Ein Ranchersohn aus einer Kleinstadt schließt sich widerwillig einer umherreisenden Gruppe von Vampiren an, nachdem er von einer schönen Herumtreiberin verwandelt wurde.Ein Ranchersohn aus einer Kleinstadt schließt sich widerwillig einer umherreisenden Gruppe von Vampiren an, nachdem er von einer schönen Herumtreiberin verwandelt wurde.Ein Ranchersohn aus einer Kleinstadt schließt sich widerwillig einer umherreisenden Gruppe von Vampiren an, nachdem er von einer schönen Herumtreiberin verwandelt wurde.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 9 Nominierungen insgesamt
Joshua John Miller
- Homer
- (as Joshua Miller)
Edward Corbett
- Ticket Seller
- (as Ed Corbett)
James Le Gros
- Teenage Cowboy
- (as James LeGros)
Empfohlene Bewertungen
Watched last night, it's reminiscent of the first terminator film in some ways. Bill Paxton nails every second of screen time that he has, definitely worth watching for just for him.
One of the best modern vampire flicks around is this stylish, funny, and all around adventurous cult classic.
Young cowboy is literally bitten by a beautiful stranger and ends up joining a band of blood-suckers who roam the American heartland.
Although Near Dark is often over-shadowed by the ultra-hip vampire movie The Lost Boys (1987), Near Dark is a far juicier treat for horror fans. Eric Red, who also wrote The Hitcher (1986), gives us a seemingly old-fashioned tale of struggle between human nature and savage lust with a nicely spun sense of modernism. Not to mention plenty of touches of dark humor. It's a story that does well with avoiding the obvious clichés of the vampire genre. Director Kathryn Bigelow gives this film terrific style, not only adding scenic beauty but sharply creating plenty of intense action sequences. Near Dark also packs some great makeup FX and occasional gore. The entire sequence in the bar has became a favorite among many. Adding even more to the film is the beautiful music score by Tangerine Dream.
The cast is quite good. Adrian Pasdar is believable as our formerly-human hero. Lance Henriksen is genuine in his role as the leader of the vamp' band. However it's young Bill Paxton who does most of the scene stealing (and the comic relief) as a scary, yet cheeky vampire thug.
A modern vamp classic that delivers on all levels, Near Dark firmly remains a favorite of the genre and one of the most entertaining horror films of the 80's.
**** out of ****
Young cowboy is literally bitten by a beautiful stranger and ends up joining a band of blood-suckers who roam the American heartland.
Although Near Dark is often over-shadowed by the ultra-hip vampire movie The Lost Boys (1987), Near Dark is a far juicier treat for horror fans. Eric Red, who also wrote The Hitcher (1986), gives us a seemingly old-fashioned tale of struggle between human nature and savage lust with a nicely spun sense of modernism. Not to mention plenty of touches of dark humor. It's a story that does well with avoiding the obvious clichés of the vampire genre. Director Kathryn Bigelow gives this film terrific style, not only adding scenic beauty but sharply creating plenty of intense action sequences. Near Dark also packs some great makeup FX and occasional gore. The entire sequence in the bar has became a favorite among many. Adding even more to the film is the beautiful music score by Tangerine Dream.
The cast is quite good. Adrian Pasdar is believable as our formerly-human hero. Lance Henriksen is genuine in his role as the leader of the vamp' band. However it's young Bill Paxton who does most of the scene stealing (and the comic relief) as a scary, yet cheeky vampire thug.
A modern vamp classic that delivers on all levels, Near Dark firmly remains a favorite of the genre and one of the most entertaining horror films of the 80's.
**** out of ****
A real gem of a film which deserved a lot more credit than it ever received. Director Kathryn Bigelow went on to produce Aliens and direct Blue Steel and Point Blank, while writer Eric Red went on to direct the brilliant but rarely-glimpsed Coen and Tate, an equally dark movie. In this stylish tale of modern-day vampires, gothic horror is mixed with modern-day American society. The hero, Caleb, is plunged into a shadowy world of immortal vampires that exists just below the ordinary world as the bad guys imitate modern mortals to hunt their prey. With atmospheric music by German techno-band Tangerine Dream, an impressive and evocative horror film with the added attraction that it features my favourite actress, Jenny Wright!
A vampire road movie before Dusk Til Dawn.
This movie is really great fun and 90% of that fun is provided by Bill Paxton. This movie was perfect for him and his over the top flamboyant personality.
Henriksen also broods his way nicely through the movie.
Plenty of atmosphere, fun story and a good time to be had!
This movie is really great fun and 90% of that fun is provided by Bill Paxton. This movie was perfect for him and his over the top flamboyant personality.
Henriksen also broods his way nicely through the movie.
Plenty of atmosphere, fun story and a good time to be had!
Interesting and atmospheric little vampire film. The soundtrack was provided by Tangerine Dream and is absolutely fantastic. Some of the dialogue, especially in the beginning, seems a little cringeworthy and trite but overall the script is well done. It really shines in the way that it gives us a humanistic approach to the vampires. The whole thing has a low key, yet powerful and poetic vibe. At times the humor seems to simply detract from this atmosphere instead of providing anything akin to comic relief or real laughs and I think it would have been a stronger film without the comedic elements. Overall this is quite an offbeat but good film and the soundtrack is amazing.
Wusstest du schon
- WissenswertesFuture husband James Cameron suggested to Bigelow that she use the ready-made ensemble cast from his recent hit Aliens: Die Rückkehr (1986), and thus Lance Henriksen, Bill Paxton, and Jenette Goldstein all appear in Bigelow's film. Michael Biehn had also appeared in Aliens and was considered, but declined to participate.
- PatzerWhen Homer brings Sarah to the hotel room, it is night time, and Sarah makes reference to how late everyone is staying up. A minute later, Severen goes out and gets Loy, and it is still night. Two minutes later, when the Coltons flee the room, it is broad daylight out.
- Alternative VersionenThe UK version released on video in 1988 was missing 14 secs of BBFC cuts:
- Diamondback opening and closing a butterfly knife repeatedly before slitting the barmaid's throat
- Jesse and Severen putting the barman's body on the bar and smashing bottles of spirits over and around him to fuel the fire while Severen quips "Hey, bartender salad".
- VerbindungenFeatured in New Order: Touched by the Hand of God (1987)
- SoundtracksNAUGHTY, NAUGHTY
Performed and written by John Parr
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Special Products
Polygram International Music B. V.
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Cuando cae la oscuridad
- Drehorte
- 6709 Pacific Boulevard, Huntington Park, Kalifornien, USA(Caleb going to bus station at night)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 5.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 3.369.307 $
- Eröffnungswochenende in den USA und in Kanada
- 635.789 $
- 4. Okt. 1987
- Weltweiter Bruttoertrag
- 3.369.628 $
- Laufzeit
- 1 Std. 34 Min.(94 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen