Lust auf Fleisch

However bad things may get, however your spin of Fortune's wheel may grind you into the dust, at least, if you've seen Jamon Jamon, you may be able to say, 'At least I didn't mess up like that lot!'

A funny sex comedy with real dollops, or should that be pinchos, of eroticism. How often does one get to use those words today, in our prudish, uptight, prurient 21st century? Sex. Comedy. Eroticism. Dollops.

Eggs and ham, however you may like them, they are important staples of a fulfilling diet. Jamon Jamon is a movie about people ruled by their impulses. Even the actors, to an extent. Didn't Cruz lie about her age in order to get the part of Silvia? Silvia is pregnant by Jose, but Jose's mum pays Raul (Javier Bardem) to seduce the young trollop. Jose is also seeing Silvia's mother (yes, really), and pretty soon something more than business is going down/up/down between Raul and Jose's mum. Expect nipples, parrots, nude bullfighting, and a literally hamfisted duel.

If this was an opera it would be verismo. A verismo comedy.

Remarkable, seeing Cruz and Bardem together for the first time, and such a long time before they got together in real life. Jamon Jamon is as much a cautionary tale as it is a highly entertaining, adult comedy, but quite honestly I think it ought to be seen by an audience younger than 18, for there is much to learn from this absurd-yet-plausible confusion of competing desires. A laughable, lusty, cautionary tale.

I wouldn't recommend Jamon Jamon to everyone I know, because the humour and the plot are idiosyncratic, to say the least. I regarded this films as a massive, but not at all serious, send-up of machismo and how it interacts with greed and lust. Above all, it is meant to make you laugh, rather than portray some profound message about the human condition. For example, although I can't speak for the Director, I suspect that the naked bullfight scene was simply meant to be absurd and make you laugh. Anyone who thinks it is pretentious has simply missed the point and is pretentious himself because he is reading things into the scene which are non-existent. Not everyone will find a scene like that funny but I personally was in stitches, as I was during the parrot scene, the ham fight scene and many other eminently unforgettable scenes. What I can't say in all honesty is that everybody else in the auditorium found it quite as funny as I did.

Bigas Luna's most noted work in North America, Jamon Jamon is a film that teeters on offensive, but does so with such sweetness and charm that it is hard to resist.

In a plot that only Luna could bring to life, young, sexy Silvia (Penelope Cruz) is engaged to and pregnant by Jose Luis, the son of underwear merchants. Silvia is too lower class for Jose Luis' meddling mother, Conchita, so she hires the young, handsome Raul (Javier Bardem) a worker in a ham factory and wannabe underwear model and bull fighter, to romance her away. But the love starved and still sexy Conchita falls for Raul, while Jose Luis frequents the bordello owned by Silvia's mother. Eventually, the two men duke it out in one of the most unique and bizarre fight scenes ever, beating each other with hams.

This is a dark and weird R-rated soap opera, in which every scene is over the top melodrama, and all characters deliver their lines like they were their last. But it works scene after scene, largely due to the directing and casting. For physical appearance, you won't find a better looking cast anywhere.

Jamon Jamon is challenging because it is so unconventional, but is also enjoyable because of its romance and passion. I enjoy Luna movies immensely and highly recommend this film along with the two that follow, Heuvos de Oro and La teta y la Luna. ***1/2 out of ****.

I approached Jamon Jamon with much anticipation, it was recommended by a close friend by whom it was described as an abstract, witty, satirical comedy; a film with ups, downs, and naked bull fights. I had to see this film. However, after an hour and half of sketchy performances, one-dimensional characters, and a barrage of farcical, poorly interwoven sub-plots, i found myself quite disappointed.

Jamon Jamon possesses all the components of what promises to be an entertaining movie: Quirky, abstract dialogue, offbeat humour, and dark yet comic scenarios. During the initial stages of the movie I felt engaged and involved, concerned about the young misguided couple, and the situation in which they find themselves. However as the film progresses seemingly irrelevant scenes of attempted quirkiness grow all too frequent. You get the distinct impression that Luna is simply attempting to emulate a directorial style established by his more experienced, capable predecessors. Not to discredit the movie to harshly. Luna is clearly able to produce scene's that are moving, profound, and original, there is simply insufficient character development so ultimately you begin to feel indifferent about the outcome of their predicaments.

In conclusion, Jamon Jamon is a noble failure, but a failure all the same. It has all the makings of a quality movie but is let down by it's composition, I feel it lacks a certain intimacy and distances the viewer in it's latter stages when we're meant to feel most involved. If you're a Luna's fan a recommend you see it, just don't get your hopes up to high.

This is a very entertaining film. Bigas Luna (director) loves life and all it's weirdness and beauty, which is rather evident in this wonderful film. Definitely a cure for boredom or sadness. The plot turns gets crazier as the film unfolds. Nothing is too much in this imaginative film. A must for all lovers of black comedy. Do also check out Mr Lunas "Teta y la luna, La (1994).