The Five Heartbeats

On almost all the comments everyone assumes this film is based on The Temptations. Which is a fair assumption given The Temps' lead singer David Ruffin had a serious drug problem,as did the 'Hearts in this film.

This film is actually based on a group named The Dells. The Dells started recording in 1953 (as The El-Rays, and changed to the Dells in '55). They have atleast 3to4 dozen R&B hits in every decade from the 1950s to the 90s. Everything in the Film except for the lead singer being a drug addict is based on their experiences. As with most Hollywood films somethings were embelished for Dramatic effect. The Dells also sang just about every song the soundtrack. The theme song "A Heart Is A House For Love" was a #13 R&B in 1991. Happy to say the Dells are still performing and recording together after 51 years, with no personell changes since 1957. The Dells served as Technical advisors on the film, and at the end of the credits they show a picture of them and the Film is dedicated to them.

The Five Heartbeats was a real, honest, remarkable film. It was packed with emotion. Well acted by all involved. A must see to appreciate! The portrayals on the members in the group were believable. It is my understanding that this is a story based upon the popular singing group, "The Dells". I don't know how true it is. I feel that Robert Townsend not only acted well in this film but, he did a fantastic job in directing it, too. To me, it's one of if not the best piece of work that he has done. I also enjoyed his film, "The Hollywood Shuffle" but the Five Heartbeats is my overall favorite. Kudos to Mr. Townsend for a job well done and may we say his greatest works are yet to come. Thank you Mr. Townsend and I hope to meet you one day!

This film is a masterpiece, it combines an excellent cast, with motown style music, a great story, and a great film all around, Robert Townsend is a genius! after watching this film you get an idea of what it was like for bands struggling to make it to the top, and what happens when they get there, I highly reccomend this film!!!

I have the DVD of this movie and it is moving. It shows all races black and white that if you want something to keep working toward it and never give up. This movie really touched me and gave me a new outlook on my life and the things that i do. Where are the great writers like the ones who wrote this story? We need to be giving them all of the credit and praise because they are the ones who believed that the world should see how black music began and evolved into what is the most dominant music in America. We have had problems over the years with the really bad music and the really great music. This shows that black people lots of talent and much more charisma and can truly ACT.

By now, every film buff knows the legendary story about the plucky, tenacious indie filmmaker who maxed out all his credit cards to realize his celluloid dreams. Spike Lee was one of the directors most associated with the tale, as he completed SHE'S GOTTA HAVE IT. Another was Robert Townsend, who made the hysterically biting satire HOLLYWOOD SHUFFLE, about the African-American experience in Tinseltown.

Once that film became a surprise success, Townsend finally found himself a respected talent, and chose his next project accordingly. He decided to chronicle the long, hard road to success traveled by a black singing group, through several decades of triumph and tragedy. Using the personal experiences of the legendary R & B group The Dells as a blueprint, (they also served as technical advisers), Townsend hammered out a screenplay with friend and colleague Keenan Ivory Wayans, and THE FIVE HEARTBEATS is the result.

Though the film contains moments so overwrought with melodrama that they threaten to slip into parody, the issues of racism, class distinctions, greed, payola, and the ever-present lure of sex, drugs and excess that accompany celebrity status are never treated casually or simply glossed over.

Whatever plot points the script may sometimes seem to stumble over, the talented cast, lead with steadfast confidence by actor/writer/director Townsend, never miss a note or a beat, especially when helped along by a great soundtrack, supervised by jazz/funk/R&B great Stanley Clarke. Every performance is remarkable, with special mention going to the underrated Michael Wright as Eddie, the group's talented and troubled lead singer, to Leon as the group ladies' man, (whose good looks and talent have landed him in several other similar high-profile roles), and to the overlooked Hawthorne James as the malevolent "Big Red," the epitome of a man who has completely sold himself, body and soul, to the dark side of success.

Townsend also manages not to forget that between the dramatic moments, what makes a great musical is great MUSIC; songs that remind us why even though the concept of people suddenly bursting into fully orchestrated tunes defies logic, the pure, giddy sense of fun and enjoyment we derive from such moments are why musicals are a genre that simply refuse to die.

Nowhere in HEARTBEATS is it more apparent, than when Townsend and actress/singer Tressa Thomas team up on a show-stopping number called "We Haven't Finished Yet," as Duck, Townsend's character, struggles to write a song, getting some unexpected and able-bodied help from his baby sister, who nearly brings down the house! It's moments like this that make musicals memorable, and in a niche that can never have too many well-rendered stories about groups from "back-in-the-day," THE FIVE HEARTBEATS is a genuine classic that can be recommended not just to black audiences, but to moviegoers of any background who love good stories about music and musicians.