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Blue Ice

  • 1992
  • 16
  • 1 Std. 45 Min.
IMDb-BEWERTUNG
5,2/10
1916
IHRE BEWERTUNG
Blue Ice (1992)
AktionMysteriumRomanzeThriller

Ein ehemaliger britischer Geheimdienstler verliebt sich in eine Amerikanerin und wird in ein Spionagenetz verwickelt.Ein ehemaliger britischer Geheimdienstler verliebt sich in eine Amerikanerin und wird in ein Spionagenetz verwickelt.Ein ehemaliger britischer Geheimdienstler verliebt sich in eine Amerikanerin und wird in ein Spionagenetz verwickelt.

  • Regie
    • Russell Mulcahy
  • Drehbuch
    • Ted Allbeury
    • Ron Hutchinson
  • Hauptbesetzung
    • Michael Caine
    • Sean Young
    • Ian Holm
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,2/10
    1916
    IHRE BEWERTUNG
    • Regie
      • Russell Mulcahy
    • Drehbuch
      • Ted Allbeury
      • Ron Hutchinson
    • Hauptbesetzung
      • Michael Caine
      • Sean Young
      • Ian Holm
    • 23Benutzerrezensionen
    • 12Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Gewinn & 1 Nominierung insgesamt

    Fotos18

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    Topbesetzung45

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    Michael Caine
    Michael Caine
    • Harry Anders
    Sean Young
    Sean Young
    • Stacy Mansdorf
    Ian Holm
    Ian Holm
    • Sir Hector
    Bobby Short
    Bobby Short
    • Buddy
    Alun Armstrong
    Alun Armstrong
    • Osgood
    Sam Kelly
    Sam Kelly
    • George
    Jack Shepherd
    Jack Shepherd
    • Stevens
    Phil Davis
    Phil Davis
    • Westy
    • (as Philip Davis)
    Patricia Hayes
    Patricia Hayes
    • Old Woman
    Mac Andrews
    • Trans Cab Driver
    Alan MacNaughtan
    Alan MacNaughtan
    • Lewis Mandorf
    Todd Boyce
    Todd Boyce
    • Kyle
    Peter Forbes
    • Medic
    Peter Gordon
    • Mortuary Attendant
    Oliver Haden
    • Stacy's Driver
    Philip Whitchurch
    Philip Whitchurch
    • Blackner
    Nigel Harrison
    • Fleming
    Bob Hoskins
    Bob Hoskins
    • Sam Garcia
    • Regie
      • Russell Mulcahy
    • Drehbuch
      • Ted Allbeury
      • Ron Hutchinson
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen23

    5,21.9K
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    6weston-18

    A roundabout way to make another Harry Palmer movie

    Clearly intended to be an update to the Harry Palmer successes of the 60's right down to the character's stiff upper lip/questionable ethics superior, love of jazz, reluctant spy scenario, and same first name. Obviously, copyright required a change to last name, otherwise, this is a Harry Palmer movie.

    Far from the quality of Ipcress File and Funeral in Berlin, but superior story and plot compared to the subsequent Russian/Quebec produced "official Palmer movies".

    Caine turns in another solid performance, but potential of film limited to script gaps. Highlights would be scenes between Caine and Hoskins that are far superior to rest of film. Sean Young hopelessly miscast, so what else is new, and there is no chemistry between her and Caine.
    steve-545

    above average spy thriller from above average director

    I was recently on a Russell Mulcahy kick and decided to view his second hard to find direct to video film BLUE ICE after being pleasantly surprised by SILENT TRIGGER with Dolph Lundgren. BLUE ICE has a very engaging storyline but ultimately falls short in the ending. Michael Caine plays ex-British operative Harry Anders unexpectedly and unofficially brought back into action after a traffic accident with mysterious beauty Stacy (Sean Young). A mutual attraction leads Harry to do Stacy a seemingly small favor involving Stacy's ex boyfriend. What follows is a intricately weaved scheme involving arms dealing and some very high ranking "w******". Caine is excellent as the lead character and reminded me of Roger Moore in his heyday as Bond. Sultry and convincing, Sean Young definitely heats up the screen. Look for a good but shortlived cameo by Bob Hoskins. Russell Mulcahy once again puts some effective visuals onto the screen including a hyper intense torture/interrogation sequence and effective lighting.

    However, the time it took to create such an effective story and relationship between the two leads is wasted with a conclusion that emphasizes what Michael Caine is not: an action hero. Although the fight scenes in Harry's bar were forgivable, Michael Caine running around with a gun (albeit a cool gun) in the final showdown just struck me as awkward. The action also was a unnecessary reminder that the film was done on a low budget...a very low budget. Yet another film that came into fruition with a strong story and performances but would ultimately run out of steam with uninspired and unspectacular action. Of course Mr. Mulcahy would come back in fine form later with direct to video films SILENT TRIGGER, TALOS THE MUMMY, and RESURRECTION.
    7vintagevalor-2

    Better than reported by others

    I try to be respectful of others opinions as everyone is entitled to one, but, as an actor and a producer who has been the recipient of ignorant comments, I have to respond to some of the comments regarding BLUE ICE. For the person who chastises Michal Cain for doing this picture and suggesting he did it for the pay check, It was his company that produced it. It was supposed to be the first in a line of quarterly pictures for TV with the same character. His partner died and that ended that.

    Regarding Bob Hoskins small role...he and Caine have been lifelong friends and this is just one more of a number of pictures they have done together and to suggest that Hoskins has "ruined" his career is just ludicrous.The man continues to turn in outstanding performances in A-list films and top of the line independents. See MRS. HENDERSON PRESNETS.

    The name "Harry" is a staple of Noir through both film, novels and TV-to wit "Harry O" on TV with David Janson in the 70's. "Harry" in Heminghway's TO HAVE AND HAVE NOT, and yes, the "Harry Palmer" stories of Len Deighton but that does not mean BLUE ICE is a rip off of those stories. And to suggest that Michal Caine does not do well in action films is ridiculous. See ZULU, BATTLE OF BRITIAN, A BRIDGE TO FAR, and a host of others.

    I found BLUE ICE to be intelligent, well done, well acted picture with a good script. I do agree that the ending is not up to snuff but the rest of the film, especially the "Jazz" sections, is not something one sees often and it added a measure of quality to the picture.
    7ccthemovieman-1

    Jazzy Neo-Nor Has Its Moments

    Here's another film that one might label a neo-noir. It's film noir in story, attitude and camera-work but it's color and it's a 1992 film, not one from the late 1940s or early '50s.

    The story is set in England and is a good mixture of suspense, action and romance. It's nicely filmed with a lot of night shots featuring some cool neon signs of London streets and pubs. Looks-wise, this film reminded me a lot of "Stormy Monday."

    There is some good jazz in here, too. The action picks up much more in the second half of the film, capped off by a unique huge transformer-like vehicle chasing Michael Caine. The ending was a bit weak and hokey but overall, the film was entertaining and good stuff if you're a noir buff.
    charlottesweb

    Missed opportunity to recreate Harry Palmer films

    Straining desperately to recreate the atmosphere of the Harry Palmer films of the 1960s, Blue Ice even includes a surreal but dreadful torture scene. It would have been fine if not for a predictable plot and a script which at times is simply terrible - a police interrogation scene begins with the line: `For the last time, who are you working for?' Plus sides: Sean Young's bottom makes another screen appearance (nudity being about the only memorable aspect she brings to any of her roles) and there's a moderately exciting denouement on the docks.

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    Handlung

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    • Wissenswertes
      Rolling Stones drummer Charlie Watts appeared unbilled as the drummer in the jazz band at Harry's club.
    • Patzer
      In the container terminal chase scene , a camera man can clearly be seen standing ,at the top of the picture , as Anders climbs up the the ladder onto the container transportation vehicle ,with the camera pointing down to catch Michael Caine climbing up the ladder, as he appears in the next shot .
    • Zitate

      Stacy Mansdorf: Why did they fire you?

      Harry Anders: A Czech agent broke the rules, he hurt the wife of one of my sources. They asked me to ignore it. I couldn't.

      Stacy Mansdorf: So, what happened?

      Harry Anders: I took him up onto the roof of my office building.

      Stacy Mansdorf: And?

      Harry Anders: The Czech bounced.

    • Verbindungen
      Featured in Des O'Connor Tonight: Folge #16.1 (1992)
    • Soundtracks
      Let There Be Love
      Music by 'Lionel Rand' (as Rand) and lyrics by 'Ian Grant' (as Grant)

      Licensed from Shapiro Bernstein & Co. Ltd.

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 9. Oktober 1992 (Vereinigtes Königreich)
    • Herkunftsländer
      • Vereinigtes Königreich
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Seducción peligrosa
    • Drehorte
      • Tower Bridge, London, England, Vereinigtes Königreich(A man photographs boats)
    • Produktionsfirmen
      • HBO Pictures
      • J&M Entertainment
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    Technische Daten

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    • Laufzeit
      1 Stunde 45 Minuten
    • Farbe
      • Color
    • Seitenverhältnis
      • 1.78 : 1

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