Füge eine Handlung in deiner Sprache hinzuA couple, trying to get the last ferry to their island, help a young drifter out of the rain with a ride. They later meet him again and invite him home. The much younger wife spends time wit... Alles lesenA couple, trying to get the last ferry to their island, help a young drifter out of the rain with a ride. They later meet him again and invite him home. The much younger wife spends time with the drifter. Twists follow.A couple, trying to get the last ferry to their island, help a young drifter out of the rain with a ride. They later meet him again and invite him home. The much younger wife spends time with the drifter. Twists follow.
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Being a hard-core Alan Rickman fan, I bought this movie before seeing it. When I watched it, I fell head-over-heels in love. The premise was simple: On their way for a weekend at their private island, a married couple helps an injured man on the side of the road. Dropping him off in the nearest town, they resolve to think nothing more of him. Thus, when he turns up on their private island, they are somewhat surprised. Polly Walker is the only real dud in the film... I'm sorry to say that she's British, to boot. Alan shines in this as he does in everything, and there's just something so loveable about Norman Reedus.
The ending *WILL* come as a shock. Unless you're incredibly perceptive (which, I consider myself to be, and I was shocked), you will not know what's coming at the end. Yes, the plot moves a bit slow. But the pace is necessary to establish the proper relational distance between Alexis and David Weinberg.
I loved it, I think you will too, so just give it a try!
Dark Habour's characters, a married couple (Alan Rickman & Polly Hunter) and a vagabond (Norman Reedus), are slipping into a game full of hidden sexual energy and treason. Now-and-then tantalizing breaks increase the tensions and give much space for interpretations. Good acting and a story which, if not using the brain, will leave you in confusion. You have to watch it twice at least. The very strength lies in its unconventionality and in Alan Rickman, of course. Those who love him will love this movie.
Conclusion: It is not a typical prime time movie but Well Done !
This movie has a lot of uncomfortable, distressing, "marriage falling apart" character interaction. That sort of thing is not my kind of drama, so the pace seemed to drag for me.
In addition, the main characters are difficult to relate to and thus care much about -- the husband (Alan Rickman) is rather bitter and cranky and the wife (Polly Walker) is aloof and a little haughty. The acting was just fine (Norman Reedus was very alluring), but the characters themselves were perhaps a little TOO realistically flawed (for me).
The setting was nice and appropriately isolated and a little spooky. The cinematography had something to it that seemed a little old-fashioned to me somehow.
But the last 5-15 minutes of this movie are so ingenious that every uncomfortable scene, awkward conversation, and inexplicable character behavior absolutely worth it. I guessed every typical plot twist except the one that occurred.
The ending definitely makes this movie worth watching. The intrigue and the drama, not quite as much.
WUSSTEST DU SCHON:
- PatzerWhen Alexis is in the red dress in the kitchen, she leaves the kitchen and her mark in red tape on the floor can be seen.
- Zitate
Young Man: It's funny. Your worst nightmare always seems so far away. Then, all of a sudden, there it is, like a monstrous tidal wave. You try to escape, but you can't. You struggle and you struggle and you struggle, your desperate cries unheard. Then, something strange happens, you stop struggling. Your cries take flight. You forget you're drowning.
- SoundtracksGo Slow
Written by Russell Garcia and Ned Cronk
Performed by Julie London
Published by Londontown Music Incorporated (ASCAP)
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- Laufzeit1 Stunde 36 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1