself and I remember the times which the film speaks about. There are many little details that probably come and go unnoticed for the foreigner eye but each of them is a symbol - it carries meaning that is so obvious for a Czech viewer. 2) The language is FUNNY! Sverak (the author) is a well known writer here. He is a GENIUS with the language, it's full of sweet little word puns that can never be translated into another language. You can translate the data, the information - but you lose the atmosphere. Believe me, even in the parts that look boring, there is something hidden between the lines - it's either funny, emotional, powerful... There is another great thing with playing with the differences between Czech and Russian. The languages are similar (to some extend) but there are differences that can result in misunderstandings - and they use it in the movie too. Czech people used to learn Russian language at schools so they can appreciate it.

I am so sorry that there is no way that you could enjoy even these parts of the movie. (Unless you'd want to learn Czech of course :-)

Just please, please, bear in mind that this is not just a shallow romantic movie. Yes, it is lovely - but there is more than that.

I did not think this film was at all sentimental (if you are using the word in its pejorative sense). In reading the comments on this film, I noticed the Czechs who responded were rather lukewarm about it. This surprises me. Kolya works as a film on several levels at once -- political, artistic, personal, etc. and I do not think it is at all predictable. The performances are magical and the entire film is encased by music of very great beauty and humanity by Dvorak and other great Czech composers. Music from Dvorak's "Four Biblical Songs" is at the heart of the film. It is the song that Klara sings at the funerals and the song Kolya is singing before and during the closing credits. The vintage film footage of Kubelik conducting Smetana's Ma Vlast at a concert at the end of the Russian occupation is a wonderful touch. Although I'm sure many other Czech films deserve Oscars, I am glad Kolya was recognized. I hope this film is released on DVD soon.

I've seen a number of U.S. movies filmed in Czechoslovakia, but this is the first Czech film I've seen. Seeing this makes me understand how Czechoslovakia could have a fairly booming film industry.

This movie came on on cable network IFC and it first grabbed my attention because I didn't recognize what language the characters were speaking. Within a couple of minutes, however, the movie itself had hooked me, though it's not the type of story I'd usually seek out. Indeed I was late to work and really wanted to get going, but I was unable to tear myself away.

Beyond the great writing, acting, and directing, this film has some truly amazing cinematography. There are occasions where the filmmakers seem to have commanded the universe around them to get these shots. In one scene, the lead character looks up through his car's windshield as he's driving, and in perfect synchronization the reflection of the airliner he was looking at passes across the windshield. Even more amazing was the shot from well up in the air, with the lead characters' car driving up the road, a train going up a track in parallel to them, and a hawk (or eagle?) hovering right in front of the camera and then diving off to the side -- and they got this shot right at "magic hour". In Hollywood CGI surely would have been used to coordinate this ballet of elements.

There were also many shots incorporating wonderfully poetic imagery. One of my favorites was the lead character staring into the reflective doors at the airport which close and reveal him to himself, standing there utterly alone.

One more comment -- another reviewer called the ending "predictable", but I'd have to disagree. I really didn't know where the movie would end up, and in fact it was portrayed so subtly that I had to rewind the final scene to be sure what had happened, and then go back and re-watch a prior scene that contained a seemingly throwaway line that bears on the ending.

Take the old formula of two mismatched people being forced to live together, and rejuvenate it by losing the cliches and adding excellent script and direction, and utterly superb acting by all the cast, especially the two leads (the grouch and the boy). The characterisations are just spot on.

Whenever I see films like this I end up both very glad to have seen such an outstanding movie, and extremely irritated that practically no-one knows about this gem of a movie, yet films like 'Godzilla' rake in money.

My thanks to all involved with this movie; you have produced a work of art.

Who knows what you will do when your back is against the wall? Survival makes you do some things that you would never try. In this case Louka (Zdenek Sverák), a confirmed bachelor, marries a Russian woman to get her Czech papers and to get him some money to buy a car and fix his house and pay some debts.

As soon as they marry, she heads to Germany. her son, Kolja (Andrei Chalimon), a little five-year-old, ends up with Louka, who soon finds that he is bonding with the boy.

It is a beautifully touching story with some outstanding performances by the two leads and Libuse Safránková as Klara.

It is fascinating that star and writer of the screenplay is also the father of the director. I cannot imagine how that worker, but I bet it was interesting at times.