IMDb-BEWERTUNG
6,5/10
40.478
IHRE BEWERTUNG
Ein Karriere-Juwelendieb befindet sich in einer angespannten Lage mit seinem langjährigen Partner, einem Kriminalchef, der seinen Neffen schickt, um Wache zu halten.Ein Karriere-Juwelendieb befindet sich in einer angespannten Lage mit seinem langjährigen Partner, einem Kriminalchef, der seinen Neffen schickt, um Wache zu halten.Ein Karriere-Juwelendieb befindet sich in einer angespannten Lage mit seinem langjährigen Partner, einem Kriminalchef, der seinen Neffen schickt, um Wache zu halten.
Danny DeVito
- Mickey Bergman
- (as Danny Devito)
Patti LuPone
- Betty Croft
- (as Patti Lupone)
Mike Tsar
- Coffee Cart Man
- (as Mike Tsarouchas)
Christopher Kaldor
- Laszlo
- (as Christopher R. Kaldor)
Zodia McLean
- Pool Player at Bar
- (as Zodia Mclean)
Empfohlene Bewertungen
After watching this a second time I realize that it's one of those movies that has barely anything wrong with it! Honestly, the dialogue is good, the action is good and the music is really good. Great performances by Gene Hackman, Delroy Lindo, Danny DeVito, Rebecca Pidgeon, Ricky Jay and Sam Rockwell in a surprisingly villanious role.
The only thing about the film that somebody may be put off by though, is the fact that the viewer doesn't have any idea what's going on until halfway through it. I really enjoyed it though!
I give this movie an 8 out of 10! Recommend it to all who like crime movies!
The only thing about the film that somebody may be put off by though, is the fact that the viewer doesn't have any idea what's going on until halfway through it. I really enjoyed it though!
I give this movie an 8 out of 10! Recommend it to all who like crime movies!
After an elaborate jewel robbery Joe Moore and his crew go to collect their cut from Bergman. However Bergman ropes them into another job taking gold from a Swiss airline prior to transfer. Joe reluctantly agrees to do the job and takes Bergman's nephew along to reassure him. However Joe is never without a backup plan and double cross follows double cross.
This really tries to be good it has a good sense of tough moodiness about it and has plenty of good lines and a top class cast. However it tries too hard to be a twisty crime thriller and doesn't quite convince. Where twists and double crosses are best is when they are unexpected and surprising. Heist has so many `twists' that they lack impact or power. Instead of being surprised we expect the next one to be only a few seconds away. Although some of them are clever most of them lack the punch Mamet clearly wanted them to have. That said it's still an enjoyable thriller but don't expect the plot to stand up in the cold light of day.
As I said the cast are famous and all do well. Hackman is grizzled but clever and can easily `do tough', Lindo is always good to watch but Ricky Jay seems out of place. I always find him easy to watch because he is naturally curious I think but his manner doesn't seem to fit in with the rest of the cast. DeVito and Rockwell are good. It would be hard to compete in such a male driven plot and indeed Pidgeon struggles to get a character for herself.
The cast do so well because Mamet is a good writer of dialogue even if he overdid the twists, lines are quotable, funny or just cool `My motherf****r is so cool when he goes to sleep sheep count him' or `don't you want to hear my last words?' `I just did'. Even if the plot doesn't convince the direction, the dialogue and the cast make this better than the mess it should be.
Overall it has good qualities, but the one driving force it needed was a much better story. It's entertaining enough to pass 100 minutes but really the many word that comes to mind is disappointing.
This really tries to be good it has a good sense of tough moodiness about it and has plenty of good lines and a top class cast. However it tries too hard to be a twisty crime thriller and doesn't quite convince. Where twists and double crosses are best is when they are unexpected and surprising. Heist has so many `twists' that they lack impact or power. Instead of being surprised we expect the next one to be only a few seconds away. Although some of them are clever most of them lack the punch Mamet clearly wanted them to have. That said it's still an enjoyable thriller but don't expect the plot to stand up in the cold light of day.
As I said the cast are famous and all do well. Hackman is grizzled but clever and can easily `do tough', Lindo is always good to watch but Ricky Jay seems out of place. I always find him easy to watch because he is naturally curious I think but his manner doesn't seem to fit in with the rest of the cast. DeVito and Rockwell are good. It would be hard to compete in such a male driven plot and indeed Pidgeon struggles to get a character for herself.
The cast do so well because Mamet is a good writer of dialogue even if he overdid the twists, lines are quotable, funny or just cool `My motherf****r is so cool when he goes to sleep sheep count him' or `don't you want to hear my last words?' `I just did'. Even if the plot doesn't convince the direction, the dialogue and the cast make this better than the mess it should be.
Overall it has good qualities, but the one driving force it needed was a much better story. It's entertaining enough to pass 100 minutes but really the many word that comes to mind is disappointing.
Does exactly what it says on the tin, with perhaps a slight overload on the double-crosses and some surprisingly cringeworthy dialogue from such a practised ear:
"Everybody needs money - that's why they call it money" spouts Danny DeVito. Uh? Am I missing something or is this utter nonsense? Maybe it looked good on the page, but it stinks when it's out in the open.
Nowhere near as tight and entertaining as 'House Of Games' or 'The Spanish Prisoner', but then even an average Mamet thriller is worth a look.
"Everybody needs money - that's why they call it money" spouts Danny DeVito. Uh? Am I missing something or is this utter nonsense? Maybe it looked good on the page, but it stinks when it's out in the open.
Nowhere near as tight and entertaining as 'House Of Games' or 'The Spanish Prisoner', but then even an average Mamet thriller is worth a look.
This movie has one twist too many. The actual heist is so complicated that the desired tension sags earlier than it should. Heist has nothing of the suspense of a Hitchcock thriller, and trying to outwit your opponent gets boring after a while when you start forgetting what it is all about. There are some nice scenes around the airport though, some memorable dialogue ("everybody needs money, that's why it's called money"), and it's always fun to watch great professionals like Hackman, Rockwell and DeVito. Mamet's stock actor Ricky Jay adds flavour to the movie as usual, Rebecca Pigeon's part was ungrateful to play and somehow superfluous.
Hackman and his boys are doing The Swiss Job. Some old and newer clichés of my country pop up, viewers here were amused. And, believe me, the Swiss are always pleased when someone across the Atlantic acknowledges their mere existence, in whatever way this is done. Well, I have to go now: It's time to wind up my cuckoo-clock and to put a second lock on my own private stash of gold bullions.
Hackman and his boys are doing The Swiss Job. Some old and newer clichés of my country pop up, viewers here were amused. And, believe me, the Swiss are always pleased when someone across the Atlantic acknowledges their mere existence, in whatever way this is done. Well, I have to go now: It's time to wind up my cuckoo-clock and to put a second lock on my own private stash of gold bullions.
I didn't know anything about David Mamet before I saw this film... now I know that he's got a penchant for characters with ulterior motives and slang-heavy dialog. Going into this film, I didn't expect anything but a(surprise surprise) heist flick. I got just that. Not just a heist flick, but a well-acted, nicely directed and quite entertaining one, at that. The plot is pretty good, and keeps your interest throughout. There are a fair bit of double-crosses throughout, and near the end, it does get somewhat tiresome. The acting is all top-notch. Not one performance was even slightly off. It's no surprise to see such high-quality acting from Hackman, Lindo and Rockwell, but I had not expected such excellent performances from DeVito and Jay. The writing is very good, but Mamet uses too many clichés and there's just a tad too much going on in the shadows, people conspiring against each other. The dialog tries oh so hard to be clever, and occasionally succeeds, but more often than not, it just comes off as pretentiousness, with all the slang, the attempts at being clever and the ridiculously high pace it sometimes sports. The cinematography is great, not one shot was poor or out of place. The pacing is mostly good, though the film seems to go on just a bit too long. All in all, an entertaining heist film, but not one to watch much more than one time. I recommend this to all fans of heist flicks, any of the actors and David Mamet(who seems to be all about these films). 7/10
Wusstest du schon
- WissenswertesGene Hackman mentioned in several interviews that he found shooting the film difficult and somewhat uncomfortable because he was so much older than everyone else involved. He therefore kept much to himself, and in the end managed to draw on that feeling of being an outsider in the group for his portrayal.
- PatzerThe New Zealand passport that Joe is handed, which he refers to as "good work", is the wrong color.
- Crazy CreditsThe opening Warner Bros., Morgan Creek, and Franchise Pictures logos are in black and white.
Top-Auswahl
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Details
Box Office
- Budget
- 39.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 23.510.841 $
- Eröffnungswochenende in den USA und in Kanada
- 7.823.521 $
- 11. Nov. 2001
- Weltweiter Bruttoertrag
- 28.510.652 $
- Laufzeit1 Stunde 49 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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What was the official certification given to Heist - Der letzte Coup (2001) in Italy?
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