Füge eine Handlung in deiner Sprache hinzuLo Tung and his friend Malted Candy, pedicab drivers working the streets of Macao, have both fallen in love. The problem is that both their objects of affection--one a baker, the other a pro... Alles lesenLo Tung and his friend Malted Candy, pedicab drivers working the streets of Macao, have both fallen in love. The problem is that both their objects of affection--one a baker, the other a prostitute--are working under cruel and lecherous bosses. Somehow, the pair must find a way t... Alles lesenLo Tung and his friend Malted Candy, pedicab drivers working the streets of Macao, have both fallen in love. The problem is that both their objects of affection--one a baker, the other a prostitute--are working under cruel and lecherous bosses. Somehow, the pair must find a way to win the ladies' hearts and free them from their unpleasant jobs.
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
- Malted Candy
- (as Siu Chung Mok)
- Coolie
- (as Kwai Yuen)
- Gambling House Boss
- (as Kar-Leung Lau)
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The story follows our hero, Sammo, as he battles evil villains, fights for love, and revolts against exploitation, particularly that of women. The film has an impressive range, seamlessly shifting from romantic moments to extended, brutally choreographed brawls. One scene, in particular, stands out: Sammo, covered in bruises, shares a tender moment with his love interest, a stark and touching contrast.
The villains are truly despicable and ruthless, and you'll love to hate them. They are nasty, relentless, and deserve every bit of the punishment Sammo dishes out. The finale, however, feels rushed, and an extra ten minutes of comeuppance would have been satisfying. The film also struggles with tone, with extreme shifts that may turn off viewers who prefer a more consistent pace.
"Qun long xi feng" is a unique entry in the Hong Kong action genre, offering more than just impressive fight scenes. It has a compelling narrative, an anger toward social injustices, and an emotional core that will leave you surprisingly moved. It's a shame that this film is hard to come by, as it is one of Sammo Hung's greatest achievements, and with a few minor tweaks, it could have been an undisputed classic.
Sammo's got something to say about the plight of women under patriarchal management, be they bakers or prostitutes, and he mostly finds the right tone for it. Which is nice in a 1980's HK feature because it does sometimes feel like the inherent feminine warrior of 1970's wuxia fell away and the 80's kung-fu films became mostly a masculine ordeal (save of course for the GIRLS WITH GUNS subgenre and a few other, rare, examples).
The action is scorching. A fight between Chia-Liang Liu and Sammo in a gambling house is for real. Yet, strangely, this awesome character never gets a callback for the rest of the film. Why couldn't the Gambling House Boss return to knock heads for the super awesome final fight? Surely they could've cast one more white guy to get his butt handed to him. Oh well.
It is the want of many a Sammo film to have the action measured out, decorating the hood and trunk of the movie but letting the the bulky center sag under the weight of romantic comedy and tragedy. The same is true here. So be it. If you're a fan, you won't mind.
But why Macau in the '30's? No idea. It seems to add nothing to the film. Fortunately, it doesn't detract from it either.
Before "Kung-Fu Panda" there was Sammo Hung, who is a burly martial arts action star, and in "Pedicab Driver" a five star director who knows how to throw his weight around without missing a beat. Like Jackie Chan (who he choreographed fight sequences for), Hung combines physical comedy with self propelled stunt work, showcasing both the fury and the funny.
In 1930's Macau, China two rival groups of pedicab drivers negotiate how to split up the cities work, half will take passengers, and the other half will take cargo, and civil war is nearly averted until a chef chases a cat into the room and all hell breaks loose. The subsequent battle seamlessly recalls both "Star Wars" and "The Three Stooges", without loosing any of it's frantic energy or becoming a parody.
Pedicab Driver is first and foremost a Hong Kong action film, but while watching it you don't get the sense that each scene is designed to introduce a new excuse to fight. Some sequences, like the battle in the gambling den, do seem non-sequitters, as we never return to that set or it's characters, but the execution of this scene is so flawless that you rarely ease back from the edge of your seat long enough to mind let alone gripe. Sammo and his friend "Malted Candy" are passenger drivers, who both fall in love in with different girls at the same time. Sammo has to compete with a lecherous baker to win the heart of his girl in classic slapstick fashion.
While Malted Candy's story, which is minimized early on but expanded later, takes the form of a romance, and then a tragedy once it's revealed that his love interest is not all she seems. This does not have the makings of a great tale, but it is very much a great movie, that handles these stories with a poise that genuinely enhances the action sequences, which are almost submerged under the story and characters (a rarity if not a freak, for an action film of this caliber).
Yes, the bad guy is ugly, the good guy is handsome which is all very obvious, but Sammo is big ol kung fu teddy bear, whose agility and lightening fast speed belie his Chris Farely physique, and it's his performance which elevates the movie into something amazing. The comedy is funny, the romance is sweet, and the action is one of a kind combining the best of martial arts cinema, with an easily accessible drama that makes us care about the characters and their pains, joys, and inevitable revenge.
Pedicab Driver is badass and brutal at times, but never sacrifices the charming lightness that makes the movie so enjoyable and gratifying in a way few of it's exciting peers (then and now) permit themselves to be. It's the type of film that gives the impression that everyone involved was enjoying themselves by effortlessly doing what I do best. This joy pours from the screen, and it's hard not to become immersed in it.
I recently watched another HK action film featuring Sammo called "Zu: Warriors Of The Magic Mountain" and though it had similar sizzling combat (though largely artificial; wire or animation driven), it lacked a humane element, like reading a dry translation of an ancient myth. Pedicab Driver has a face, and a heart, and a fist, and watching them collide is a true joy to behold. I challenge anyone to not be entertained by this movie. Go on, I dare you!
A legendary film
10 out of 10!
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Boss of Gambling House: Fatty, you with a thick face have hurt my instep.
- VerbindungenFeatured in Cinema of Vengeance - Die Rache des Kung Fu (1994)