Carla's Song

I am Nicaraguan by birth, but stayed away from politics while I lived in that country, although my family and myself experienced the anxiety, and sometimes the horror, of living under a totalitarian regime, even one supported by the US, such as the Somoza dynasty. Although I left for the USA three years before the final triumph of the Sandinista revolution, I visited the country many times during the Sandinistas' 10-year rule, and saw first-hand the good and bad sides of the revolution, as well as the economic hardships caused by President Reagan's (though Olly North and the CIA) support of the counter-revolutionary thugs called "contras", who decimated a whole generation of young people in that unfortunate country.

I watched this movie last night and was impressed by how true to life Ken Loach managed to keep it. Although to some people it might appear as propaganda, my own experience tells me that everything that was depicted in the film (as far as the situation in Nicaragua in 1987 is concerned) was very realistic. The enthusiasm, especially among the poor and young for the revolution was true, I saw it with my own eyes. The fervor of the literacy campaign volunteers was admirable, even though some of them were targeted as "strategic" targets by the contra forces. Also targeted for destruction were health centers (which had never before existed in many remote villages), grain silos, tobacco sheds, etc., in the areas bordering Honduras, which is where Carla's family lives. The nighttime contra raid was very realistic, I must say, even though I myself never had to live through one. But I knew people who did. The cruelty of the contras depicted in the movie was well documented by American and other media at the time.

Oyanka Cabezas' portrayal of the young woman is remarkable, and Robert Carlyle's young bus driver is spot-on. The role of Scott Glen as a reformed CIA agent, although good, is the only one I could find fault with for being a little political and perhaps preachy, but I think his comments were based on facts.

In summary, I enjoyed the film very much. You don't have to be political to appreciate injustice, poverty, love and human decency. These human vices and virtues are all very well portrayed in this story. Kudos to all involved in its making.

Ken Loach is a remarkable storyteller. Notice how subtly Carlyle's George changes from a loveable lout to noble lover; now find a recent Hollywood film that accomplishes something even close. Moving dramatically from the grey grime of Glasgow to the green pandemonium of Nicaragua in 1987, this film charts a remarkable story of how international politics becomes an international dance of love becomes international politics.

The reviewer who argues that the film glorifies the Sandinistas has it all wrong (except perhaps in the world of doublespeak where simply to treat the Sandinistas with sympathy is to glorify them . . .) Loach rather glorifies the kind of loving devotion that leads George to make a remarkable self-abnegating gesture at the end of the film. Even as I believe that the film is primarily about the love between Carla and George, I am happy for the legions of viewers in the U.S. who, upon watching this film, might be inspired to investigate what the U.s. was up to in Nicaragua in the 1980's. As Noam Chomsky so calmly puts it, U.S. involvement in sponsoring terrorism against the Sandinista government is a completely "non-controversial" issue (underlying strong, though naturally unenforceable acts of censure against the U.S. from both the World Court and U.N.). In the film, Scott Glenn has a few nice moments articulating this position. Very worthwhile. And when we finally hear Carla's song, it is moving indeed.

I am a great admirer of Ken Loach, the way he can make you get emotionally involved in the plots of his movies and how he designs his movies so one can fully comprehend the social situation his characters are living. The atmospheres created by him show us examples of a social realism confronted by modern day people (especially in England).

When I started watching this movie, I really had no idea of the turn it would take. When it turned out that "Carla" was from Nicaragua, and it was taking place in the time of heavy war, I didn't imagine the masterfulness with which he recreated the events. Since I live in Honduras, I was very well informed and concerned about the Nicaraguan revolution. All the scenes, the music and the whole environment really caused a great impact on me. I could swear I was watching a documentary instead of a movie. Living near that country and being in contact with its people helped me understand the hardships they went through. And the situation painted by Loach of how the Nicaraguans felt and reacted about the war was incredibly realistic!!

Carlyle's character was superb!! He showed emotions that were very pure and sincere not only to "Carla" but to the whole situation. He was just too good a person, he showed us unselfish feelings that nowadays are very hard to find in our society, which is oriented mainly to material purposes rather than spiritual fulfillment.

This is the kind of humanistic films that should be made to teach people about the "real world" and true, unselfish comprehensive and devoted love. A love that goes so deep that one is willing to do anything for the other's happiness and wellbeing... even if it means letting them go.

In CARLA'S SONG, Ken Loach focuses his brand of UK social realism on The Contras and Sandinistas. The film recounts the story of a Scottish bus driver, played by Robert Carlyle, who falls in love with a beautiful woman from Nicaragua. She has been physically and psychically wounded in the revolutionary conflict of that country, and they both journey to Nicaragua in an attempt put her life back together. At face value, this seems like a weak or far fetched premise for a film, yet CARLA'S SONG demonstrates a very real and intense chemistry between the two lovers. Robert Carlyle is most convincing with his extemporaneous ad libs and off-hand comments, and they really added a sincere warmth to his character. However, subtitles were desperately needed for the Spanish speaking parts of the film, and a large chunk of the Scottish dialog was nearly uninterpretable. Overall, CARLA'S SONG renders an accurate portrait of 1980's working poor in Scotland, and a realistic view of the Sandinista Freedom Fighters as seen through the prism of a world class love affair.

I really enjoyed the first part of this movie which takes place in Glasgow Scotland following Robert Carlyle as a double deck bus driver who falls for a Nicaraguan woman after she gets caught not paying the fare. "George" takes Carla under his care, finds her a place to live and her story slowly comes out as they fall in love.

Carla is emotionally tortured, as a Nicaraguan refugee she has witnessed much violence and devastation in her country's civil war. Eventually George buys them tickets back to Nicaragua so she can look for her family and a former lover, who was brutalized by the Contras during an ambush.

I didn't like the second half of this as much, although the volatile environment of the country is well portrayed it just didn't hold my interest. The characters got vague as this become more of a political vehicle then the drama/romance we had with in the first part.

In their search to find Carla's boyfriend they meet up with (Scott Glen), a bitter American aid worker who helps in the mystery of where her boyfriend is. As the war and violence takes over their lives, both of them have to make decisions. Ultimately I came away underwhelmed about the whole thing even though I think this movie was meant to move me on some level.

I always enjoy Robert Carlyle, he does a great job here and was the main reason I watched this. 3/18/16