Faust

Surrealism tends to fall in one of 2 categories:

(1) Random, confounding, absurd images best enjoyed under the influence of psychomorphic drugs

(2) Careful, structured, lucid themes augmented by unusual visuals, all of which is designed to raise our understanding beyond what is "real"

Or, I could also say that Surrealism tends to fall in one of 2 categories:

(1) Sucky movies

(2) Awesome movies

I'm happy to report that in both cases, this film is a #2. It can be compared with the masterpieces of Jean Cocteau (Orphee, Beauty & the Beast), or if you prefer the modern stuff it can be compared with Terry Gilliam's early work. Svankmajer has that same creative spirit, the same eye for the bizarre and yet the same intelligence in presentation that makes for great art. He also has a slightly disturbing edge.

This is a great film for profound cinephiles as well as casual filmgoers in the mood for something completely different. This isn't simply a masturbatory showcase of "how much weird & pointless stuff we can throw at you", the way many famous Surrealists operate. Rather, this roots itself with a solid, philosophical foundation & excellent dialogue and takes it to the next level with creative visuals. Svankmajer has a fantastic sense of humour, too, so you never get the feeling that he's some pompous, pretentious jerk showing off what he can do with a camera.

This movie's hallmark, as with much of Svankmajer's work, is the fantastic use of puppetry. It can be both comedic and chilling, and it definitely puts you into a mind-warping state of mind which is perfect for a tale of this scope.

I'm rating this a 10/10, and you can see by my voting history that I don't give 10s casually. This is truly a fantastic work.

An important note: You should really read Marlowe's "Dr. Faustus" before watching this movie. And be sure it's the MARLOWE version (1604), not the Goethe version (1806) titled "Faust". Yes, the title of this movie is misleading.

"Faust" is a wonderful blend of real-time and stop-motion storytelling by a master of the surreal. An apparently ordinary everyman is led by curiosity into a dilapidated building which turns out to be a strange blend of alchemical laboratory, theater, and puppeteer's workshop. Suddenly, the man finds himself becoming the legendary Dr. Faust, selling his soul to the devil in exchange for magical powers.

Jan Svankmajer is the true sorcerer here. He blends stage sets with real locations and seven-foot puppets with live actors, making magic of it all.

The film has been dubbed for English audiences, but there has perhaps never been a less obtrusive film dub. The voice performances are excellent and actually add to the surreal quality of the film.

Faust embodies what it is to be Surreal. Svankmajer has captured the essence of a dream in full form and put its application to the archetypal story of Dr. Faustus.

The integration of live action, puppetry, and stop-motion animation is the work of a true genius/madman.

If you are looking for something to exercise the bizarre regions of the brain and the human imagination, WATCH THIS FILM. you shan't regret it.

Jan Svankajer's feature film follow up to his masterpiece Alice is a rather free interpretation of the classic and often referenced tale of Faust. Like in 'Alice', Svankmajer approaches the story in a unique and original fashion, both conceptually and visually - as usual, he mixes various genres and art forms, combining live actors, puppetry and claymotion. Faust is sometimes an ordinary man playing the role of Faust, sometimes a puppet and sometimes Faust himself. The film shows Svankmajer's brilliant creativity and imagination, and his fantastic and unique stop-motion technique, at their best; even though I find it only slightly inferior to 'Alice' (the overdubbed voices are again annoying, but much better than on 'Alice'). It has a wonderful surreal and dark atmosphere, some brilliant character designs and even a couple of scenes that are quite entertaining (like the old man who collects legs). I adore the way Mephistopheles turns himself into a clay mirror of Faust himself, the head-changing puppet which is both devil and angel, and the delicate transformation of Faust turning from man to puppet and back. If for nothing else, then for the visual side by itself Faust is well worth seeing. If you're a fan of Svankmajer, or are interested in classic animation and puppetry, buy Faust now.

Jan Svankmajer's telling of the German folk tale "Faust" is--like his rendition of "Alice in Wonderland" (simply titled "Alice")--a refreshingly surreal treat of a film. It's confusing, disconcerting, and grotesquely tongue-in-cheek (the Jester character is at once obnoxious, amusing, and creepy). The plot plays out like a Greek Tragedy, with the ill-fated Faust (Petr Cepek) wheeling and dealing with the Devil and his minions, manipulating Old Scratch until finally succumbing to a seduction that results in his demise. The intricacies of story are thrown at the viewer in a consistent flurry, to the point where it's best NOT to try to piece it all together. Throughout my viewing, favorable comparisons to Homer's "Odyssey," David Lynch's "Eraserhead," and the early short films of Roman Polanski were crossing my mind. While the English dubbing is atrocious and Svankmajer sometimes lets the film lull too far into a dream-like state (to the point where I had to take a brief nap halfway through), that shouldn't inhibit you from seeing "Faust."