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Beautiful Girls

  • 1996
  • 12
  • 1 Std. 52 Min.
IMDb-BEWERTUNG
7,1/10
35.746
IHRE BEWERTUNG
Mira Sorvino, Uma Thurman, Matt Dillon, Lauren Holly, Timothy Hutton, Michael Rapaport, and Rosie O'Donnell in Beautiful Girls (1996)
Trailer
trailer wiedergeben2:02
1 Video
99+ Fotos
Romantic ComedyComedyDramaRomance

Ein Klavierspieler, der an einem Scheideweg in seinem Leben steht, kehrt nach Hause zurück zu seinen Freunden und ihren eigenen Problemen mit dem Leben und der Liebe.Ein Klavierspieler, der an einem Scheideweg in seinem Leben steht, kehrt nach Hause zurück zu seinen Freunden und ihren eigenen Problemen mit dem Leben und der Liebe.Ein Klavierspieler, der an einem Scheideweg in seinem Leben steht, kehrt nach Hause zurück zu seinen Freunden und ihren eigenen Problemen mit dem Leben und der Liebe.

  • Regie
    • Ted Demme
  • Drehbuch
    • Scott Rosenberg
  • Hauptbesetzung
    • Matt Dillon
    • Timothy Hutton
    • Noah Emmerich
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,1/10
    35.746
    IHRE BEWERTUNG
    • Regie
      • Ted Demme
    • Drehbuch
      • Scott Rosenberg
    • Hauptbesetzung
      • Matt Dillon
      • Timothy Hutton
      • Noah Emmerich
    • 208Benutzerrezensionen
    • 57Kritische Rezensionen
    • 65Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Gewinn & 4 Nominierungen insgesamt

    Videos1

    Beautiful Girls
    Trailer 2:02
    Beautiful Girls

    Fotos102

    Poster ansehen
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    Topbesetzung45

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    Matt Dillon
    Matt Dillon
    • Tommy 'Birdman' Rowland
    Timothy Hutton
    Timothy Hutton
    • Willie Conway
    Noah Emmerich
    Noah Emmerich
    • Michael 'Mo' Morris
    Annabeth Gish
    Annabeth Gish
    • Tracy Stover
    Lauren Holly
    Lauren Holly
    • Darian Smalls
    Rosie O'Donnell
    Rosie O'Donnell
    • Gina Barrisano
    Max Perlich
    Max Perlich
    • Kev
    Martha Plimpton
    Martha Plimpton
    • Jan
    Natalie Portman
    Natalie Portman
    • Marty
    Michael Rapaport
    Michael Rapaport
    • Paul Kirkwood
    Mira Sorvino
    Mira Sorvino
    • Sharon Cassidy
    Uma Thurman
    Uma Thurman
    • Andera
    Pruitt Taylor Vince
    Pruitt Taylor Vince
    • Stanley 'Stinky' Womack
    Anne Bobby
    Anne Bobby
    • Sarah Morris
    Richard Bright
    Richard Bright
    • Dick Conway
    Sam Robards
    Sam Robards
    • Steve Rossmore
    David Arquette
    David Arquette
    • Bobby Conway
    Adam LeFevre
    Adam LeFevre
    • Victor
    • (as Adam Le Fevre)
    • Regie
      • Ted Demme
    • Drehbuch
      • Scott Rosenberg
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen208

    7,135.7K
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    Empfohlene Bewertungen

    10Edward-33

    Much more than I expected. Thoroughly moving.

    (Maybe you should read this after watching the movie. I don't know if reading it before will spoil it for you--I doubt it, in fact, but you never know.)

    Being the typical unmarried man, I rented "Beautiful Girls" because of its attractive title. I had no idea it could be so moving or endearing. I may be just getting soft, but it was one of the few films I have thought about for more than 72 hours after I saw it.

    Aside from all the sexual content, swearing, etc., the dialogue between Marty (the now beautiful Natalie Portman) and Willie (my favorite actor, Timothy Hutton) is nothing short of astounding. Willie is enchanted and attracted to this little 13-year old girl next door. As they exchange more and more conversation, he realizes her great potential and even dreams about how he might just be able to wait ten years and maybe marry her.

    The scene in which Willie discusses his feelings with Mo, his married friend was the turning point of the story. Willie realizes that, even if she had a love-at-first-sight crush on him, she would drift away as she matures; she would find someone closer to her own age, and Willie would become just some silly old man she met when she was young and had a ridiculous, immature attraction to. He realizes that by just being her friend, he will be able to keep her in a much more real way than if he tries to wait for her to be his lover.

    But the one scene I will remember forever, the most perfect scene in the entire movie, in which the dialogue seemed neither forced nor over-elongated, was the scene in the ice-skating rink with Marty and Willie. Marty tells Willie all the things he would have liked to hear before his talk with Mo. She would marry him after they waited five years, etc. The association Willie makes with Winnie the Pooh and Christopher Robins is so beautiful it almost made me cry. (Not really, but you get the point). He gives her a good taste of reality, and she seems mature enough to understand.

    In a later scene, Willie tells Marty that he would like to continue being a friend, even a mentor to her, and he has total confidence that whatever she does will be amazing.

    There are about three other stories intertwined into the movie, but the Portman-Hutton line stands out as the superior.

    Overall, a wonderful movie to which they should have given a title that would attract people with the ability to be moved.

    P.S. The funniest part of the entire movie is the confused look Willie and Paul exchange after Mo gives unusually-phrased threats to Steven, who beat up their friend. You have to have seen the movie to understand
    9heysheckie

    Beautiful Find

    Channel surfing on a snowy day last winter, stumbled on this movie with an intriguing name: 'Beautiful Girls.' Found a terrific movie I had somehow missed when it came out. An incredible cast, great characters, sweet, funny, engaging, and good music to boot. I recently saved it on Tivo, and one of its many charms is that like a book you love, you can pick it up at any spot in the story and be engaged for 5-10-30 minutes or an hour, put it down, and pick it up again.

    I keep telling my friends to rent it, but I think they are put off by the title –they expect some movie with Mira Sorvino, Uma Thurman, Natalie Portman, Lauren Holly, and Annabeth Gish to be something this movie isn't – an exploitative movie about 'beautiful girls' – when it is in fact a charming movie about how people move through life yet retain a sense of who they are if they can remember where they came from.
    7GilraenEstel

    A Little Gem

    Having gone to my local video shop, wanting to rent either Gladiator or a big-budget blockbuster type film for my 'Girls Night In', I came across this in the Bargain Bin for only £2.99(about $5). I figured either the tape was run down (with it being ex-rental) or the film was crap and nobody ever rented it. However, the prospect of Matt Dillion and Timothy Hutton in the same film made me buy it (although my girlfriends were discouraged!)

    So after a marathon evening of Gladiator followed by Being John Malkovich, I popped this in the Video and was enthralled! The acting was great and the story relevant to real-life. Everybody goes through these problems, after all. The chemistry between Willie (Timothy Hutton) and Marty (the wonderful Natalie Portman) was brilliant - even though the subject is considered taboo.

    Matt Dillion's little triangle with Mira Sorvino and Lauren Holly is an entertaining sideline and Michael Rapaport provides the comic relief as we watch his crumbling relationship with Martha Plimpton. Rosie O'Donnell is also hilarious as the down-to-earth ready-to-break-your-balls-if-you-step-out-of-line type who is happy to rip the rose coloured glasses from your face whenever she feels its necessary.

    There is a real sense of friendship between this all-star cast and that really the defining factor in this film. However, the real stars are Hutton and Portman who are simply brilliant. She has perfected the little vixen role in Leon (aka The Professional) and although the characters of Mathilda and Marty are completely different, there is that little inkling of a girl wanting to be loved by a man in her performance. Hutton handles his role with care - and his Winnie-The-Pooh speech is simply heartbreaking!
    8marntfield

    The Proverbial "Guy" Flick

    Beautiful Girls, notwithstanding its stellar cast, is a cerebral and multi-layered film which represents the emasculation of emotional and experiential films, which are often (and rightfully) vilified, or what might be called "chick flicks". To this end, Beautiful Girls is a veritable "guy flick" and addresses to a more emotional end, some of the same 20-something angst and existentialist related issues faced by men as seen in more obvious (and violent) examples such as Fight Club. This film is a richly textured character story, profiling one man's quest for self understanding and direction by returning to his banal hometown from the big city while at a crossroad in his personal life, and while entering a new epoch in his relationship with an equally banal woman. His amalgam of high school friends remain isolated, almost indentured, to the same working class routine which defined their adolescence, and have little hope of ever moving on, other than in their idle daydreams. His subsequent obsession with the barely pubescent girl next door, Marty,(Portman) is in fact somewhat reminiscent of the dialectic of beauty and decay explored in Thomas Mann's epic "Death in Venice" whereas her youth and perceived way of interpreting the world is enviable, almost infectious. She represents less of a sexual or romantic fixture in his mind than she does a crucible for all things he values and hopes for. And still hopes to be. This film is not for everybody, and some less patient, or intelligent, viewers will no doubt decry it as boring or slow. Indeed the storyline is far from cutting edge, but the real story in this film is the people, the place, and the raw emotion which we can all relate with. This film is an impressionist painting come to life and is perfect philosophical fodder for the introspective type.
    10joits

    Beautiful Girls... beautiful movie...

    Easily one of the most overlooked movies considering how good it is. There are several ensemble movies out there, but this movie is definitely one of the best ones.

    The key word in ensemble cast is obviously "cast". And this movie has a stellar cast. Timothy Hutton, as Willy, is perfectly cast. Yes, this is an ensemble movie, but it sort of hovers around his character and he carries the movie so well. And to play off him, Natalie Portman is tremendous in this movie. Despite being the youngest cast member, she outacts most of the adults in this movie. Her chemistry with Timothy Hutton is amazing.

    The other cast members, including Rosie O'Donnell, Michael Rappaport, Uma Thurman, and Matt Dillon are also really good in their respective roles. Rosie O'Donnell delivers a hilarious monologue about the differences between men and women and it should not be missed.

    The story is relatively simple... a man going back home to attend his 10 year reunion. But because of the complex characters and their various storys, it becomes much more than just a high school reunion. Its a story about a man finding himself. Its a story about a young girl getting a taste of what love might be, despite it being in an unlikely person. Its a story of a man who has to grow up and let go of the long gone high school glory years. Its a story about relationships, between friends, family and couples. All these tales are interwoven into a heartwarming story.

    This movie ranks as one of my all time favorite movies.

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    Handlung

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    • Wissenswertes
      The movie was inspired by the experiences of screenwriter Scott Rosenberg when returning home to Needham, Massachusetts. During what he claimed was the worst winter for his hometown, he was waiting to see if his script Con Air (1997) was going to be produced and was getting fed up with writing action movies. Rosenberg cited that there was more action happening with his friends not wanting to accept that they were turning 30 or had commitment issues, which became the basis for Beautiful Girls (1996).
    • Patzer
      Gina mentions to Sarah that she looks like Ally Sheedy from The Breakfast Club (1985) with the Estevez Brothers. Ally Sheedy and Emilio Estevez were in Breakfast Club but his brother Charlie Sheen (Carlos Irwin Estevez) was not.
    • Zitate

      Paul: Supermodels are beautiful girls, Will. A beautiful girl can make you dizzy, like you've been drinking Jack and Coke all morning. She can make you feel high full of the single greatest commodity known to man - promise. Promise of a better day. Promise of a greater hope. Promise of a new tomorrow. This particular aura can be found in the gait of a beautiful girl. In her smile, in her soul, the way she makes every rotten little thing about life seem like it's going to be okay. The supermodels, Willy? That's all they are. Bottled promise. Scenes from a brand new day. Hope dancing in stiletto heels.

    • Verbindungen
      Edited into Tough Guise: Violence, Media & the Crisis in Masculinity (1999)
    • Soundtracks
      Beautiful Girl
      Written by David A. Stewart & Pete Droge

      Performed by Pete Droge & The Sinners

      Courtesy of American Recordings

    Top-Auswahl

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    • Who wanted the almighty BOOGNISH to tell Gener to write a song for this movie?

    Details

    Ändern
    • Erscheinungsdatum
      • 3. Oktober 1996 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Official site
    • Sprache
      • Englisch
    • Auch bekannt als
      • Красиві дівчата
    • Drehorte
      • Stillwater, Minnesota, USA
    • Produktionsfirmen
      • Miramax
      • Woods Entertainment
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 10.597.759 $
    • Eröffnungswochenende in den USA und in Kanada
      • 2.761.790 $
      • 11. Feb. 1996
    • Weltweiter Bruttoertrag
      • 10.597.759 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 52 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 1.85 : 1

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