Belle Époque - Saison der Liebe

Fernando Trueba's enchanting 'Belle Epoque' is a delightful little 'folktale' that is lyrical, sensual, hilarious, whimsical and human. Azcona's cleverly written screenplay is rich with wit, sarcasm and history. In addition to that the film also looks beautiful and authentic (compared to the overload of glossy look in a majority of films).

Set in a country farm, it tells the story of a young soldier (Jorge Sanz), a deserter, who escapes and finds solace at Manolo's (Fernando Fernán Gómez) house where he falls for his four daughters, the widow (Miriam Díaz-Aroca), the lesbian (Ariadna Gil), the belle (Maribel Verdú) and the virgin (Penélope Cruz). On the surface the story sounds may sound odd but it's splendidly quirky. It successfully avoids the 'cliches' that are so evident in many European films that make it to the so-called international platform begging for a best foreign language Oscar (even though 'Belle Epoque' won it in 1993).

The storytelling here, for one, feels very natural and not one scene looks forced. The editing smoothens things finely and the score is first rate as it gives 'Belle Epoque' that final whimsical touch.

All the actors do a superb job. Fernando Fernán Gómez is very likable as the patron of the family. Miriam Díaz-Aroca, Ariadna Gil, Maribel Verdú and Penélope Cruz are excellent as the stunning looking daughters. Jorge Sanz is great as the naive hero and Gabino Diego provides wonderful comic relief.

In the end, 'Belle Epoque' is a delicious combination of humour, music, sex, romance, self-discovery and adventure, a celebration of life itself.

"Belle Epoque" is a light-hearted comedy romp which tells of the goings-on at a Spanish villa (circa 1931) involving a patriarch, his four beautiful and amorous daughters, and a wayward young man who can't say "no". Fanciful, warm, fun, and sexy, this Oscar winning film flows like honey as it aims for the heart, not the crotch or head, and hits the mark. Most likely to be appreciated by more seasoned viewers with an interest in Europics. (A-)

Note - This film has considerable dialogue making for significant subtitle reading for non-Spanish speakers.

Hard to see why anyone would compare this unfavorably with Fellini or Bergman unless they only like those with dark and/or complicated scenarios.

This is, as others have pointed out, a rite-of-passage farce. It's funny even with the subtitles.

Essentially the young man beds -and falls momentarily in love with- every young female in an eccentric Spanish clan.

The human condition is first and foremost... no one hatching nefarious plots or playing off their agenda against the dark side.

And it's incredibly beautifully shot.

Comical (farce at times), deeply human movie about an army deserter who meets up with a kindly, old, artistic gent who offers him refuge. The deserter is packed up and ready to go, until the artist's four beautiful daughters arrive. This sets in motion a plot that will keep you laughing, dialogue that will keep you thinking and characters that will keep you entertained. The humor is not forced and the chuckle is at life's absurdities, politics, most of all, human nature. Momma's entrance into the story is unique and melodic, to say the least. The movie is kind of kooky and not a by-the-numbers flick, and a satisfying watch. Sidebar: It did get the Oscar nod for Best Foreign Film.

Wow, what a terrific movie. I didn't expect much. I'm watching the end at 4:40am in the morning, and wondering why I haven't seen this movie before. It has something that you'll only find in a Spanish film. A type of humor that is missing in American movies, or maybe, just doesn't work in English. I don't know. All I know is that the movie is tremendously humorous. The actors are all fantastic. Penelope Cruz is, well, Penelope Cruz, but otherwise the movie is wonderful. DO NOT MISS IT.