In einer Zukunft, in der die polaren Eiskappen geschmolzen sind und die Erde fast vollständig unter Wasser steht, kämpft ein mutierter Seemann gegen Hunger und gesetzlose "Raucher" und hilft... Alles lesenIn einer Zukunft, in der die polaren Eiskappen geschmolzen sind und die Erde fast vollständig unter Wasser steht, kämpft ein mutierter Seemann gegen Hunger und gesetzlose "Raucher" und hilft widerstrebend einer Frau und einem jungen Mädchen, trockenes Land zu finden.In einer Zukunft, in der die polaren Eiskappen geschmolzen sind und die Erde fast vollständig unter Wasser steht, kämpft ein mutierter Seemann gegen Hunger und gesetzlose "Raucher" und hilft widerstrebend einer Frau und einem jungen Mädchen, trockenes Land zu finden.
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- Für 1 Oscar nominiert
- 6 Gewinne & 9 Nominierungen insgesamt
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One of the most controversial movies in KC's filmography. Simply because it had the stigma of being the most expensive movie ever produced at the time. A snip by modern standards at $175 million. Universal initially authorized a budget of $100 million, but production costs eventually ran it up to to an estimated $175 million, with KC putting $22 million of his own money into the film, just as he did with Dances With Wolves.
Plot In A Paragraph: In a future where the polar ice-caps have melted and Earth is entirely submerged, The Mariner (KC) reluctantly helps a woman and a young girl try to find dry land.
KC reunites with Fandango and Robin Hood: Prince Of Thieves director Kevin Reynolds for what should be a slam dunk for the pair of them, but with troubled production from the off, the film was plagued by a series of cost overruns and production setbacks. The script underwent 36 different drafts which involved six different writers, including Joss Whedon who flew out to Hawaii to work on it, he later described it as "seven weeks of hell". Sets were destroyed (The Atoll actually sank too) by three hurricanes, KC, his stuntman, Jeanne Tripplehorn and Tina Majorino (who was also drunk by jellyfish repeatedly too) all nearly drowned.
All of that,and then throw in leading man KC's whose marriage fell apart during filming, and when Wyatt Earp opened to empty turnstiles to become his second (third if you count The War) box office disappointment in a row, the critics were gunning for him. Writing that after great success, he was finished, and on his way out. They made out, at 40, he was an ageing gunslinger (think KC would approve of the western metaphor) hearing the footsteps of younger faster trigger men named Will Smith, Jim Carrey, Tom Hanks and Leo Dicaprio.
I know i'm in the minority here along with an ever increasing circle of people who actually enjoy this very under rated movie. I don't think it's fan bias, when I say Waterworld is a thoroughly enjoyable summer popcorn flick, all the performances are good, the action set pieces are impressive and it has a good sense of atmosphere too. Whilst I always end up humming James Newton Howard's score for a while after I have watched it too.
It's not perfect by any means. Locking director Reynolds out of the editing room, KC hacked it to pieces in order to accommodate the two-hour-running-time maxim imposed by the studio, so that corporate could get their investment back.
I'm in the process of trying to track down a fan-edit of the film called Waterworld: Ulysses Cut, which includes all of the deleted scenes. The additional scenes tie up several loose ends left ambiguous by the theatrical release.
Even with all of the above, and opening a week before guaranteed money maker Die Hard With A Vengeance, Waterworld ended the year the 12th highest grossing movie of 1995, with a domestic gross of $88 million.
KC bashers should get over themselves, and start giving George Lucas what he deserves.
"Waterworld" is an escapist fantasy/action picture, not unlike the James Bond and Indiana Jones pictures. Costner's performance works on exactly the same level as the Connery/Moore/Brosnan portrayals of 007 and Harrison Ford's portrayal of Indy -- straightforward, grim, stoic, a little mean-spirited, a little cruel, unafraid of dirt, grime, death, or salt water.
It's not perfect by any means. I'm sure Costner hacked it to pieces in order to accommodate the two-hour-running-time maxim imposed by the studio, so that corporate could get their investment back. Now is the time for the extended DVD version; maybe that will explain where all those cigarettes came from, and how the Smokers converted raw crude into gasoline.
7 out of 10. Costner bashers should get over themselves and start giving Michael Bay and George Lucas what they deserve.
*** (out of 4)
Talk all you want about how this thing was a bomb at the box office. I've personally never seen how good or poorly a movie does at the box office should have any impact on its entertainment or quality level. Is WATERWORLD flawless? Not even close. There are countless problems with this film but for the most part I've always enjoyed its ambition and it keeps me entertained. The story is pretty simple as in the future all the world is covered by water, although there's rumors of land somewhere. A part-man, part-fish (Kevin Costner) gets involved with a family (Jeanne Tripplehorn, Tina Majorino) and soon must defeat some bad guys (led by Dennis Hopper) who has kidnapped the girl. WATERWORLD runs on a bit too long, loses focus on any type of story and yes the budget was crazy but in the end it's still a pretty entertaining summer blockbuster. I think a lot of credit has to go to the actual look of the film, which of course turned out to be some of the biggest issues with the production. I thought the director managed to do a good job creating a world where the viewer really did feel was nothing but water. The futuristic atmosphere also worked and the look of the costumes, ships and supplies were all realistic and fun. The action scenes were also extremely well handled and especially the ending with all the explosions and fires. The battles at sea were really just things we had previously seen in pirate movies but they were still fun. Costner also turns in a good, not great, performance in the lead and he at least keeps you interested in everything going on. Hopper delivers that crazy type of performance we all love and Tripplehorn is good in her supporting bit. Majorino is also fun as the young girl who befriends Costner. I remember watching this when it was originally released and everyone was going crazy about the budget. Everyone seemed to forget that the people leaving the theater actually liked the movie. It's too bad WATERWORLD was doomed from the start but it remains a fun movie.
Tina Majorino was, as always, (see "When A Man Loves A Woman" and Corrina, Corrina") believable. It amazes me how many tears this child can summon and I still believe each one of them.
Kevin Costner wasn't really anything special. I had just seen The Postman the week before (which prompted me to watch Waterworld), and he seemed to me to be the same character. I could go on and on about comparisons, but I'll leave it at that. Although, I have to let you know there was a strange deja-vu thing happening between plot points and character developments.
Jeanne Tripplehorn was quite convincing. I thought their tans were all apt considering the habitat of the characters, but a bit overdone.
The most disappointing thing for me was how the film turned from a unique, (pre-Postman) fairly intelligent plot into a typical action film with explosions and chases. There were explosions toward the beginning that were a little overdone, but I felt they were necessary to introduce us to the Smokers and to Dennis Hopper's character. This film could have turned out quite well, if the last few scenes were completely re-written.
This was one of those movies that just got creamed by the press because they get very upset when movies cost a lot and in their minds - too much.
Also - Costner was becoming a very big star - and the press loves to buildup stars and once their huge, they love to tear them down. This was a tear down.
Heaven's Gate wasn't awful - but just too slow. This movie isn't awful either, and neither is it slow. And if you're a motorhead - its extra fun. Dennis Hopper chews up the scenery like a famished dinosaur and he's so much fun he makes Kevin's character look a little under-written.
Wusstest du schon
- WissenswertesThe preferred three-hour cut of director Kevin Reynolds was drastically edited back to a 135-minute theatrical version by Kevin Costner and the studio, probably in an effort to recoup the film's inflated $175 million dollar budget (since Costner's previous 3-hour movie Wyatt Earp - Das Leben einer Legende (1994) had been a box office bomb). ABC later broadcast an extended TV version that restored almost 40 minutes of deleted scenes, which explain more about the world, the people who live there, the Smokers' religious beliefs and their ability to refine crude oil. The additional scenes also tie up several loose ends in the theatrical release. Being a TV special, this version was also censored for violence and language. A fan-edit of the film, called 'Waterworld: The Ulysses Cut' (named after a restored scene at the end), was later made in an attempt to create the most complete version of the movie. It was compiled from several broadcast versions, containing all of the additional footage from the TV version while restoring the previously censored parts. In an unexpected turn, the original distributor officially sanctioned this fan-edit by releasing it in a box-set with the other two versions. This Ulysses Cut was remastered in high-definition though, created with original footage rather than lower-quality broadcast material.
- PatzerThe crude oil contained in The Smokers' tanker would not be able to power their boats, jet skis and other engines without refinement, or high octane required for the seaplane. It would stand to reason that The Smokers possessed the ability to minimally refine the crude oil so that it would run their engines, but not burn efficiently & smoke - giving them the name "Smokers".
- Zitate
Depth Gauge: [Sees the Mariner's lit flare about to fall on the oil. An end to his miserable existence] Oh, thank God!
[Kaboom]
- Crazy CreditsThe Earth in the Universal logo zooms into the Mariner's boat, with the ice caps melting and causing the world to be flooded.
- Alternative VersionenThe ABC television version restores nearly 40 minutes of material Universal Pictures and Kevin Costner cut from the original release against the will of director 'Kevin Reynolds'. It explains more clearly the relationship between the Mariner and Helen, and the secret behind the origin of Dry Land. The additional material includes:
- SoundtracksMusic Box Theme
Composed by Mark Isham
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Mundo acuático
- Drehorte
- Waipi'o Valley, Hawaii, USA(Final scene when they find dry land)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 175.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 88.246.220 $
- Eröffnungswochenende in den USA und in Kanada
- 21.171.780 $
- 30. Juli 1995
- Weltweiter Bruttoertrag
- 264.218.220 $
- Laufzeit2 Stunden 15 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1