Ein Polizist wird aus dem Gefängnis herausgeholt, um einen alten ultra-gewalttätigen Nemesis zu verfolgen, der in einer gewaltfreien Zukunftsgesellschaft frei herumläuft.Ein Polizist wird aus dem Gefängnis herausgeholt, um einen alten ultra-gewalttätigen Nemesis zu verfolgen, der in einer gewaltfreien Zukunftsgesellschaft frei herumläuft.Ein Polizist wird aus dem Gefängnis herausgeholt, um einen alten ultra-gewalttätigen Nemesis zu verfolgen, der in einer gewaltfreien Zukunftsgesellschaft frei herumläuft.
- Auszeichnungen
- 1 Gewinn & 7 Nominierungen insgesamt
- Prisoner
- (as John Enos)
- Hopper - Prison Guard
- (as Don McGovern)
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Is this movie classified as a comedy? Because if it's not, it should be. Not only is this movie a sci-fi thriller, this movie contains some great lines, most of which are said by Sandra Bullock and Wesley Snipes, who gives one of the great performances in the sci-fi genre. Simon Phoenix is an incredible character and Mr. Snipes performs the role to near perfection. This movie is not merely another sci-fi special effects potboiler, rather it actually contains an interesting and engaging story with lots of action and humor which makes for an entertaining movie. And don't forget to be on the lookout for Associate Bob who is the ultimate brown-nosing, a--kissing flunky. Although AB is a fictional character, once you see him in the movie you will immediately recognize him because in life who hasn't ever come across an Associate Bob?
Comment #2
It's not about John Spartan. It's not about Simon Phoenix. It's not about Lenina Huxley. It's about the character Associate Bob. Yes, this movie is about how a man is able to survive during times of change by bending in whatever direction the wind is blowing. Spartan and Phoenix are literally demolishing a city as they renew their struggle after thirty years of being frozen in a huge refrigerator-like machine and then being defrosted to fight each other another day, Spartan on the side of the "good guys" and Phoenix as the tool of a megalomaniac who wants to create a new society. And while all this is happening, Associate Bob - fat, greasy, effete, with a pompadour that never gets ruffled - offers his services to whom ever may be winning - and never gets rejected. Is there some kind of message here? Maybe. Is this the movie's way of telling us how to survive in an ever changing society?
I don't think I've seen Demolition Man since it came out in 1993; watching it today, I was amazed at how accurate some of its predictions of the future were (in essence, at least): in the film, digital transactions have replaced real money, there's a guy holding what could be considered a digital tablet (albeit a tad chunkier than an iPad), there are self-driving cars, non-contact social greetings (a must during these pandemic days), a board room where a virtual meeting takes place (although Zoom it ain't), and it's not hard to imagine how our current overly-PC/snowflake/cancel culture might eventually go so far as to make swearing illegal. Okay, we still wipe our butts with paper and have sex the old-fashioned way, and I don't see that changing in the next twelve years, but you can't get everything right.
Not only is Demolition Man's vision of 2032 eerily prophetic in many ways, but the film also features a witty script bristling with social satire, star Stallone in one of his best performances of the dumb '90s action flick era (happily mocking his tough guy persona), Wesley Snipes having a blast as the eccentric villain of the piece, and Sandra Bullock being super cute and looking mighty fine in skin-tight leggings (and I'm not even that much of a Bullock fan). Director Marco Brambilla balances the humour and the action superbly, opening and closing with guns a-blazing and huge explosions, but ensures that there is never a dull moment even when Stallone and Snipes aren't busting skulls and shooting up the place.
Hell, this film even features early roles for Rob Schneider and Jack Black that didn't irritate me - miracles do happen!
Wusstest du schon
- WissenswertesFred Dekker did uncredited re-writes on the script. When he was brought on, the script began in the future and Spartan was introduced when he was brought out of suspended animation. Dekker suggested that this movie open with a prologue set in 1996 to showcase Spartan and Phoenix in their natural environment, saying that "If you don't show Kansas, Oz isn't all that special."
- PatzerTowards the beginning, when gasoline is everywhere and Simon holds the torch close to the ground, it should ignite. It's the fumes that ignite, not the gasoline itself.
- Zitate
Lenina Huxley: I have, in fact, perused some newsreels in the Schwarzenegger Library, and the time that you took that car...
John Spartan: Hold it. The Schwarzenegger Library?
Lenina Huxley: Yes. The Schwarzenegger Presidential Library. Wasn't he an actor when you...?
John Spartan: Stop! He was President?
Lenina Huxley: Yes! Even though he was not born in this country, his popularity at the time caused the 61st Amendment which states...
John Spartan: I don't wanna know. President...
- Alternative VersionenAlthough intact for cinema the UK video version was cut by 2 secs to remove some face blows and an ear-clap during the climactic fight scene. DVD versions feature the same cut print.
Top-Auswahl
Sylvester Stallone's Most Iconic Roles
Sylvester Stallone's Most Iconic Roles
Details
Box Office
- Budget
- 57.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 58.055.768 $
- Eröffnungswochenende in den USA und in Kanada
- 14.262.432 $
- 10. Okt. 1993
- Weltweiter Bruttoertrag
- 58.056.466 $
- Laufzeit1 Stunde 55 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1