IMDb-BEWERTUNG
6,4/10
8788
IHRE BEWERTUNG
Ein Anwalt, der ein traumatisiertes Unfallopfer vertritt, findet heraus, dass seine Gegnerin eine sehr vertraute Verteidigerin ist - seine eigene Tochter.Ein Anwalt, der ein traumatisiertes Unfallopfer vertritt, findet heraus, dass seine Gegnerin eine sehr vertraute Verteidigerin ist - seine eigene Tochter.Ein Anwalt, der ein traumatisiertes Unfallopfer vertritt, findet heraus, dass seine Gegnerin eine sehr vertraute Verteidigerin ist - seine eigene Tochter.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
Laurence Fishburne
- Nick Holbrook
- (as Larry Fishburne)
Fred Thompson
- Dr. Getchell
- (as Fred Dalton Thompson)
Anne Ramsay
- Deborah
- (as Anne Elizabeth Ramsay)
Empfohlene Bewertungen
Everything starts nice: the subtleties of the story line are introduced in an admirable low key fashion. And the 'expert' critics say this is a great new twist on a worn out theme, and maybe at the time this movie was released it was - but that was then and this is now and frankly the idea wears thin. There seem to be three writers attached to this project and one will of course conjecture what they were up to, for sections of this loose tale seem rather poorly written - and even poorly directed, and the director Michael Apted, who three years earlier made the excellent Gorillas in the Mist, will have to forgive.
The flaw seems to be thinking that the marriage of these two 'sub-plots' can work. And for a courtroom drama there is precious little courtroom time, and what is there jumps about a bit too much.
The cast are great; the acting is generally top drawer - except for a mother daughter scene near the beginning which simply unequivocally does not work and undermines the viewer's confidence in the movie - and I never before realised how beautiful MEM could be - but maybe anyone dressed in threads like that would look as good.
You'll enjoy it, you'll regard it as adequate entertainment, but if you're looking for excitement or a better overall premise, you'll be disappointed.
The flaw seems to be thinking that the marriage of these two 'sub-plots' can work. And for a courtroom drama there is precious little courtroom time, and what is there jumps about a bit too much.
The cast are great; the acting is generally top drawer - except for a mother daughter scene near the beginning which simply unequivocally does not work and undermines the viewer's confidence in the movie - and I never before realised how beautiful MEM could be - but maybe anyone dressed in threads like that would look as good.
You'll enjoy it, you'll regard it as adequate entertainment, but if you're looking for excitement or a better overall premise, you'll be disappointed.
Gene Hackman is Jedediah Tucker Ward.Mary Elizabeth Mastrantonio is his daughter Maggie Ward.They're both lawyers.His client is suing an auto company that risked his life.Maggie defends the auto company.Maggie and her father already fight against each other in real life.Now they fight in a courtroom.Class Action (1991) by Michael Apted is as much a courtroom drama as it is a movie about father daughter relationship.Gene Hackman is really great in the lead.This is a good movie but it's Hackman who makes it better.The man hasn't done any movies since Welcome to Mooseport (2004) and he did say to Larry King that his movie career may be over.I really hope that's not the case.Besides Hackman there are many other great talents.Mastrantonio as the daughter is very good.And so is Joanna Merlin as the mother Estelle.Laurence Fishburne is great as Nick Holbrook.Donald Moffat is Fred Quinn and he's terrific.Jan Rubes is fantastic as Alexander Pavel.Matt Clark is the Judge R. Symes and he's great as always.Jonathan Silverman does the role of Brian and he handles it very well.Fred Dalton Thompson is in the role of the immoral Dr. George Getchell.As we all know he's running now for the next President of United States as a republican candidate.Well he can act which is a quality very much needed when you're the head of state.Even though the plot may not be all that original it doesn't matter.The actors with Hackman in the lead make it worth watching at least once.A good court room drama in movies or on TV can be really intrigueing when done right.We've seen a good lawyer in Matlock, played by Andy Griffith and many others after that.The drama of Class Action really works.In and out of the courtroom.
The idea, great. the actors, terrific. The plot, solid. the outcome, OK at best. Class Action has its moments, but spends way too much time developing the father-daughter relationship. Just as you get into the dirty dealings of the law firm, the director and editors give us more forced relationship. This is worth a look, but only if on TV.
This subdued courtroom drama starts out like an extended episode of L.A. LAW but quickly reveals itself as the unheralded gem it is. Gene Hackman is as solid as ever as a fervent lawyer battling an auto giant accused of manufacturing a faulty model. The twist is that his rival attorney just happens to be his self-reliant daughter, played by Mary Elizabeth Mastrantonio.
CLASS ACTION is not a flashy, fill-up-the-screen-every-minute kind of film. But it is a quite compelling effort. The courtroom storyline is captivating, with director Michael Apted expertly showing the case and its various twists and turns from both sides. Anyone who was glued to the set anytime L.A. LAW came on be in heaven.
Then there's the family dynamic. Hackman and Mastrantonio are convincing as the father and daughter. He seems to know everything and she wants to prove that he does not. They begin the film miles apart in their relationship and it seems a tense court case will further drive in the wedge between them. It's a plot line that works well and helps elevate the film.
CLASS ACTION is not a flashy, fill-up-the-screen-every-minute kind of film. But it is a quite compelling effort. The courtroom storyline is captivating, with director Michael Apted expertly showing the case and its various twists and turns from both sides. Anyone who was glued to the set anytime L.A. LAW came on be in heaven.
Then there's the family dynamic. Hackman and Mastrantonio are convincing as the father and daughter. He seems to know everything and she wants to prove that he does not. They begin the film miles apart in their relationship and it seems a tense court case will further drive in the wedge between them. It's a plot line that works well and helps elevate the film.
Sometimes I'm left with the impression that viewers think all films should be award winning material, as though the goal and worth of a film can be judged by the amount of award nominations it generates and brings home. I disagree, a good film should entertain, and that is what this film does very well. Nice on location sets give the film an authentic and attractive feel. The acting is top notch. The two main overlapping stories, the father & daughter relationship and the legal battle, tie in very nicely. This is a solid film that draws the viewer in and keeps his/her attention until final scene. There are many ways to waste two hours, this film is not one of them.
Wusstest du schon
- WissenswertesThe movie's screenplay was in development for around five years and went through a reported twenty-five drafts of the script.
- PatzerWhen Maggie drives to the countryside to first meet Dr. Pavel, her Alfa Romeo Spider has a front license plate (asymmetrically applied as is customary with Alfas). Later when she drives through San Francisco, the car has no front license plate.
- Zitate
Jedediah Tucker Ward: By the way, you so much as look at my daughter, they won't be able to identify you with dental records.
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Class Action?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Class Action
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 24.277.858 $
- Eröffnungswochenende in den USA und in Kanada
- 4.207.923 $
- 17. März 1991
- Weltweiter Bruttoertrag
- 28.277.918 $
- Laufzeit1 Stunde 50 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
Oberste Lücke
What was the official certification given to Das Gesetz der Macht (1991) in Brazil?
Antwort