John Carpenter's Die Fürsten der Dunkelheit

One of the Director's most underrated Movies. This is almost a bona-fide Classic. The thing that keeps it from such an exalted status is a few major missteps. It starts with a very creepy setup and manages through most of the Film to keep that sense of Impending Doom with its Supernatural and Apocalyptic tone.

The use of Ancient Texts and Religious language Prophecy is introduced but somewhat abandon as things unfold, giving way to more conventional displays of Zombie like Characterizations and Gore Movie conventions. When a Text translation is rendered on a computer screen... the goosebumps arise.

The scariness is lessened by the end of it all as the Director veers away from the unseen Evil and things get a bit standard. Such as some unnecessary attempts at humor and a denouement that is a reflection of a weak wrap-up. One more item...hopefully, it should be clear by now that Sci-Fi Writers should completely avoid using specific dates in their Stories. It is a Death Trap, because as you discover here, the Dream induced message is coming from the year 1999. Oops!

An old priest who belonged to a cryptic sect passes away. A new priest is assigned to the church and he discovers a bizarre basement with an even more bizarre object in its center - a big vat of green moving liquid. He summons the help of some investigators and the ensuing field study reveals some very frightening revelations about the liquid - it is the essence of Satan. Then the liquid leaks out of the canister...

After a few films in the studio system, most notably "Big Trouble in Little China," which undeservedly flopped, Carpenter returned to his roots in small budgeted horror/thriller films. The result was this and it could have hardly been better. The infamous eerie music makes an especially profound effect in this film, which admittedly starts slow, but when it takes of it takes all of your nerves with it.

Unlike many horror popular films this film focuses very heavily on conversation. Atmosphere is of course put first, but the dialog is very interesting and makes for a film that is frightening on a thinking level. There are a well timed moments of violence, but it is on a intellectual level where this film scares the crap out of you. Carpenter must have done a good amount of research as the characters try to use various scientific concepts and terms to describe what they are slowly falling victim to. The dialog very heavily resembles H.P. Lovecraft's writing, who was unrelenting in providing the rational and thought-out narration of his protagonist. One can bet that it is this element that made it necessary for this film to be made independently. The shock isn't visceral, but no less effective.

The only downside are a few really goofy moments ("I said a rich doctor!"), but they are ultimately forgivable and are not as sorely out of place as you might think. 8/10

Rated R: horror violence

The great thing about John Carpenter's films is that almost all of them feature a great sense of doom throughout the picture. Think about it... HalloweeN, The Fog, Escape From New York, In The Mouth of Madness... pure doom and gloom. And they are all accompanied by equally brooding soundtracks.

Prince of Darkness has all of the elements of a classic Carpenter flick. I think it's finally getting the recognition it deserves and is gaining a small cult following.

The acting for the most part is really good. There are some very memorable lines of dialog and I think the script is very well written. Again music is key here. The music helps with the feel of the movie which is very unsettling.

Also, Alice Cooper has a very small but memorable roll. His song 'Prince of Darkness' from the album 'Raise Your Fist and Yell' can be heard during an incredible suspense scene.

A must see for the Carpenter fan. In my opinion it's in his top five.

It is a pity this good movie of Carpenter did not get a better recognition by critics and audiences. By the time of its release Carpenter had already a good reputation as a horror-movies director (Halloween, The Fog, The Thing) and perhaps people that went to see this film only did so for this particular reason. Carpenter, however, tried to do something different with 'Prince of Darkness' and audiences (and critics) did not follow or perhaps did not give it the proper attention.

A Physics Professor and his group (comprising both graduate students and technicians) accept the invitation of a priest to study an organic fluid that a secret (early Christian) book suggests it should not be tempered with since it has been made by the Prince of Darkness. The group also tries to decode this early Christian document as well.

Carpenter attempted to introduce some aspects of theological implications in this movie without 'hitting' at Christianity or other organized religion. His main concern was of metaphysical nature. My guess is that Carpenter's thoughts were as follows: if God exists and sent Christ (with his dualism: both spirit and flesh-human) then wouldn't one expect that anti-God (Evil-Devil) may also try to set foot on earth using a flesh-organic manifestation as well ? Beyond a certain point the film takes on a traditional horror approach but still it has Carpenter's touch with a very unexpected ending.

I also had a personal reason to like more this film having studied Physics as a graduate student and I thought Carpenter did a more than decent job of portraying believable characters. The romance between two of the students was also built convincingly. Donald Pleasence (another favorite actor of Carpenter) was again excellent as the cynical priest. My rating is a 7.5/10 for this film. One of the good Carpenter films.

A priest (Donald Pleasence) finds a large cylinder of glowing green liquid in the basement of a church in Los Angeles. He contacts a physics professor (Victor Wong), who brings a research team to the church to investigate. The research team includes a risibly-mustachioed Jameson Parker, the always-amusing Dennis Dun, Dirk Blocker (son of Bonanza's Hoss), and a few relatively forgettable actresses. I should also point out this entire team of graduate students seems to be in the 30-45 age range. The investigation turns up shocking results as the team discovers the liquid inside the container is the Devil or Anti-God or son of the Devil....it's something bad, for sure.

This is one of the most divisive John Carpenter films, even among his fans. Most people either seem to love it or hate it. I know when I first saw it back in the early '90s I hated it. I thought it didn't make a lick of sense and the male lead was one of the all-time great movie goobers. It left such a bad taste in my mouth that I refused to even try it again until about five years ago. But when I did, my opinion of it changed quite a bit. I'm not saying I'm now part of the "love it" crowd. I still believe it's flawed and has some elements than can only be enjoyed on a tongue-in-cheek basis. But I do like it a lot. I have watched it several times in the last few years and have grown to appreciate it more each time.

Some genuinely creepy moments, nice gross-out effects, and a very tense last 30 minutes that ranks among Carpenter's best work. Also, another terrific Carpenter score. I don't even mind the cheesy relationship between Lisa Blount and Jameson Parker or the terrible lines they both have to say to one another. Little bits of corn are kind of expected with Carpenter. It's part of his style. It's definitely a unique movie. I can't think of anything else quite like it.