Metacritic-Rezensionen

The Mr. Inside and Mr. Outside of the Arkansas governor’s presidential campaign, with Carville playing Huck Finn to Stephanopoulos’ Tom Sawyer, these lively presences lit up Clinton’s drive to the White House and turn The War Room into a tiptop political documentary that offers a candid and entertaining backstage look at a most unlikely electoral Juggernaut.

It’s a fascinating time capsule, catching a new, empowered Democratic machine in its infancy.

By the end of the movie, you realize that these two have devised nothing less than a media-age alternative to the Nixon era’s dirty tricks. The War Room is a giddy celebration of clean tricks.

A revealing film and an invaluable document.

Perhaps the documentary The War Room will bring a deeper dimension to the profession's image. At the very least, it may dispel the notion that campaign managers pervert the course of democracy with behind-the-scenes omniscience; the surprise in the film is that they're often as confused as their candidates sometimes seem to be.

If The War Room were a fictional feature, it would be a sure-fire star-making vehicle for James Carville. President Clinton’s crafty, straight-talking campaign manager dominates this absorbing but basically unrevelatory behind-the-scenes look at the former Arkansas governor’s long push for the presidency.

Part drama, part civics lesson, part entertainment, it sustains our deep curiosity despite the forgone knowledge of how things turn out.

Whether your political persuasion is Democratic, Republican, or somewhere in between, The War Room offers a fascinating insider's look at the turbulent 1992 Presidential campaign. Anyone with any interest in politics or elections will be engrossed, so it's a pleasure to note that the directors plan a followup in 1996.

Made with a flashy hit-and-run-style, the documentary too often tries to record too much of the overall campaign, instead of concentrating more on the details of insider baseball-or, as it were, the fun-and-war games.

But the focus is way too far over on the side of personalities. There's scant political revelation: it's less behind-the-scenes than the scenes from a different perspective.