Object of Beauty - Verliebt, verwöhnt und abgebrannt

The object in question is a pint-sized Henry Moore statuette, owned by shallow sophisticate Andie McDowell and appraised at $35,000, an amount in many ways even more beautiful to its owner than the item itself. Especially when McDowell and her 'husband' (played to haughty perfection by John Malkovich) find themselves at a fiscal disadvantage while living beyond their means in a posh London hotel. In the vernacular of the upwardly mobile, they aren't 'fluid', and when the statuette disappears they immediately accuse each other of plotting to collect the insurance value. The film is an underhanded, cynical, satirical poke at American materialism, pointless in the end because nothing is resolved. But the plot itself is secondary to the characters (ugly though they are), and rarely have two actors been better suited to their roles: McDowell's poor little rich girl routine is by now second nature, and Malkovich captures all the self-absorbed boredom of the ersatz upper class with his languid voice and steady reptilian gaze.

I have to give credit to Andie McDowell and John Malkovich, American citizens, who are living it up in the lapse of luxury in London, England. They are living beyond their means and owe plenty of money to their creditors especially the hotel.

Anyway, Tina has a statue which is worth thousands but doesn't protect it very well. It lays about in their hotel suite. When a deaf chambermaid take the statue, Tina and her partner's plan to stage a fake robbery to collect the insurance gets thwarted. They don't trust each other when it comes to the statue.

While the film is fine, it's not great but bearable and almost forgettable. The cast does the best with a weak script. I enjoy the London locales. The girl who played the chambermaid does a fantastic and believable job in creating sympathy. She lives with her brother in a small flat in London, England. Getting the statue doesn't buy happiness for anybody involved.

This movie disappointed me. It's billed as a 'low key comedy', but ends up being so low key, you wonder (with the exception of a couple of scenes) where the comedy is. Most of my disappointment, however, stems from the script - aside from the chambermaid and her brother, I simply did not care what happened to the characters. The juxtaposition of the two ways of life was excellent - but it's too obvious where the scriptwriter's sympathies lie.

a smart, little chekhovian drama about greed and infidelity. malkovich and mcdowell play themselves: a cold, calculating bastard and a spoiled, falsely naive princess. a great little film that deserves to be mentioned more often.

Not the usual fare for PPV on Bulsatcom in Bulgaria and, with Malkovich currently appearing every few seconds on CNN, in ads for one of their items about him (I've seen the item and he is sickeningly pretentious), I was in two minds whether or not to use my last (free) token to watch it.

My God! I am glad I did. Malkovich and MacDowell gave superlative performances in a beautifully written, directed and acted piece where even the minor roles combined to make this a masterpiece of story and film. Not just "even" the minor roles, as these were excellent performances by Joss Ackland, Ricci Harnett, Bill Paterson, Roger Lloyd-Pack, etc., etc., yes even the few lines from Pip Torrens as the art evaluator. Rudi Davies was excellent (not sure why we haven't seen anything from her in the last fifteen years).

Well, my free token ran out three minutes before the end. Pity!