Shanghai Police

The Millionaires' Express is something you don't see everyday. In hindsight I would say it's a parody and tribute to the Western genre and old school Kung fu films. It's subtle and over the top at the same time. Like for example the misunderstood hero (Sammo as Chin Fong Tin). He wants nothing more to be with his girlfriend but for some unknown reason can't be with here. It's one of the running gags. Very effective and hilarious when you give it some thought.

From start till end you will be entertained. Everything what is happening concerning the Millionaires' Express is a setup for the grand finale in the last twenty minutes! Somehow Sammo Hung managed to create a western in Chinese setting. Even one character in particular seems to be a parody of Clint Eastwood. A lot is going on in the movie but the real action picks up at the final. If you come in expecting this to be a non stop action film then you might be slightly disappointed. The approach is different. It's more a farce where you get introduced to quite a lot of characters. If you are familiar with Hong Kong films then you will recognize a high number of actors. It's one of those extra elements that increases the viewing experience.

If subtle comedy isn't your thing then fear not. There are a lot of jokes that are easy to understand for everyone because they are very visual. One example is a man who seems to be cheating on his wife. While on the train he visits his mistress by climbing on top of the train and without any problems he walks to the wagon where his mistress is residing. Meanwhile a hoodlum has a lot of difficulties maintaining his balance while he is on top of the train. When the two encounter the adulterer greets him like he is taking a stroll while the hoodlum almost falls off the train. This is just so hilarious especially when you consider how many more excuses this guy has come up with to go from woman to woman.

I also recognized a parody on Wong Fei Hung (a famous Chinese hero). It was easily one of the funniest scenes in the film. Anyhow all the different characters have their objectives and will be put in very funny scenes which will come to a climax in the last twenty minutes. The action is more than wonderful. Yuen Baio and Jang Lee Hwang (Korean martial artist famous for being the villain in "Drunken Master") steal the show! Not to say that all the others weren't great but Yuen Baio and Jang Lee Hwang (one of the samurai) simply stand out. As they show some excellent moves and skill. There are some small sequences with Cynthia Rothrock and Richard Norton but they were too short for my taste. Yukari Oshima plays one of the samurai and does enough to make an impact. Sammo Hung himself also shows off his talent and skills with a lot of finesse.

Millionaires' Express delivers on humor and action. What more do you want? One of the best films Sammo Hung as ever made!

It's a crazy movie, but awesome all the same. It's an incredibly visual story. The first time I saw it was a Cantonese version with no subtitles, but I still followed the whole story. The humour is also very visual and very funny! However, the stand out moment, ignoring the awesome battles running through the film, has to be Yuen Biao's flip from the top of a burning building. If you watch this film for no other reason, you have to see one of the greatest stunts ever committed to celluloid. Simple yet MAD! For fight fans there's the added bonus of seeing some of the all time greats of Far East Cinema battle it out on screen! SEE THIS MOVIE NOW!

It's pretty common for Hong Kong comedies of a certain era to also contain some of the best martial arts action ever put to film. Can you imagine if an American comedy did that? American movies tend to be too concerned with staying within one genre, afraid to be goofy if they want to be taken seriously. Hong Kong movies don't have that problem, and the theoretically jarring yet actually satisfying balance between silly hijinks and deadly fights is practically the beating heart of its filmmaking industry.

'The Millionaires' Express (1986)' is, first and foremost, a madcap comedy, and it's also, first and foremost, genuinely funny. It may not provoke many belly laughs, but it almost constantly provokes chuckles with its distinct blend of slapstick physical humour and fast-paced verbal wit. Sprinkled in and amongst the laughter are several jaw-dropping stunts that essentially feel like what would happen if 'Looney Tunes' was live action, prat falls off multi-story buildings and casual strolls along the roof of a moving train. It's a wonder nobody died when making this (as far as I'm aware), and the number of injuries that were sustained by the cast and crew seem to pale in comparison to what logic would suggest they ought to have suffered. That's not even taking into account the fight scenes, which infrequently pepper the first two thirds before fully taking over the final act and transforming the feature into a certified action extravaganza. As is often the case with these kinds of movie, the last movement is where things really go off the rails. With some entries in the genre, the likelihood this is going to happen is the only real thing that keeps you watching during the earlier segments; thankfully, that isn't the case with this one. The feature is a lot of fun before its climax knocks your socks off, even if its plot is a bit all over the place until it coalesces for its final confrontation.

In essence, the affair is formatted as a series of loosely connected skits starring a variety of quirky characters (only some of whom become more significant as the narrative proceeds) before it then brings its disparate elements together into a single sprawling set-piece that sees its various players pull together to defend a town from a gang of criminals. While the picture can be a little disorienting at first due to the decisive lack of connective tissue between some of its scenes, it eventually becomes clear what it's doing. Everything falls into place by the time the last movement is about to occur, and the flick becomes much more focused as it prepares to pull you to the edge of your seat with its mighty martial arts. Yuen Biao does some absolutely spectacular acrobatics during his fights, with most of them inspiring genuine gasps of disbelief when they occur. Sammo Hung's notorious hard hits can be clearly seen on screen, Cynthia Rothrock's trademark high kicks make an impression, and Yukari Oshima suavely slices her way through plenty of opponents. There are many other cameos, far too many to name here, and it turns the piece into a veritable who's who of Kung Fu that's delightful to witness.

Ultimately, this is a really solid martial arts movie. Despite one or two dodgy jokes that haven't aged well, the affair is surprisingly funny. While entirely unafraid to amuse with silly antics, it's also really eager to impress with spectacular set-pieces. The action is amazing, making use of its all-star cast and Hung's playful yet confident direction to truly entertain every time it occurs. There's even a fight between two little kids who can throw down better than many adults. Although its story is a little confusing at first and it lacks any real theming, the film remains enjoyable from start to finish. It's really good.

Perhaps one of the more absurd Hong Kong comedies I've seen, but still an amusing watch. The story is somewhat weak, but is still able to carry the movie's runtime, it doesn't feel overly padded or seem like it's stalling for time, except perhaps for the social commentary in the start that is mainly to introduce the female protagonist cast. Luckily it doesn't stray too much into awkward romance that some of these movies tend to lean on, and the amount of second-hand embarrassment is fairly low, although it does play on quite a few tropes regarding the cheating husband trying to constantly sneak out on his wife in every situation he can think of, but it's fairly humorously played by Richard Ng.

The fight scenes are some of the more intense I've seen, but only really gets to play out in a satisfying fashion towards the end. Funny slapstick and serious punching action blends quite elegantly, and the comedy is well executed.

The type of comedy is reminiscent of Mel Brooks, at times juvenile but not so childish that it turns unfunny, although there are some themes that would simply not fly in movie production today, such as a few jokes about being intellectually disabled. The fight scenes are punchy, although I personally am not a huge fan of the slow motion-shots, of which there's quite a few. If you're able to overlook some shortcomings and are looking for a simple comedy, it's a movie that'll entertain you.

The Millionaires' Express is a Western, a comedy, and a martial arts movie rolled into one, but it mostly just uses the first of those for its setting. I think it's largely a comedy with some brief action scenes/stunts thrown in for good measure throughout, and then it goes for broke with the martial arts stuff in the last 15 minutes. When it's focusing on martial arts, it's at its strongest, because the whole finale is really top-notch stuff. It did also make me wish there'd been at least one more big martial arts-heavy sequence, but at least the quality was good, even if the quantity left me hungry for more.

It may also have a few too many characters, being about various groups of people (mostly shady folks/robbers) who all end up in the same town, with the train alluded to in the title not playing quite as big a role as I expected. It made me sad at first, but then what the movie ended up being - and where it ended up having most of its action - still ended up being satisfying, so it wasn't all a loss.

Like a number of Hong Kong action comedies, I did feel like the comedic stuff was more hit-or-miss, but thankfully there were hits, and not too many misses. It was a fun time - not among the very best martial arts movies of this era, but also far from one of the worst (and there are others where the action's good, but the comedy does nothing but miss).