IMDb-BEWERTUNG
5,5/10
33.887
IHRE BEWERTUNG
Als es einer Virtual-Reality-Simulation, die mit den Persönlichkeiten mehrerer Serienmörder erstellt wurde, gelingt, in die reale Welt zu entkommen, wird ein Ex-Cop damit beauftragt, seine S... Alles lesenAls es einer Virtual-Reality-Simulation, die mit den Persönlichkeiten mehrerer Serienmörder erstellt wurde, gelingt, in die reale Welt zu entkommen, wird ein Ex-Cop damit beauftragt, seine Schreckensherrschaft zu beenden.Als es einer Virtual-Reality-Simulation, die mit den Persönlichkeiten mehrerer Serienmörder erstellt wurde, gelingt, in die reale Welt zu entkommen, wird ein Ex-Cop damit beauftragt, seine Schreckensherrschaft zu beenden.
- Auszeichnungen
- 1 Nominierung insgesamt
Gordon Jennison Noice
- Big Red
- (as J. Gordon Noice)
Miracle Vincent
- Christine Barnes
- (as Miracle Unique Vincent)
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You can't help but like Crowe's gleeful portrayal of a schizophrenic nano-bot serial killer in this ridiculous film, and with futuristic fascists, pervey programmers and a bucket loads of virtual reality cyber nonsense, this should really be a winner in the style of The Demolition Man or the Robocop series. But where other films in the genre have used such tools as wit and plot to keep the more intelligent of the viewers amused, this film, um, hasn't.
The script is terrible. The acting (excluding Crowe, who only gets away with it thanks to a camp smile and some fortunate direction) is wooden. And the plot is illogical and frustrating.
The script is terrible. The acting (excluding Crowe, who only gets away with it thanks to a camp smile and some fortunate direction) is wooden. And the plot is illogical and frustrating.
This film is just plain silly. It catches Denzel Washington in one of his rare ultra-violence impulses (like Training Day). Newsflash: Washington is a premier actor wasted on a simple-mined character that just about second-rate actor in Hollywood could have played.
However, the hilarious, over the top performance of Russell Crowe as a cyborg gone berserk is a combination of Max Headroom and the rogue robot in Blade Runner. He steals the film, but cannot rescue the lame script and corny dialogue. Of course, being 30 years old, the film is a bit dated from a scientific standpoint, so we must accept the science that was available in 1995. Entertaining at times.
However, the hilarious, over the top performance of Russell Crowe as a cyborg gone berserk is a combination of Max Headroom and the rogue robot in Blade Runner. He steals the film, but cannot rescue the lame script and corny dialogue. Of course, being 30 years old, the film is a bit dated from a scientific standpoint, so we must accept the science that was available in 1995. Entertaining at times.
In the near future, Parker Barnes (Denzel Washington) is an ex-cop who has been sent to prison for murder. The circumstances surrounding his crime are disheartening and elicit empathy. Now, he is offered a chance at freedom from prison. Parker must hunt down and destroy a murderous cyborg, SID 6.7 (Russell Crowe), who is menacing the general public after jumping out of a virtual reality program. The chase takes on many twists and turns as SID terrorizes, shoots and kidnaps victims in his path. Can SID be stopped?
It may not be a science fiction masterpiece, but this film is worthwhile and intriguing. A second viewing may be required to truly understand and appreciate its complex plot. Then, too, the marvelous special effects enhance the look and feel of the film. It is not Denzel Washington's finest hour (he is adequate); however, Russell Crowe is positively gleeful in his portrayal of the ultimately designed killing machine. There are some humorous moments, somewhat lessening the overall dark and somber tone. On the down side, the ending may be a little too pat and leave a few loose ends untied. Recommended for science fiction and action movie fans who are on the lookout for lesser known films that may satisfy them for an evening.
It may not be a science fiction masterpiece, but this film is worthwhile and intriguing. A second viewing may be required to truly understand and appreciate its complex plot. Then, too, the marvelous special effects enhance the look and feel of the film. It is not Denzel Washington's finest hour (he is adequate); however, Russell Crowe is positively gleeful in his portrayal of the ultimately designed killing machine. There are some humorous moments, somewhat lessening the overall dark and somber tone. On the down side, the ending may be a little too pat and leave a few loose ends untied. Recommended for science fiction and action movie fans who are on the lookout for lesser known films that may satisfy them for an evening.
Virtuosity is by no means a great movie or a good movie. It is barely above average. That though is because of Russell Crowe's character: SID 6.7 who possesses over 150 serial killer personalities. He is just supposed to be used to train police but he escapes from his virtual reality to the reality. That sounds pretty interesting and this premise could be taken into many different directions especially since he is such a complex character you could go so many different way going about to make this film. Though this movie did not take the worst direction it did not take the best one. This movie went for pure action and no real drama or meaningful message. Now that is OK but it lacked in doing this because of the: The directing which was average by Brett Leonard. He made this into a very exciting TV movie which it is not. He had two very talented actors in Denzel Washington and Russell Crowe yet he was not able to generate the excitement and fast pace feeling that is needed to make a good action movie.
The writing is also at fault too. The writing was not great here. It seemed to have a lot of overused themes such as the cop trying to retain the high status that he used too have and also the idiot cops getting in the way. That is also OK but the dialog made this interesting idea into a movie that was not so unfamiliar. Not much originality in here despite having such a unique character. That is always the script's fault whenever this happens. The writing and directing just made this movie so frustrating to watch.
You cannot blame the acting. You could see that Denzel Washington, already an established actor at that time, and Russell Crowe, not established, really tried to push this movie forward. Yet there was little to work with which made them look really average.
This movie could have been much better if it was made more into a action/drama about the our inner battles. Considering that SID 6.7 had 150 personalities the storyline of his character could have made him have a battle within himself. Now this was done to a minor level which really annoyed me. They are many other ideas or methods that could have really made this movie something but of course this did not happen. It went for cheap effects, an over used clichéd storyline with a little bit of a twist. That may work for some people but not for me.
I'am giving this movie a 6/10 rating because it had so much potential.
The writing is also at fault too. The writing was not great here. It seemed to have a lot of overused themes such as the cop trying to retain the high status that he used too have and also the idiot cops getting in the way. That is also OK but the dialog made this interesting idea into a movie that was not so unfamiliar. Not much originality in here despite having such a unique character. That is always the script's fault whenever this happens. The writing and directing just made this movie so frustrating to watch.
You cannot blame the acting. You could see that Denzel Washington, already an established actor at that time, and Russell Crowe, not established, really tried to push this movie forward. Yet there was little to work with which made them look really average.
This movie could have been much better if it was made more into a action/drama about the our inner battles. Considering that SID 6.7 had 150 personalities the storyline of his character could have made him have a battle within himself. Now this was done to a minor level which really annoyed me. They are many other ideas or methods that could have really made this movie something but of course this did not happen. It went for cheap effects, an over used clichéd storyline with a little bit of a twist. That may work for some people but not for me.
I'am giving this movie a 6/10 rating because it had so much potential.
For the most part, "Virtuosity" is basically another virtual reality-themed movie so full of action that it almost hurts. But interestingly enough, there is a little bit of a plot here. Denzel Washington plays Lt. Parker Barnes, who has to help find SID 6.7 (Russell Crowe), a virtual serial killer who has escaped into the real world in 1999 LA.
Yes, that certainly sounds like it could degenerate into the kind of garbage that Hollywood usually turns out. Much of the movie is in fact vaguely reminiscent of movies like "Demolition Man". But maybe we can interpret the movie as looking at the dangers of letting technology get too powerful, like what "2001: A Space Odyssey" looked at. Obviously, this isn't even remotely in the same league as that one, but given that it was released in 1995, it almost seems like a prediction of how computer-centric the world would become.
Not a masterpiece by any stretch - both Washington and Crowe have done much better work (and now they're both Oscar winners) - but worth seeing, if only once.
Yes, that certainly sounds like it could degenerate into the kind of garbage that Hollywood usually turns out. Much of the movie is in fact vaguely reminiscent of movies like "Demolition Man". But maybe we can interpret the movie as looking at the dangers of letting technology get too powerful, like what "2001: A Space Odyssey" looked at. Obviously, this isn't even remotely in the same league as that one, but given that it was released in 1995, it almost seems like a prediction of how computer-centric the world would become.
Not a masterpiece by any stretch - both Washington and Crowe have done much better work (and now they're both Oscar winners) - but worth seeing, if only once.
Wusstest du schon
- WissenswertesAccording to Kelly Lynch, she and Denzel Washington were supposed to kiss. However, Washington had the scene dropped because he felt an interracial love scene would hurt the film's box-office chances.
- PatzerParker Barnes is arrested for allegedly shooting and killing SID's hostage at the train station, and later he is accused of killing the policemen who were taking him back to the station after SID murders them and "frees" Barnes (because he wants to see Barnes die a painful death when the satellite-linked chips explode in his brain). The problem is that both of Parker's alleged crimes are not plausible at all; if he shot the woman it would be obvious from the pattern of her wounds (since he was firing at SID from the front and SID fired at him, and shot and killed the hostage, from behind her) and he had his gun taken away and was handcuffed by the police before SID arrived for the murder/set-up.
- Crazy CreditsAt the end of the credits when the producers thanks technology companies for providing tools, one tools is listed as HSC Kal's Power Tools. This is a typo, since the product is Kai's Power Tools. They typo is even archived in TCM's movie information database (http://www.tcm.com/tcmdb/person/7915492%7C0/Hsc-Kal-S-Power-Tools-Bryce/)
- Alternative VersionenThe original 1996 German video release was heavily edited to reduce the intensity of violence, in order to receive a "Not under 18" rating from the FSK. The uncut version was finally passed in 2013 with a "Not under 16" rating.
- VerbindungenEdited into Twizzlers: The Movie (2015)
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- How long is Virtuosity?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Sid 6.7, la máquina asesina
- Drehorte
- Gas Co. Tower - 555 W. 5th Street, Downtown, Los Angeles, Kalifornien, USA(fight scene near the ending)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 30.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 24.047.675 $
- Eröffnungswochenende in den USA und in Kanada
- 8.309.869 $
- 6. Aug. 1995
- Weltweiter Bruttoertrag
- 24.047.675 $
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