Asphalt-Propheten

For those late nights when all you have to entertain yourself with is a TV and a good buzz, "Roadside Prophets" saves. This movie has been hailed as the, "best ever" and that is quite a stretch but, I love it to death nonetheless. I got sucked into it when I noticed Beastie Boy Adam Horovitz was in it. He may not be the best actor but he is interesting enough to pull it off. There are many cameos by some of my favorite personalities. What makes this movie great are the lazy scenes out on the road and somewhat non existent plot. It's one of those flicks that let you leave the couch when you really can't. Roadside Prophets gives you the feel of total freedom and crazy misadventures out on the open roads of America's west. For the first time in 38 years I am tempted to buy a bike (but I wont).

This is one of those films which you can watch a dozen times and get something different out of it each time. Lots of guest appearances in this movie. I remember the first time I watched it and thought he looks familiar then realized it was Timothy Leary (Tune In, Turn On, and Drop Out Dude from the 60's) not long before he died. I had seen him on a lecture tour around the same time as the movie came out. Also people like Arlo Guthrie, David Carradine, Don Cheadle, John Cusack, etc. My favorite part is the entire section with David Carradine.

This is a road trip movie and if I didn't already know who had directed it, I would have thought it was a Robert Altman film. Lots of good weirdness and things for you wrap your head around. Quite a few "in" jokes that you might not catch the first time you see it. If you watched one time and thought it was okay, then watch it again.

This laid back, low key and off-beat homage to Easy Rider set against the scorched Nevada desert was a treat to watch. John Doe plays Joe, a Harley-loving loner who leaves his factory job and sets out to find "Eldorado", Nevada where he plans to spread the ashes of Dave, an amiable biker he met in a bar and who had the misfortune to be electrocuted while playing a video game.

There's a lovely sense of the absurd to the proceedings as Joe pours Dave's ashes into a sky-blue motorcylce gas tank which he straps to the back of his 50's vintage hog and heads out down the highway. He's pursued by a Sam, a kid with an obsession with Motel 9's and a puppy dog determination to ride with Joe and become his friend. If there's a weak link it's Adam Horovitz as Sam. The character is underwritten and Horovitz just doesn't make it work.

But what's really nice about the film is the whimsical, darkly comic look back in fondness to the spirit of the sixties as embodied in guest appearances by Arlo Guthrie and Timothy Leary. Arlo runs a restaurant (not Alices'!) and Tim drives a tow truck. Great turns by both as they wax philosophical on the mysteries and meaning of life. David Carradine does a cool and hilarious cameo as Othello, a hooka smoking desert guru.

The tone of the film is playful with a nice tongue in cheek sense of humor that is very hip. While the main storyline falters occasionally there's a nicely crafted and very funny subplot carried on by telephone between Joe and a woman who works in personnel at Joe's plant.

The star turn of this flawed gem goes to John Cusack who does an astounding and hilarious performance and a poverty activist whose does his bit for the movement by ordering massive amounts of food at restaurants, stuffing his face then doing a classic "dine and dash" routine. He shows up twice and is a treat to watch.

The ending falls a little flat but the climax of the film works just fine as Joe finally finds "Eldorado", a tiny Nevada oasis of neon and casinos where they bet everything on Dave's dream. An easy film to watch and enjoy for those who were there.

Doe meets a man at work who comes off as very annoying and empty headed. The type of person most people would want to run from. Yet Doe befriends him immediately. Then, when this new friend dies suddenly, he decides to honor him by burying his ashes in a mythical city called El Dorado, Nevada.

Thus begins a very feeble attempt at a road movie. It was made by those who never did it themselves, but still think it would be a cool idea. It's the same people who like the idea of 'rebelling' yet have no idea what to rebel against. It has all the bad road movie cliches with none of the substance. It's too contained with none of the ruggedness. The quirky story threads and 'hype' philosophy are simply attempts to cover up it's own hollowness.

There is some introspection involving looking at the 60's through 80's eyes. It shows how Generation X loves the allure of the 60's and wants to emulate it, yet has no real understanding of what it was about. It also shows how the aging boomer still longs for the open road even though he has now become apart of that dreaded responsible class that still needs to hold down a job. Yet all this is only done in minute spurts with the rest of it drowned out by a trendy existentialism that just doesn't work.

John Doe, the lead actor, aptly fits his name. He is very boring and transparent. The 'celebrity' appearances are nothing more than tired walk ons by fading 60's icons. Horowitz is the only one that manages to give a interesting performance. His youthful energy seems sincere and lively.

It's all very flatly shot and cheap looking. It looks like it should have gone straight to video. It also has some real stilted moments and bad acting too. This thing has the audacity to bill itself as THE EASY RIDER of the 90's even though it doesn't come close. It is pure imitation. Watching the real thing would be better or even watching some of the lesser known road pictures of that era.

A blue-collar joe seeking to fulfil a dead man's last wish finds himself sucked into a spiritual journey and questioning his own life.

This is a film that lends itself to being misunderstood. Previous comments have listed it as "rambling", and I can see where it might appear that way. Just remember the name of the film. It's not about the quest to bury ashes. It's about personal enlightenment and breaking away from a static, nowhere life.

Rich characters and counter-cultural icons litter this film. Definitely a find if you're a fan of movies like "Alice's Restaurant" and "Fritz the Cat".