Die Kommandozentrale

I don't profess to know anything about the inner workings of a political machine, so I was really interested in seeing a behind the scenes look at what goes on. As ignorant as I am, The War Room didn't tell me anything new. There seemed to be a consciousness (either on the part of the "war room" staff or the filmmakers) that this movie was in no way to smudge Clinton's image. So, we see a whole lotta Clinton supporters with no cracks showing in their dedication. The Clinton campaign machine comes off as the good guys while choosing to show Bush at his most offensive. These scenes were, I'm sure, included to make me appalled at the tactics employed by Bush, but instead it just made me realize that I'd probably learn more about campaigning if I were allowed 90 minutes in the REPUBLICAN war room.

James Carville was quite impressive in all of his tic-riddled glory. If I were running for anything, I would certainly want him in my corner. But the most clear-headed person to hit the screen was the enemy, Mary Matalin. She may not be charismatic, but she seemed to be the only who truly believed in her candidate instead of the hype.

The War Room does a good job of extolling the skills of James Carville and George Stephanopolous. Clearly, their work had much to do with Clinton's victory. A little known fact about the film is that the actual campaign manager, David Wilhelm, refused to participate in it. He didn't like the idea of a camera crew roaming the headquarters and recording conversations that he felt should have been private. Clinton overruled him, of course. As a result, the documentary skews history a bit. The nuts and bolts of running a campaign are ignored while the craft of spin doctoring is glorified. In a visual medium, that's not altogether surprising, and it may even have been unavoidable. But the misrepresentation -- or rather, the selective representation -- has had the unintended consequence of contributing to public cynicism about political campaigns, which now appear to be all about the spin, the framing -- the very things that make voters feel like they're being manipulated. Perhaps a stronger emphasis on the heavy lifting of door-to-door canvassing, phone banking, meetings with interest groups, outreach to local officials, event set-up, and the like, would have given a more complete picture. Then again, those aren't exactly telegenic activities, and documentary filmmakers may have been hard-pressed to incorporate them even if Wilhelm had cooperated. But the troublesome implications remain, and are worth considering.

The opening of the War Room is unique. We see Bill Clinton, Governor of Arkansas at the time, looking back into the camera, at the audience, with a baseball cap on his head, and a t-shirt covering his body. About to sit down to have his cereal for breakfast, Clinton is talking casual on the phone to a friend. Like the opening conversation, the War Room is as unique and clever as any political documentary before or after. Most of the world did not known who James Carville was until 1992 / 1993. Most know him as a fast talking, cocky, and brilliant political player. Here, we see a deeper human being with more than just an objective, but a message to America. Behind his tears, we see the truth behind the Clinton Campaign in 1991. Whether you are a fan of politics or don't have the stomach to digest politics, you will enjoy the War Room.

As a student of Political Sciences, I believe this to be one of the most fascinating and introspective documentaries regarding the subject of campaigning. The first modern campaign, the 92 Clinton war is an amazing melodrama of quick rises to power, downfalls, villains, heroes, and the precursor to one of the most vicious political battles of our nation's history. In the film, if you look hard enough, you see the seeds of weakness being sown which would lead to an awesome political showdown which is more grand, more high-stakes, and more dark than the plotline of any film in this database. Note: If you like "The War Room," read Woodward's "The Agenda."

I first saw this at Doc Films at the University of Chicago. I was expecting it to be interesting, but dry. Wow, was I wrong. The entire audience was enthralled and frequently laughing their heads off. You couldn't make up comedic characters like these if you tried. James and George are just amazing. (Of course, there would be times where HALF the audience was laughing, split along party lines. :-) )

The filmmakers also liven up the proceedings with good choices of music and little bits of Americana tossed in here and there. Invite over all your political junkie friends, get a few beers, rent this movie, and enjoy.