Rotkäppchen

Finally, a movie that gives an explanation for the fact that when they cut open the wolf, Little Red Riding Hood is unharmed. True, the reason is an enchanted cloak, but it's better than nothing. I loved the songs "You Won't Be Here in the Morning" and "Never Talk to Strangers". The other thing that makes this version better then most Red Riding Hood stories is the supporting characters. They gave Red's parents and friends all lives that had nothing to do with her being eaten, yet kept to a basic plotline.

I saw this movie when I was a child, and it is still among the favourites in my video collection. I am shocked more people have not heard of it. This film is a fresh retelling of a story that has been told for generations, only this time it is told with genuine originality. The characters have motive and depth, especially Lynette (otherwise known as Red Riding Hood) a rebellious young girl who, just like her mother once did, shows no fear...even in the face of a cunning werewolf. The music in this version is enchanting, and will ring in your head for hours afterwards; it is a shame that they never released the soundtrack.

This is most definitely a welcome addition to any collection, children's or otherwise.

The Cannon Movie Tales films are all worth watching at least once, though overall quality wise they are variable. None are perfect, though some have more and bigger flaws than others, but none are worth avoiding either, with the best three being Hansel and Gretel, Beauty and the Beast and Snow White and the worst being The Emperor's New Clothes, Puss in Boots and this (was mixed on Sleeping Beauty as well).

Red Riding Hood is nicely photographed, as is the case with all of Cannon's films, even when the low budget shows everywhere else in the visuals. It also contains one of Cannon's best songs in the cute, funny and menacing duet Never Talk With Strangers (which is the song that serves the most point to the story, and the only one to move it forward) and some witty scripting and entertaining chemistry with Ninet and Dagger. There are some decent ideas and one does have to credit the film for trying to bring in some life-like themes and situations, while the scenes telling the story that audiences are familiar with are executed quite well, with some nice humour and suspense. The acting is very much a mixed bag, with the best performances coming from a charming and sweet Amelia Shankley without being too sugary and a touching Isabella Rossellini.

Was mixed however on the songs and Rocco Sisto. There are some good songs here, Never Talk to Strangers is great and Good at Being Bad is sung and acted with relish by Sisto. Lost in the Woods however goes on for too long and suffers the worst of the problem of taking too long to explain things and then over-explaining it, and Man Without a Heart is just limp in every way imaginable, with uninspired choreography, forgettable at best melody, cringe-worthy and again over-explanatory lyrics and Craig T. Nelson's one-note and pretty tuneless singing. There is some lush and energetic scoring, but along with Puss in Boots there are some cheap synthesised sounds that give it a more 80s sound than the rest of the Cannon films. Sisto plays Dagger the Wolf with real playfulness and really entertains in his chemistry with Shankley, but he could have been much more menacing, there were times where it did seem like he was underplaying too much.

Craig T. Nelson is all over the place in his dual role of Godfrey and Percival, he looks zombified as Percival and then plays Godfrey with such a hammy over-theatricality that it jars with everything else. Apart from the photography, Red Riding Hood is one of the cheaper-looking Cannon films, with drab lighting, bargain-sale-fancy-dress-like costumes and incredibly unimaginative, minimally furnished and recycled sets, Godfrey's throne room is the sparsest and cheapest-looking throne room personally seen and the forest set is completely lacking atmosphere or character. While the dialogue and interplay between Ninet and Dagger was entertains, the rest was rambling and stilted and while Rossellini and Shankley are endearing together, any scenes shared with Nelson come over completely cold. The story is treated disappointingly here, appreciated the ideas and the life-like themes (plus reasons are given for Dagger's pursuit of Ninet and why Ninet appears unharmed after being saved) but more could have been done with them and they ended up convoluting and dulling the story rather than adding or expanding anything, with at least half an hour of pedestrian pacing and not much happening (somewhat aimless in fact). The actual story of Red Riding Hood that everybody is familiar with, while among the most successful parts of the film, arrives too late into the story and it felt like not enough time was dedicated in telling it.

Overall, not a bad film and has enough to make it worthwhile, but one of Cannon's lesser efforts. A good try but doesn't quite come off. 5/10 Bethany Cox

This is one great Cannon Movie Tale.I just recently saw it.The music is very professional sounding and doesent sound cheesy like some of the other Cannon Movie Tales do.

The plotline is a little screwed up.It does have an intriging backstory featuring the Lynette(Red Riding Hood) character's uncle(Craig T Nelson).

This film boasts a terrific music score by Stephen Lawrence.It elivates the film so much and makes it seem more like a real film than a children's movie.

The film has a nasty and frightening atmosphere that might scare the little ones.Children 6 and up will not find it scary. This film is a must see or buy.It is worth a blind buy.That's what I did just because I love the Cannon Movie Tales.It is worth it!Get It NOW!!!!

"Red Riding Hood" is yet another Cannon Movie Tale released in the eighties. Although, once again, the story has been stretched to the breaking point, but it's not bad. Linnet (Amelia Shankley) and her mother, Lady Jeanne (Isabella Rosselini) live near the edge of a forest and wait for Lady Jeanne's husband (and Linnet's father,Sir Percival (Craig T Nelson) to return to them. In his absence, his brother Godfrey, (Nelson again) has become Lord Of The Province. But he is evil and lusts after his brother's wife, while abusing the rest of the populace. He has also gained the power to transform his friend Dagger (Rocco Sisto) into a wolf. From here, the story follows the traditional more or less. Linnet's grandmother (Helen Glazary) whips up the red cape and hood, which she says will protect her granddaughter from harm. The songs are nice additions to the new storyline, and most are well performed, though, as the evil brother, Nelson even hams his musical number. Shankley has a beautiful voice, and she and Sisto have the best song "Never Talk To Strangers". All in all, a modest, pleasant film.