Der Flug des Navigators

Flight of the Navigator is one of those terrific adventure films for kids, even after all these years. It also falls into a long line of fun 80s sci-fi/adventure family movies.

Davey (Joey Cramer) goes into the woods looking for his little brother one evening in 1978. When he wakes up after a brief period of unconsciousness, he turns into a scientific marvel. Nothing is as Davey remembers it, but he can't figure out why because he only fell asleep for a brief period.

Davey is told that his parents reported the young boy missing in 1978, the evening that he went searching in the woods for his younger brother, referring to the incident in the past tense because it is 1985. Only Davey is still exactly the same age and everything he was from 1978, while time has passed for everyone else. His little brother is now his big brother (Matt Adler). His parents are old. Everyone is confused and the scientific world find the situation fascinating.

The scientists turn Davey into their personal guinea pig, running tests and probing him and all that junk. And soon they discover, that Davey was abducted. Davey, understandably a confused little kid, can't figure out what's going on and he sure doesn't want to be locked up in some lab where people prod at him all day long and tell him very little. So, he breaks lose, and hops aboard the spaceship that took him through time before. While it is an escape from the scientists and their security (briefly), it also holds the answers to what happened to him. It is also an opportunity for Davey to learn everything from this spaceship. And a kid's movie isn't complete without personifying inanimate objects. The spaceship is essentially controlled by Max, which is like it's CPU, a CPU with a cool sense of humor who likewise tries to learn about human emotions and condition from his passenger, Davey.

Filmed around Ft. Lauderdale, Florida, it is still a cool movie for kids...teenagers...whatever, having a little bit of something for everyone. Great humor, cool special effects, and the like.

Fun sci-fi family movie about a twelve year-old boy (Joey Cramer) who disappears and returns eight years later, still twelve years old and unaware he's been missing. At the same time, NASA finds a spaceship but are unable to open it. NASA attempts to hold the boy against his will, but he escapes on board the spaceship. Paul Reubens is great as the voice of Max, the ship's computer.

This is an awesome '80s movie. A good story told with nice special effects and lots of heart. The cast is terrific. In addition to Cramer and Reubens, there's Sarah Jessica Parker in an early role, Veronica Cartwright and Cliff De Young as the boy's parents, and Howard Hesseman as the film's antagonist.

For the fist time I saw Flight of The Navigator when I was a kid, nearly twenty years ago. I remember young soviet kids flocked into the theaters to see a strange American movie and somehow taped it but too many time has passed and all these years it was like a rather unclear distant memory for me, a distant memory of something pretty good and even beautiful. Since then I was unable to find it and watch it again and only recently I caught in on a cable TV channel. Despite being twenty seven years old now I still liked it a lot.

Flight of The Navigator is a very good Sci-fi family movie despite (or some people could say thanks to) it is not as overloaded by the special effects as most of such modern movies. That left enough place not only for pure entertainment bit also for emotions and some pretty nice scenes with rather good dialogs. It the story of an eleven years old boy, who after a strange and quite inexplicable contact with something looked like an alien ship got moved through the time into future several years ago, which passed for him like a couple of hours. In this future he takes an adventure to find an explanation what really happened with him. Flight of The Navigator is a very enjoyable movie for whole family, which deserves much more appreciation than overwhelming majority of recent family movies.

9 out of 10

You know the drill: 12 year old David falls into a ravine in the woods and discovers when he wakes up that he's been missing for eight years. He also discovers that he's hearing voices that seem to come from a mysterious craft housed in a NASA hangar.

My two cents worth: In a time when all the live action Disney movies seem to be a variant on "I was normal but just discovered I am/have just been mistaken for royalty/merperson/rock star/leprechaun/etc., this movie from the 1980's is a real breath of fresh air.

The scenario, waking up and discovering that everything except you has changed, and knowing you'll be somebody's idea of a guinea pig for the rest of your life, is instantly relatable and creepy, whether you're a kid or an adult. The kid fainting, the change in the two brother's relationship due to the age flop, parents trying to protect their son, government trying to exploit the kid's knowledge, everyone's reactions to the situation are all logical and believable.

And who hasn't wanted a chance to fly a saucer? Having Max, the ship's pilot, be a robot was another stroke of brilliance. So many movies have the aliens flying all the way here to come visit us face to face. But if we send machines to other planets because it's cheaper than going ourselves, why wouldn't they? And having him learn about Earth courtesy of a 12-year-old's TV polluted brain was hysterical.

The movie seems a little dated today; but it's forgivable because, like Back to the Future, it's set so specifically in a certain frame of time (you expect it to look and sound like 1986 because, hey, they keep telling you that's when it is.)

Recommendations: Back to the Future and Big are the two I can think of that are most along these lines.

This movie is an entertaining fantasy, but there's quite a bit more to it just beneath the surface. The protagonist is a 12-y/o kid raised, as most are in Western culture, to be incompetent, overly dependent on adults, and untrusting of his own judgment. When he finds himself aboard an alien spacecraft, he naturally first attempts to transfer that dependency to the robotic pilot Max, which, all-seeing eye and all, represents the omniscient grown-up. As time goes on, though, David begins to realize that: 1) his own interests do not in fact always coincide with Max's, 2)that therefore he must advocate for himself to achieve a favorable outcome, and 3) that he's the one who has to decide just what outcome will best meet his needs. Much unlike most "kid movies," this character shows real growth, and in the end confronts a real moral and personal dilemma. Whether you agree with his choice or not, you have to respect him for what he has become.