Closet Land

Acting, of course! Think about it, Closet Land could easily have turned out so horribly - an entire movie filmed in one room with only two people, they better have some damned interesting things to chat about.

But it didn't turn out horribly. On the contrary, thanks to incredible portrayals by both Stowe and Rickman, Closet Land is a masterpiece in its own right.

That's not to say it is for everyone. Persons who have had their attention spans decreased through glitzy sex scenes and random gun fire may have trouble digesting Closet Land. However, those who can appreciate good story telling without explosions should give it a look (no matter how many video stores you have to call to find someone who has it in stock).

This two-character drama is extremely well-acted and has a valid message and some TRULY shocking moments (shocking not because they are graphic, but because you're not prepared for them when they come). But eventually it does become oppressive, just like the somewhat similar "A Pure Formality" did. Still, Alan Rickman should have gotten an Oscar nomination for his multi-dimensional performance, no doubt about it. (**1/2)

What a movie... I just couldn't take my eyes of the screen. This is one of the best movies I have ever seen. I could go on forever like this. This movie is fantastic. Madeleine Stowe must be really proud. A solid 10 !!!

This movie continues to provide endless fascination with each new viewing. Alan Rickman has never been better than in this haunting and haunted role, and Madeline Stowe is excellent as well. The interplay of the two characters is like darkly beautiful ballet. In short, if you're looking for escapist fare, go elsewhere; if you want to be challenged and see the finest acting this side of great theater, this is your film.

Placed somewhere in the midst of ‘1984' and ‘Twilight Zone' this film may be about abuse of power, it may be about government control, it may be about overactive imaginations.

One certainty is after watching ‘Closet Land' you will ask yourself a few questions. A second viewing will raise even more.

Many will be turned off at the notion of a film with only 2 speaking parts (David Mamet's brilliant Oleanna comes immediately to mind), but this is not a film for mainstream tastes. Chances are, if you would like it, you probably have seen it.

Powerful premise, powerful performances, powerful film.