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Wie der Vater, so der Sohn

Originaltitel: Like Father Like Son
  • 1987
  • PG-13
  • 1 Std. 40 Min.
IMDb-BEWERTUNG
5,2/10
6740
IHRE BEWERTUNG
Dudley Moore and Kirk Cameron in Wie der Vater, so der Sohn (1987)
Official Trailer
trailer wiedergeben1:28
1 Video
54 Fotos
Body Swap-KomödieFantasieKomödie

Füge eine Handlung in deiner Sprache hinzuA mysterious potion switches the personalities of a buttoned-up doctor and his laid-back son.A mysterious potion switches the personalities of a buttoned-up doctor and his laid-back son.A mysterious potion switches the personalities of a buttoned-up doctor and his laid-back son.

  • Regie
    • Rod Daniel
  • Drehbuch
    • Lorne Cameron
    • Steve Bloom
    • David Hoselton
  • Hauptbesetzung
    • Dudley Moore
    • Kirk Cameron
    • Margaret Colin
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,2/10
    6740
    IHRE BEWERTUNG
    • Regie
      • Rod Daniel
    • Drehbuch
      • Lorne Cameron
      • Steve Bloom
      • David Hoselton
    • Hauptbesetzung
      • Dudley Moore
      • Kirk Cameron
      • Margaret Colin
    • 33Benutzerrezensionen
    • 17Kritische Rezensionen
    • 45Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 2 wins total

    Videos1

    Like Father Like Son
    Trailer 1:28
    Like Father Like Son

    Fotos54

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
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    + 48
    Poster ansehen

    Topbesetzung59

    Ändern
    Dudley Moore
    Dudley Moore
    • Dr. Jack Hammond…
    Kirk Cameron
    Kirk Cameron
    • Chris Hammond…
    Margaret Colin
    Margaret Colin
    • Ginnie Armbruster
    Catherine Hicks
    Catherine Hicks
    • Dr. Amy Larkin
    Patrick O'Neal
    Patrick O'Neal
    • Dr. Armbruster
    Sean Astin
    Sean Astin
    • Trigger
    Camille Cooper
    Camille Cooper
    • Lori Beaumont
    Micah Grant
    • Rick Anderson
    Bill Morrison
    • Uncle Earl
    Skeeter Vaughan
    • Medicine Man
    Larry Sellers
    Larry Sellers
    • Navajo Helper
    Tami David
    • Navajo Girl
    Maxine Stuart
    Maxine Stuart
    • Phyllis
    David Wohl
    • Dr. Roger Hartwood
    Michael Horton
    Michael Horton
    • Dr. Mike O'Donald
    Randy Lowell
    Randy Lowell
    • Dr. Spellner
    • (as Randolph Dreyfuss)
    Art Frankel
    • Mr. Racine
    Christine Healy
    Christine Healy
    • Hospital Administrator
    • Regie
      • Rod Daniel
    • Drehbuch
      • Lorne Cameron
      • Steve Bloom
      • David Hoselton
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen33

    5,26.7K
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    Empfohlene Bewertungen

    Cal-16

    Closes the "generation gap"

    The way I see it, this story gave each of the two groups (teenaged students and middle-aged professional people) a better understanding of the trials and tribulations the other experiences on a daily basis. As kids, we think our parents' lives are easy, and as adults, we tend to forget the pressures experienced by highschoolers. I enjoyed this film, and hope others will, too.
    vchimpanzee

    Moore was hilarious, Cameron adequate

    Dudley Moore is hilarious. This terrified and later excited teen in a middle aged man's body gets into so many wild situations. But he is very creative when he has to be and quite a schemer.

    Sean Astin is great as the best friend, and why wouldn't he be? Look who his parents are. Well, that doesn't always mean success, but he has gone on to have quite a career, and here we can see why.

    Kirk Cameron isn't that highly regarded, and he's no Mike Seaver here. If he has talent, that's the role where he showed it. Here, he's kind of ordinary, but he gets the job done. In the scene with the baby being born he really shines. There is also another kind of stereotypical scene where he goes beyond the usual, As a genius who has trouble with social interaction, he's no Iain Armitage, who is the master.

    Cloud Dancing from "Dr. Quinn" is the one who picks up Earl and carries him to the Navajo medicine man. I didn't know this until the closing credits. He was not known for being funny, but now that I know who it was, it was nice to see him with a sense of humor.

    Earl is given something to drink and immediately it becomes clear what has happened. The Navajo is horrified to look at the white man and see himself. The white man, apparently speaking the Navajo language, obviously feels the same way.

    Some questions I have. Chris has an appointment soon with a Northwestern recruiter. Not sure why Northwestern, because they are driving distance from Death Valley. Oh, well. We also don't know why Jack is British but living in the United States. By the way, this stuff that causes the body switching is clear, so why is Jack going to use that bottle by mistake, rather than the one full of red stuff?

    And one last adventure does not involve a car chase. It is just one car, driven recklessly, causing damage to itself and everything else as we must endure a band that put the heavy in metal, one that makes Autograph (which we and Jack had to endure earlier) look like The Eagles. The editing is interesting because we keep going Jack and forth between two locations, and each time we see the car again, the "music" continues from where it left off.

    It's not a kids' movie. Some curse words were obviously changed for TV. Who says "dorkhead"? And there is one scene of a sexual nature which, if you remember this man is actually a teenager, is actually in terrible taste, but doesn't go overboard.

    But cleaned up for TV as I saw it, I wouldn't say all kids should avoid it. It's pretty childish.

    Yes, we've seen this sort of thing before? So what. They're all unique, if you really think about it.

    And I had fun.
    flackjacket

    A lethal combination of suck.

    I suffered through this film in jaw dropping disbelief.

    First of all, who would cast Dudley Moore and Kirk Cameron in the same film? Seriously? It's like mixing oil and water and just doesn't work. Especially if your cast Kirk Cameron as Dudley Moore's son. Who thought that would be believable? Hey, let's take two of the worst actors in the world that are complete opposites and cast them as father and son.

    Then, to add to the puke factor, there's the 80's hair band background music. As if Cameron as son and Moore as father wasn't enough to induce projectile vomiting they pushed it one step further with the lame soundtrack.

    Then there's the story line, the script. Were they taking mind altering drugs when they wrote this? If so, it was something that caused complete stupidity.
    Wizard-8

    The worst of the body switch genre

    I think I have seen every example of the "body switch" genre, at least all of those that have been made in the past 40 years or so, and "Like Father Like Son" is the worst of them. The first 20 minutes or so are painless mediocrity, but then soon after the movie collapses. What's the problem? I think the main problem is that the characters are stupid. If I was in their situation, I know I would be terrified and trying my best to not raise suspicion. If the movie had done that, it could have been funny seeing these people trying to do their best but making mistakes. But the movie's two main characters seem to be trying their best to blow the charade - not realistic. And the movie's sense of humor is really bad - we have such stuff as audiences falling asleep during lectures, a gag that's done TWICE. If you want to see a good example of this genre, see "Freaky Friday" (the original or the remake) or "Vice Versa".
    vertigo_14

    Generic body switch formula.

    Like Father, Like Son is probably most appealing to 80s fans, presenting typical teen genre conflicts as well as 80s teen stars, Kirk Cameron and Sean Astin. Young kids might appreciate it simply for the story (despite it's lack of novelty) of a teenager getting all the priveleges of being an adult, while only having to change appearance and not attitude. The decade however, offering a nauseating selection of role switching comedies and parodies, may have the rest of us looking to avoid this repetition and searching for something else on the shelves.

    Chris Hammond (Kirk Cameron) is a high school senior. He's an average student, a decent track team participant, and likes a girl at school who happens to be dating a psychotic jock bully. And, his dad, Jack (Dudley Moore) is breathing down his neck to get him an ivy league school to study pre-med, leaving Chris secretly wanting to tell his dad to just let him make his own decisions about what he wants to do.

    Chris's buddy, Trigger (Sean Astin), has a wacky uncle who's staying with him. He lived in the desert for awhile, experimenting with body-switching potions. Trigger gets a hold of the brain transference serum and it switches Chris and Jack's brains so that Chris is Jack and Jack is Chris. There's a mistake here, in that their accents should've switched as well, since when Trigger tried it on the cat and dog, the cat barked at the dog and the dog meowed at the cat.

    But, it makes for a whole lot of trouble. The incredibly boring and sometimes big-shot Dr. Hammond has to settle on being a teenager awhile. And Chris has to settle for being Dr. Hammond, both without screwing things up. For Dr. Hammond, he hopes to get the ordeal with over quickly; but for Chris, there's advantages to not having to show up for school, take tests, and the like. But, they each grow quite irritable of the situation as they tend to screw up each other's lives. Dr. Hammond has a few nasty run-ins with the bully as Chris. And Chris, involved in an affair with the boss's wife, not only sets the living room on fire, but also risks his father's chances of becoming chief of staff.

    I still think it's a fun movie for kids and probably teenagers. Safe family fun for the most part anyways due to lack of sex, violence, and for the most part, language. However, Kirk Cameron did tend to get quite annoying at parts as the whiny teenager. Actually, Trigger was one of the best characters in the movie as a sort of slacker friend of Chris, except he's not in the movie all that much. I did like Chris as Dr. Hammond during the hospital scenes, when he had to take his med students on rounds, and didn't know what the heck he was doing. It has it's moments.

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      Star Dudley Moore was immediately smitten with Wie der Vater, so der Sohn (1987). Moore said: "The idea of swapping bodies appealed to me, and it was a good excuse to be a kid again . . . although I don't need an excuse. It was just a fun story. I had been sixteen years old once, and I don't pretend to be a professional adult. I really didn't play a sixteen year old. I think that would have been mildly boring. So, instead of going for accuracy, we went for the fun of the situation. I was playing an attitude, not an age".
    • Patzer
      When Chris (Dr. Hammond) is delivering the baby, he picks it up immediately after the birth to reveal that the umbilical cord has already healed, and the baby is perfectly clean and dry.
    • Zitate

      Chris Hammond: How can she stand to be so close to her own body without constantly feeling herself up?

    • Verbindungen
      Edited into Left Behind: Like Son (2013)
    • Soundtracks
      Dance All Night
      Performed by Autograph

      Courtesy of RCA Records

    Top-Auswahl

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    FAQ19

    • How long is Like Father Like Son?Powered by Alexa

    Details

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    • Erscheinungsdatum
      • 25. Februar 1988 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Sony Movie Channel (United States)
    • Sprache
      • Englisch
    • Auch bekannt als
      • Like Father Like Son
    • Drehorte
      • Mojave Desert, Kalifornien, USA
    • Produktionsfirmen
      • Tri-Star Pictures
      • Imagine Entertainment
      • The Malpaso Company
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 10.500.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 34.377.585 $
    • Eröffnungswochenende in den USA und in Kanada
      • 7.189.452 $
      • 4. Okt. 1987
    • Weltweiter Bruttoertrag
      • 34.377.585 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 40 Min.(100 min)
    • Sound-Mix
      • Dolby
    • Seitenverhältnis
      • 1.85 : 1

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