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Ricky (Antonio Banderas) is released from a mental hospital. He is obsessed with former porn actress Marina Osorio (Victoria Abril) who he slept with once before. She's trying to go straight and working for a lascivious director. Ricky breaks into her home and takes her prisoner. He wants to make her fall in love with him but she doesn't remember him.

Filmmaker Pedro Almodóvar delivers another sexually daring movie. The most memorable scene is probably Marina in the bathtub with a scuba diver toy. Both Banderas and Abril are compelling leads. If anything, I would like for them to spend the entire time in the apartment as a two person play. It would be intriguing to see Almodóvar push his writing skills and let his two stars play with the material.

Ricky is a charismatic 23-year-old who has just been released from a mental asylum. He has no goal in life but to settle down with Marina Osorio, a famed porn actress whom he once had a one-night stand with. The first step in his seduction technique is to force his way into Marina's flat and tie her to the bed. From there, as time marches on, Ricky is sure she will have no choice but to fall in love with him. In his mind, it's a fool-proof plan, though the realities of the situation prove to be a lot more complicated, as we see in Pedro Almodóvar's brilliant 'Tie Me Up! Tie Me Down!'

A darkly comic love story, 'Tie Me Up! Tie Me Down!' is funny, unpredictable and thoroughly enjoyable. Written by Almodóvar, Ricky and Marina's story is off-beat and surprisingly heartfelt. His dialogue is quick and sharp, and while his characters are all humorous creations to be sure, they are also multifaceted ones of depth and intelligence. They leave an impression on the viewer, and watching the narrative unfold around them is a delight. The film's examination of relationship structures is one most percipient, and Almodóvar's subversion of the traditional courting routines is wickedly clever. The themes involved therein are explored maturely, and- all in all- it's a great, dark little tale that'll keep you entertained throughout.

'Tie Me Up! Tie Me Down!' is a visually stunning watch, boasting stylish cinematography from José Luis Alcaine. Under Almodóvar's direction, he makes terrific use of space, texture and especially colour. His second collaboration with the director, Alcaine's utilisation of primary colours in the film is arresting, particularly of the reds and oranges; which linger in the mind long after the credits have rolled. It's a highly stylized film, with some extremely artistic shots that captivate the eye. Credit for the overall look of the film must also go to art director Ferran Sánchez and production designer Esther García, whose efforts have helped form the multicoloured spectacle that the finished flick is.

The film features a score from the late, great Ennio Morricone, arguably the king of the motion picture soundtrack. His work for 'Tie Me Up! Tie Me Down!' is delicate and beautiful, adding no small amount of majesty to the proceedings; with the track 'If You Knew How Many Nights' being particularly haunting. Also of note is José Salcedo's editing, which is swift and flawless; with scenes cut together seamlessly. Additionally, José María de Cossío's costume design is intricate and detailed, and his costumes for Marina are especially rich.

'Tie Me Up! Tie Me Down!' finds Victoria Abril and Antonio Banderas starring as Marina and Ricky, respectively. Abril is terrific, and gives a spirited performance of tenacity and wit. An incredibly likable and talented performer, she gives the role her all and holds nothing back. She is matched by Banderas, who brings boundless charm and intensity to Ricky, making him a most lovable madman. Together, they work wonderfully, sharing an electric chemistry that seems genuine. From the supporting cast, Loles León and Francisco Rabal stand out, giving hilarious performances that are highlights in both of their filmographies.

Original, funny and heartfelt, Pedro Almodóvar's 'Tie Me Up! Tie Me Down!' is a marvellous black comedy that impresses on every level. Featuring an assured visual style and terrific cinematography from José Luis Alcaine, as well as an emotive Ennio Morricone score, the movie has a lot to offer viewers. Strongly acted and cleverly written, the film is a colourful and crazy love story that is sure to entertain and amuse any who watch it.

As this film opens Ricky learns that he is to be released from the mental institution that he has been confined to for the last few years. Upon release he immediately sets about finding Marina, a woman he spent the night with after escaping a year previously. Marina is now a 'proper' actress but at the time she met Ricky she was a porn star with a drug problem. Ricky goes to the film set then follows her home; once inside her apartment he knocks her out and ties her up. When she awakens he tells her that it is his intention that she will fall in love with him.

I found this film to be a lot of fun; it is frequently very funny, occasionally very sexy and more than a little bit morally twisted! Victoria Abril and Antonia Banderas are really solid as Marina and Ricky making it is easy to believe their characters' rather different relationship. Early on there is a sense of menace as Ricky kidnaps and threatens Marina, this however is tempered by various more humorous elements such as them needing to get medication for her toothache and Ricky's disguises in a couple of scenes. The way the story is filmed is more in the way of a romantic comedy then anything menacing; lots of bright colours and an airy apartment rather than subdued tones and some stark grey cellar. Some may find the ending rather offensive but if you don't take the film too seriously it is easy to accept and enjoy. Overall I'd certainly recommend this to anybody looking for a 'rom-com' with a twist; it won't be for everybody though thanks to the way our two leads get together.

These comments are based on watching the film in Spanish with English subtitles.

I'm amazed that people don't get the irony underlying this film. If you've seen other, earlier Almodovar films, you'll know that he explores sexual situations that come emanate from all sorts of crazy situations (think of Law of Desire (1987), for example, in which Banderas plays a man exploring his homosexuality). But what makes this film so great is that, unlike Almodovar's other films, it attempts to explore the nature of the "conventional," heterosexual matrix which, through Almodovar's eyes, becomes completely nonsensical. Indeed, the relationship between Marina and Ricky is meant, ultimately, to be a parody of how such relationships work, as if heterosexuality (and its consequence, marriage) are almost inevitably equivalent in character to the infamous Stockholm syndrome. The final twist of the film, mistakenly hated for its apparently patriarchal overtones, is in fact a humorous subversion of conventional sexual politics. `You're crazy! Love a man who kidnaps you and ties you up? Is that normal?' exclaims Marina's sister. Well, actually, yes, according to Almodovar, it's completely normal. When viewed with irony (most viewers seem to have a bad case of literal disease when it comes to this film), this movie is a devastating critique of modern heterosexuality. Note that the trio sing the Spanish version of "I will survive" at the very end, when everything has supposedly worked out, in Candide fashion, for the best...

Pedro Almodovar's "Tie Me Up! Tie Me Down!" from 1989 is an earlier film from this quirky director. Almodovar's characters are inevitably off the wall and in bizarre situations. This film and its characters are no exception.

"Tie Me Up!" was given an X rating (later NC-17) for a couple of scenes and in the United States at least, it was quite controversial.

The story concerns a recently-released mental hospital patient, Ricky (Antonio Banderas) who kidnaps an ex-porn star, Marina (Victoria Abril) currently making a low-budget horror film. Though the title suggests S&M, there isn't any. Ricky ties her up when he needs to leave the apartment.

An expert in carpentry, locksmithing, and other usable occupations, Ricky had actually been leaving the mental hospital when he felt like it and then returning. During one of those times, he had a one-night stand with Marina.

Deeply in love with her, he stalks her on the film set and, when she doesn't speak to him, confronts her in her apartment, declaring his love and his intention of marrying her and fathering her children. Marina, of course, would like to escape him, but Ricky makes that difficult. A former heroin addict, Marina has a toothache and explains that nothing will help except strong medicine from her doctor up the street. So Ricky handcuffs her to him and they walk to the doctor's apartment, where Marina receives an injection and a prescription.

Later, when she needs more drugs, Ricky goes to the town square to score some and ends up beaten to a pulp. When he returns, Marina is horrified and begins to have real feelings for him.

Meanwhile, her sister Lola (Loles Leon) is worried, believing Marina to have disappeared.

There is a very long sex scene in this film that took 9 hours to film, with Almodovar using the last take.

"Tie Me Up!" launched Banderas in the United States, and this is his last film with Almodovar. He plays Ricky beautifully - as an innocent from a troubled background who will do anything to convince this woman to love him. Abril is a sexy and feisty Marina, and, like Ricky, she is a lost soul trying to find her way. Ricky is an orphan; Abril has a mother, sister, and nephew, but both of them are alone in their worlds.

Despite the title and the sex, this is actually a sweet tale with likable characters. Almodovar often has a bizarre way of telling a story and making a point, but the results, with few exceptions, are well worth it.