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Mad Max

  • 1979
  • 16
  • 1 Std. 28 Min.
IMDb-BEWERTUNG
6,8/10
239.376
IHRE BEWERTUNG
BELIEBTHEIT
2.068
117
Mel Gibson in Mad Max (1979)
Accessible official trailer
trailer wiedergeben1:54
3 Videos
99+ Fotos
B-ActionCar ActionDesert AdventureDystopian Sci-FiActionAdventureSci-FiThriller

In einer selbstzerstörenden Welt macht sich ein rachesüchtiger australischer Polizist auf den Weg, eine gewalttätige Motorradgang zu stoppen.In einer selbstzerstörenden Welt macht sich ein rachesüchtiger australischer Polizist auf den Weg, eine gewalttätige Motorradgang zu stoppen.In einer selbstzerstörenden Welt macht sich ein rachesüchtiger australischer Polizist auf den Weg, eine gewalttätige Motorradgang zu stoppen.

  • Regie
    • George Miller
  • Drehbuch
    • James McCausland
    • George Miller
    • Byron Kennedy
  • Hauptbesetzung
    • Mel Gibson
    • Joanne Samuel
    • Hugh Keays-Byrne
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,8/10
    239.376
    IHRE BEWERTUNG
    BELIEBTHEIT
    2.068
    117
    • Regie
      • George Miller
    • Drehbuch
      • James McCausland
      • George Miller
      • Byron Kennedy
    • Hauptbesetzung
      • Mel Gibson
      • Joanne Samuel
      • Hugh Keays-Byrne
    • 504Benutzerrezensionen
    • 266Kritische Rezensionen
    • 73Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 6 Gewinne & 8 Nominierungen insgesamt

    Videos3

    Official Trailer
    Trailer 1:54
    Official Trailer
    Mad Max: Max Vs. Biker Gang
    Clip 2:10
    Mad Max: Max Vs. Biker Gang
    Mad Max: Max Vs. Biker Gang
    Clip 2:10
    Mad Max: Max Vs. Biker Gang
    Mad Max: I Am The Chosen One
    Clip 3:05
    Mad Max: I Am The Chosen One

    Fotos229

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    Topbesetzung60

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    Mel Gibson
    Mel Gibson
    • Max
    Joanne Samuel
    Joanne Samuel
    • Jessie
    Hugh Keays-Byrne
    Hugh Keays-Byrne
    • Toecutter
    Steve Bisley
    Steve Bisley
    • Jim Goose
    Tim Burns
    Tim Burns
    • Johnny the Boy
    Roger Ward
    Roger Ward
    • Fifi
    Lisa Aldenhoven
    Lisa Aldenhoven
    • Nurse
    David Bracks
    David Bracks
    • Mudguts
    Bertrand Cadart
    Bertrand Cadart
    • Clunk
    David Cameron
    David Cameron
    • Underground Mechanic
    Robina Chaffey
    Robina Chaffey
    • Singer
    Stephen Clark
    • Sarse
    Mathew Constantine
    • Toddler
    Jerry Day
    Jerry Day
    • Ziggy
    Reg Evans
    Reg Evans
    • Station Master
    Howard Eynon
    • Diabando
    Max Fairchild
    Max Fairchild
    • Benno
    John Farndale
    • Grinner
    • Regie
      • George Miller
    • Drehbuch
      • James McCausland
      • George Miller
      • Byron Kennedy
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen504

    6,8239.3K
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    Empfohlene Bewertungen

    8hitchcockthelegend

    Low budget classic that is now a genre landmark.

    Set somewhere in the future we are privy to a world where the roads are ruled by maniac gangs with souped up cars, and bikers that literally could come from hell. Trying to stop these marauding loons are the overstretched police force who themselves ride in exceptionally fast cars. At the front of this story is Max Rockatansky, a good honest cop trying to hold his own against the chaotic world that is forming around him. After his best friend is burned and left for dead he decides enough is enough and thinks about retiring from the service, but whilst on a vacation with his wife and child things go decidedly bad and Max becomes an avenging force of fury with devastating affect.

    When evaluating this film I feel it really needs to be put into perspective just how brilliant a job director George Miller did with next to no cash to work with, in fact Miller edited the film in his own bedroom just to emphasise the low-fi nature of the beast. The costumes are excellent, the cast are terrific, with Mel Gibson as Max particularly impressive, and here we have villains to truly fit the word villainous, but it's the stunts and chase sequences that makes this film a rich rewarding experience. The opening ten minutes alone are pure adrenalin pumping genius, but the film as a whole delivers a crash bang wallop punch that has often been imitated since its release, but rarely bettered, and although the heart of the film is a simple revenge story, it grabs your attention and delivers right to the corking finale, 8/10.

    Footnote: Region 2 Users should note that the bargain bucket Mad Max Trilogy flip pack set still contains the foolishly dubbed version of this film, incredibly stupid move from the American distributors.
    7mhtotalmoviefan

    Cool and aggressive

    The film is a drama with action and adventure elements. Unlike later films where the apocalyptic and ultra-violent world is already established, this one is much more "down to earth". There is a standard civilization here, however, there are violent criminals. The film shows experienced police officers facing a sinister motorcycle gang. There are a lot of cool chase scenes here, which are the highlight of the film.

    The performances range from simple to some good. Highlight goes to Mel Gibson, who is charismatic and does well in the role.

    The villains are detestable, and from the second to the third act we hope that Max can stop everyone in his path. The ending of the film is brutal, fun and remarkable, and certainly inspired a famous series of horror films involving a cutting saw (I think you already know what I'm talking about). If the film had a little more action in the first act, and some more interesting characters besides Mel Gibson and two or three others, I would give it a higher rating. Either way, it's a cool movie.
    7MrBenWhite

    The Potential of the Australian Film Industry

    Dr. George Miller's low budget Mad Max franchise impacted on Australian culture and altered the perception of Australia and Australians overseas in a way that no other Australian film had done. The films explores themes such as 'man and the environment', 'fear provoking post-apocalyptic future, family', 'masculinity in crisis', 'good versus evil (Max as an iconic hero), Australian ethos and car culture; themes often featured within Australian films yet presented in a stark and dramatic way. The cinematographic impact is powerful; the human and emotional appeal is timeless.

    Australia's barren deserts presented the ideal setting for a post-apocalyptic environment. The film set is more identifiable as Australia as it was filmed around the city of Melbourne. Long deserted roads feature significantly in the film and the cinematographic device of taking long distant shots of Max demonstrates how small he is in the scale of the environment that he is living. It is a relentless, unforgiving environment which demands defeat or survival and marks the characters which play upon its stage.

    Just as the physical setting is stark and desolate, the time setting and its associated events create an atmosphere of fear and foreboding which plays on the minds and emotions of contemporary viewers. In this fear provoking post apocalyptic future the few survivors of the nuclear holocaust are in warfare with one another, the rebel bikers and the police.

    Good versus evil is a dominant discourse in many film genres and one which embraces the Australian ethos. Max possesses some highly valued "Australian" traits; in particular, those of the underdog, the battler, the hero. External forces beyond his control stop him from "winning" completely. Contrary to the Hollywood hero, the Australian hero is a pawn in the game of others, which explains why Max can never quite "win" in absolute terms. There is little public glorification of success in Australia; heroes are remembered for their style rather than for their achievements. (Venkatasawmy, 1996) Mad Max represented a tradition hero, a hero to whom many diverse cultures are able to relate, as a story of a lone hero is a story that goes back through centuries of storytelling, and as a consequence the film achieved colossal success within Australian and around the world. The Australian cultures and lifestyles shown throughout these films give Australians an understanding of their country in the landscape, the language, and the way we treat people, life and life in exceptional circumstances.

    Reference Venkatasawmy, R. (1996), Australian Film in the Reading Room: The Hybridity of Film-making in Australian National Cinema: Formulating a Cinematic Post-Diaspora. Retrieved March 14, 2005, from http://wwwmcc.murdoch.edu.au/ReadingRoom/rama/CHAPT4.htm
    6stevenjlowe82

    Kinda odd....

    Honestly I have to admit I was left slightly bewildered after watching this film for the first time in many many years.

    I didn't really get the post apocalyptic vibe from this film, granted it's incredibly low budget but still it felt more like an outback set film.

    I also found some of the musical choices a bit odd. The scenes with Max and his family had this TV movie vibe thanks to the bizarre choice of music. Also the music at times drowning out the dialogue was very off putting.

    I did enjoy elements of this film, in particular the set pieces and action parts of this film, despite it being a low budget affair I have to say I was impressed. It's also worth bearing in mind this film was made in the late 1970's so for me that makes the action scenes all that more impressive.

    Mad Max is a slightly odd low budget action flick that has a certain charm but is let down by down by questionable editing, musical score and acting.
    7ivo-cobra8

    Mad Max is 70's classic dystopian action film the film that became the first in the series that launches some awesome great sequels.

    Mad Max is 70's type of classic dystopian action film the film that started it all and became the first in a series that launches some awesome great sequels. Max Rockatansky is iconic hero till it's day he is a true legend. Mad Max settle Mel Gibson a sure path to superstardom this highly acclaimed crazy collide o-scope of highway of mayhem cinematically defined the post apocalyptic landscape. Featuring eye- popping stunts that are electrifying and very convincing and an authentically nihilistic spirit this unforgettable actioner from Director George Miller is pure cinematic poetry.

    In the ravaged near future, a savage motorcycle gang rules the road. Terrorizing Innocent civilians while tearing up the streets, the ruthless gang laughs in the face of police force hell-bent on stopping them. But they underestimate one officer: Max (Gibson). And when the bikers brutalize Max's best friend and family, they send him into a mad frenzy that leaves him with only one thing left in the world to live for - revenge! Also staring Joanne Samuel,Hugh Keays-Byrne he later started in Mad Max: Fury Road as an Immortan Joe another villain. This actor is fantastic and makes TERRIFIC job of been one of the best villains in the movie history ever. Also starring Steve Bisley, this rugged race car of a film runs on comic book volatility... exhilarating, rowdiness and visual intensity.

    I love this film not much as I love Mad Max 2: The Road Warrior and Mad Max: Furry Road but I still love it. The plot doesn't start until 1.hour ago after Max family is attacked and killed. I love Max's car V8 Interceptor, high speed chases action sequences, that I guarantee you want see in any Action film today. There is any cgi in this film I didn't see them at all. The chases between Max and Toecutter on a motorcycle is fantastic, the crash and death Toecutter scene is AWESOME. I love this movie, I love it. As an dystopian action film is a fantastic that remains a true classic till it's day. The film has one problem that is focusing on max and his love life which is drama that hurts the movie and the plot starts really slow in the film. And between the film becomes very boring.

    The high speed chases on the road makes this movie interesting so that you don't fall asleep. I still don't get that hate for this film, some people are comparing Thunderdome to this film, clamming that is better than Mad Max is and this is the worst one and the weakest film in the franchise which is not. I highly disagree with all of the haters of this film. It Is still good so much better than Thunderdome ever was. I will always take this film over Thunderdome,I have tried many times to take this film as the best one in the series but I couldn't because it does have some problems.

    NOTE: The film is not a revenge flick like some people are saying, it is a film about car and motorcycle gang on a road it is Australian post apocalyptic dystopian action film. 7/10 B-

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      Most of the extras used in the film were paid in beer.
    • Patzer
      When Jessie walks to the car Max is repairing she is wearing sneakers. When she walks around to the passenger side of the car she has on boots with sheepskin trim. When she walks off to the beach she is wearing the deck shoes again.
    • Zitate

      [the Kid is handcuffed to a car that's about to explode]

      Max: The chain in those handcuffs is high-tensile steel. It'd take you ten minutes to hack through it with this. Now, if you're lucky, you could hack through your ankle in five minutes. Go.

      [the hacksaw is dropped next to The Kid, and Max limps off]

    • Alternative Versionen
      The original UK cinema and certified video releases (American dub) were cut by 48 seconds by the BBFC to keep an X (18) rating and to prevent the film from being banned, as X was the highest rating. They edited the scene where the bikers tear up the hot-rod with the terrified couple inside. Instead, the scene cut to black as the bikers smashed the first window and resumed on the bird hovering overhead. Though the original uncertified 1982 video release of the American dub from Warner Home Video was released uncut, the cut was re-instated on the 1986 18-rated VHS, but was restored in 1992 when the Australian dialogue version was finally released in the UK and to all later releases with the same rating (although Warner's budget labels SCREEN CLASSICS still put out the American dub with the cut scene well into the 90s). In April 2015, the film was passed with a 15 rating uncut, because of "(the scene's) implied nature and lack of visual detail of the acts themselves". The same reason was given for passing it at 18 uncut back in 1992.
    • Verbindungen
      Edited into Mad Max: Der Vollstrecker (1981)
    • Soundtracks
      Licorice Road
      (uncredited)

      Written and Produced by Nic Gazzana

      Performed by Robina Chaffey

      Sung by Creenagh St. Clair

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    • What make. model and year interceptor is Max driving at the start of the movie?

    Details

    Ändern
    • Erscheinungsdatum
      • 29. Februar 1980 (Westdeutschland)
    • Herkunftsland
      • Australien
    • Sprache
      • Englisch
    • Auch bekannt als
      • Pobješnjeli Max
    • Drehorte
      • Seaford Beach, Seaford, Victoria, Australien(Toecutter gang beach scenes)
    • Produktionsfirmen
      • Kennedy Miller Productions
      • Mad Max Films
      • Soundfirm
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 300.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 8.750.000 $
    • Weltweiter Bruttoertrag
      • 8.774.013 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 28 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Mono(original release)
      • DTS
      • Dolby Digital
    • Seitenverhältnis
      • 2.39 : 1

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