The Wood

The Wood has not received very much attention and PR that many of the other movies have, but it should.

The movie is about three best friends who grew up in Inglewood California (hence the title - The Wood). The movie actually takes place on the wedding day of one of the friends and two hours before the ceremony, the groom is a no-show. The other two friends manage to track him down and proceed to bring him back.

As they bring the groom back to the wedding, the three begin to discuss old times and throughout the movie, flashback is used to show these experiences. Younger actors are used to depict the current friends and their past experiences are shown to the audience. The acting by all the characters is superb and the flashback technique is used beautifully.

The movie shows the relationships develop over the years through the eyes of one of the characters (Michael) and the humor is sprinkled throughout the movie in well placed and well timed deliveries. This is a very endearing movie that everyone should see but unfortunately, in a summer of either blockbuster or toilet humor movies, this one may get overlooked. For anyone who gets a chance, see this movie. Overall rating 9/10.

The movie sparked some memories of the 80's and all the culture with it. I liked it, but it could be slow sometimes. Everyone did a great job, but Lisa Raye was annoying. As little as her part was, she couldn't even pull that off. The actress who played Tanya tries to hard to be ghetto or a homegirl. She's like that in many of her roles and it seems to be something she can't shake. Omar did a great job narrating and being the "sensible" one. The dynamics of the 3 were great and believable.

The most refreshing aspect of this movie is the mere fact that the three main African American characters are not : drug dealers, wise cracking officers of the law, pimps, womanizing alcoholics, bums, etc.

However, they are also not annoyingly wholesome. These three guys are real people with real problems. I'm not saying that the previously mentioned stereotypes don't exist, but I'm sick of being beat over the head with stereotypes while at the same time being told how evil stereotyping is.

This is the coming of age story of three black kids growing up in a suburb of Southern California. I don't know if Rick Famuyiwa is black or not, but he can write excellent black dialogue. Contrary to popular belief, most black people do not say f*** seven times in every sentence and this film acknowledges and respects that fact. The film does drag at points, but there are definitely big laughs and the flashbacks taking place in the mid 1980's are beautifully done. One almost feels that the film should have been shot as one long flashback sequence.

All in all, I feel that this is a great movie for people of any color to see. The movie is rated R, but it's very light hearted and aside from some language that any child over the age of ten has been exposed to, and one very funny and non-graphic sex scene, there's nothing offensive. I am inclined to think that African Americans have come to expect nudity, explicit sex, and violence in movies aimed at them, and some might ironically be disappointed by the cheerful mood of the movie. I hope that I'm wrong.

This is an American Pie-ish movie that you won't be ashamed to show your kids (or your parents) and a Soul Food-ish movie that your kids will actually enjoy. An excellent first movie for Rick Famuyiwa and a nice change of pace in black cinema.

I really liked this movie, and I think many teens and adults, particularily African-Americans will like this movie. All those young adults who grew up will really like this movie, too.

I thought it was excellent, and many parts made me laugh so hard I cried. All the actors did a very good job, too.

Three hours before his wedding and Roland is nowhere to be found. His best friends, Mike and Slim, are both stressed trying to work out where they could be when they both get pages from his ex-girlfriend. They go to her house to find him drunk and experiencing doubts. As they drive around, sober him up and dry clean their suits for the wedding, they take time to uncover why he has doubts and also take a trip down memory lane and where they grew up in Inglewood.

Having seen several films on the trot where race is used to `comic' effect in a string of endless racist jokes it was refreshing to sit and watch a film where the cast were almost 100% black but the story was not told in relation to the colour of it's characters. Instead the story is a straight story of childhood memories and it could easily have been any culture telling it. Of course there is a thread of black culture running through the film but it is simply there as opposed to being the focus.

The story is slight and not totally together but it is interesting. The reasons for Roland's doubts are not made totally clear by the end of the film and there is a suggestion that it is really just a frame for the memories to occur within. This isn't too bad as the memories are really more of the story than the modern day trigger is. Both strands work quite well as long as you don't expect too much, it has a gentle humour that is pleasant and enjoyable and both strands seem to be able to carry it. The `to-camera' narration was a bit of a risk that I thought it didn't totally carry off but, happily, after the first 10 minutes it is pretty much absent for the rest of the film. Some of the strands don't totally come to a close and the fact that the main plot (Roland going missing on his wedding day) is mostly a side issue is a distraction but not to a detrimental point.

The cast are all pretty good. Epps is a good lead and is a likeable character. Diggs is good looking but he doesn't act as well as he can for much of the movie – his `drunk' acting is pretty poor although he gets better as he sobers up. Jones is a bit of a comedy figure but does his job well despite being the least developed of the three. The teenage actors all carry themselves well, although in this modern tabloid world of hysteria it is a little uncomfortable to watch two young teenagers have sex (although I was relieved to find that the sexy one of them, Malinda Williams, was actually 24 when she played a 14 year old). The women are all very good looking but have lesser roles as the males take the meat of the story – Tamala Jones is good and Epps' co-star from Love & Basketball (Sanaa Lathan) joins him for a brief role.

Overall it is a very light film that has a plot in a very basic sense but is really more of a nostalgic trip down the teenage years that is told with honesty and humour. It may not resemble any life I ever had but there were themes I could relate to. Slight but fun and, after seeing National Security, Undercover Brother and Bringing Down the House (where race is used for humour, rather than being a side issue) The Wood was also a breath of fresh air.