Ein namenloser Landstreicher begibt sich mit Postbotentasche und Uniform auf die Suche nach Hoffnung für die Überlebenden im postapokalyptischen Amerika.Ein namenloser Landstreicher begibt sich mit Postbotentasche und Uniform auf die Suche nach Hoffnung für die Überlebenden im postapokalyptischen Amerika.Ein namenloser Landstreicher begibt sich mit Postbotentasche und Uniform auf die Suche nach Hoffnung für die Überlebenden im postapokalyptischen Amerika.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 7 Gewinne & 7 Nominierungen insgesamt
Empfohlene Bewertungen
Nothing to add to the other reviews, other than it holds up well after 20 years, and may even be a better movie for our times than the one it was made. Is it long? Sure. So pause it every 45 minutes and pretend it's a series. It's worth your time, especially if your pandemic watch list is running short.
I found the movie to be better than anticipated (perhaps because I feared the worst, thanks to all the "anti"hype). Costner did a great job transforming a hokey script into an attractive film. It's use of symbolism and Shakespearian references were well placed, though seemingly not accepted. This only strengthens the fact that movies "wax too philosophical" for the general audience, especially an American audience which usually can't handle any movie beyond 1 and a half hours. This is why the Action genre is so popular while the Epic genre sees a rare release. Also, Great scenery and camera work help the story along, not to mention good acting. In its roots, Postman is an old fashioned movie without the heavy, overdone special effects we badly crave(Armaggedon, Starship Troopers). The Postman is merely a metaphor for strength, courage and conviction. The movie could have been about "The Cook" and still work as well. Shame on Hollywood for trashing such a great star!! (lest we forget the references to "Kevin's Gate" during DANCES WITH WOLVES, The negative buzz surrounding ROBIN HOOD, and even WATER WORLD.) Movies that went on to become hits!!
I truly do NOT understand why The Postman was attacked as viscously as it was by the film media (there films much more worthy of the Golden Raspberry Awards in 1997). I loved this film and was very impressed with the loving amount of dedication that it demonstrates on the part of the actors, writers and director. This was a GOOD movie: it had a strong and intelligent story; excellent and interesting characters; and real feel for the post-Apocalypse genre. I felt that Kevin Costner's everyman act worked beautifully in this film and created a sense of reality for the character and of his situation.
As far as the sci-fi novel by David Brin, this film exceeded it in every way possible. Where Brin had to rely on cheezy sci-fi standards (like supersoldiers) to resolve his story, this film does using only two men, both frauds, and both with radically different understandings of what constitutes a proper society. That is what made this film great (and I rarely use the term great), that this film was essentially an examination of America and what America means. It was a parable of sorts about the types of men Americans are and what they are capable of (notice that the head bad-guy had a traditional, classical education, while Costner did not; he appreciated these things but they were not at the center of his belief system... I wonder why).
While I do not agree with every aspect of this film (I am a Medievalist and a Platonist, so I don't necessarily feel the same way about the Western Canon that the film-maker may have), I still find it to be a beautiful reflection on the psyche of the American everyman. America has a tradition of rejecting the absolutist ideals of the past in favor of the pragmatic relativism of today, and I think that this film is a parable of the divorce of America from the traditions of Europe.
Overall, this is a complex and entertaining film and I highly recommend it to anyone interested in examinations of American culture and tradition, perhaps as a double feature with Citizen Cane (I am not, however, claiming that the Postman was as good a film as Citizen Cane, only that they have a similar theme... what does it mean to be an American?).
As far as the sci-fi novel by David Brin, this film exceeded it in every way possible. Where Brin had to rely on cheezy sci-fi standards (like supersoldiers) to resolve his story, this film does using only two men, both frauds, and both with radically different understandings of what constitutes a proper society. That is what made this film great (and I rarely use the term great), that this film was essentially an examination of America and what America means. It was a parable of sorts about the types of men Americans are and what they are capable of (notice that the head bad-guy had a traditional, classical education, while Costner did not; he appreciated these things but they were not at the center of his belief system... I wonder why).
While I do not agree with every aspect of this film (I am a Medievalist and a Platonist, so I don't necessarily feel the same way about the Western Canon that the film-maker may have), I still find it to be a beautiful reflection on the psyche of the American everyman. America has a tradition of rejecting the absolutist ideals of the past in favor of the pragmatic relativism of today, and I think that this film is a parable of the divorce of America from the traditions of Europe.
Overall, this is a complex and entertaining film and I highly recommend it to anyone interested in examinations of American culture and tradition, perhaps as a double feature with Citizen Cane (I am not, however, claiming that the Postman was as good a film as Citizen Cane, only that they have a similar theme... what does it mean to be an American?).
Listen I know that Costner has a rep. For long drawn out story lines and his movies can be on the slow side, but give this one a chance, it makes you feel proud at the end and I tell you that you will not feel like you wasted your time and if you do I will refund your money on this review, with your receipt of course.
It is Post-Apocalyptic, but don't hold that against it, it has some great twists and turns, it has action and even some romance, if you are into that sort of thing and in the end you feel better about the world in general. I enjoyed 2 bowls of Popcorn and a beer with this movie.
Who knows you may want to hug your postal carrier after this movie.
It is Post-Apocalyptic, but don't hold that against it, it has some great twists and turns, it has action and even some romance, if you are into that sort of thing and in the end you feel better about the world in general. I enjoyed 2 bowls of Popcorn and a beer with this movie.
Who knows you may want to hug your postal carrier after this movie.
First of all...I liked it...I really did! It is a film by Kevin Costner, starring Kevin Costner, surrounds Kevin Costner's character, and a movie that is simply...Kevin Costner. But if you liked Kevin Costner in such films as "Dances With Wolves", "Robin Hood", "The Bodyguard", and even slightly in "Waterworld", then you will like this film. I know it is three hours long (I got refills on both the popcorn and super-size soda and still ran out), but I didn't find it as unbearable as those less-than-perfect-movie-critics have claimed. I found the time to go by quite like you would expect three hours to go by and didn't find myself being bored or dozing off. Yes, the story line was a bit predictable and Kevin played the reluctant hero that he is known for...but I liked it. Bottom line...if you want to do something nice for your postman, tell them you are going to go see the film in their honor...because like their motto says...not rain, nor shine, nor sleet, nor nothing...not even the lack of being a country will stop the mail from getting through.
Wusstest du schon
- WissenswertesKevin Costner's children all appear in the film.
- PatzerThe main character assumes his role because he found an old abandoned mail truck containing the remains of a long dead mailman and pilfered the uniform from the skeleton. The problem here is the condition of the clothing he takes. When a person dies, the body goes through many stages of decomposition on its way to being merely a skeleton. As the tissues break down, many chemicals and enzymes are released, including the hydrochloric acid of the digestive system. In the final stages of decomposition, this is referred to as liquefacation or liquiescence. Given enough time and a suitable environment this combination of byproducts, with the addition of the bacteria that will inevitably emerge, would make any cloth or fabric (with the exception of treated leather products) not only disgustingly filthy, but also so weakened from exposure to what amounts to a corrosive liquid, that the fibers would tear apart from any stresses put on them. Even the act of taking the jacket off of the remains (and certainly that of putting the jacket on himself) would have pulled the fabric apart.
- Zitate
The Postman: Wouldn't it be great if wars could be fought just by the assholes who started them?
- VerbindungenEdited from Universal Soldier (1992)
- SoundtracksYou Didn't Have To Be So Nice
Written by John Sebastian and Steve Boone
Produced by Ted Templeman and Ben Schnee
Performed by Amy Grant and Kevin Costner
Amy Grant Appears Courtesy of A&M Records, Inc. A PolyGram Company
Top-Auswahl
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Details
Box Office
- Budget
- 80.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 17.626.234 $
- Eröffnungswochenende in den USA und in Kanada
- 5.260.324 $
- 28. Dez. 1997
- Weltweiter Bruttoertrag
- 17.626.234 $
- Laufzeit
- 2 Std. 57 Min.(177 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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