Gottes vergessene Kinder

James Leeds (William Hurt) is the new speech therapist at a school for the deaf. He has limited signing skills and is intrigued by Sarah Norman (Marlee Matlin). She was the school's most promising student but she is now the school's janitor. He tries to teach her to speak but she rejects him. She is filled with anger but eventually she allows him into her world.

It's the acting debut for Marlee Matlin and it's the first time I watched deaf acting. It was a revelation because she gives it so much emotions. She's doing acting like the old silent stars. It's amazing how visceral the fights become. It's a relatively simple romance but it's the signing that is so important. It broke down barriers at the time and literally gave cinema a new visual language.

This is one my favorite movies of all time. The quality of the acting leaves me breathless. The scene where Sarah is dancing slowly to a song by the Staples Singers says so much - the tempo is fast and most people were disco dancing or "stepping" to "I'll Take You There." Sarah feels the real underlying slow beat of the music and responds to that. It was a very moving scene.

Piper Laurie as her mother was phenomenol. Her expressions and body language said so much more than her words. You could tell she really loved Sarah and was frustrated that she didn't really understand her. She also had a little bit of the "bury your head in the sand" approach to Sarah's deafness.

Sarah was determined to have the world accept her on HER own terms and simply turned her back on it when it did not. Sarah was intelligent, beautiful and fun. She couldn't understand why people seemed to define and categorize her by her deafness. She was so much more than that and William Hurt's (I don't remember his name in the movie) character was sensitive enough to recognize that. His character was a little condescending and pushy, and I can see where he would get on any girl's nerves because he was not a good listener. He wanted Sarah to be the person he though she should be and justified it under his guise of "helping" her to cope in a hearing world. She was smart enough to figure him out and reject his attempt to mold her.

You could feel Sarah's loneliness in her silent world and you knew that she wanted love, friends and happiness just like the rest of us, but didn't know if she would ever get them.

I really loved the character and the whole movie. It gave us a brief glimpse into a deaf person's world through some extraordinary scenes: Sarah swimming and describing to William Hurt exactly how she imagined waves sounded, and getting it right; Marian Lesser communicating only in sign language at the party which gave William Hurt's character a chance to see things from another perspective. I think he learned that there is more than one standard way to live and enjoy life and being unable to hear isn't the worst thing that could happen to a person.

Yes, this is a love story about two unusually attractive people but its power comes from Hurt and Matlin's ability to increasingly convey vulnerability and authenticity as they fight to become completely real to each other. Marlee in particular is remarkable in her expressiveness. There is a scene where she watches Hurt while she's in an indoor swimming pool and you only see her eyes over the edge of the pool -- but the depth and variety of what "just those eyes" express!

Because all of us intuitively know what they are going through as they strip away layer after layer -- who of us hasn't feared exposure of the person we feel the world shouldn't see? -- we are drawn into their revealing their secret selves because we wish we knew who OUR OWN secret self is.

And the film is funny, engaging, touching, crazy and human!

Oh, I loved this movie! What a wonderful romance through the barriers of language! Marlee Matlin is wonderful, and William's singing is really good. Watch with someone you love and appreciate your relationship even more, also pay attention to the words and ways that Hurt looks at her, so romantic!

William Hurt plays a speech therapist, James Leeds, a gifted teacher. His success in his field has not prevented him from being an egotist, anddisrespecting other cultures.

Marlee Matlin plays a Deaf woman, Sarah Lee, who's damaging family experience has caused her to become so angry that even though she is an intelligent, sassy, sensual, independent woman, she prefers to mop floors in her old school.

Sarah is contrasted with the other Deaf people who are working on their speech. Although he signs, James is highly dogmatic about the primary necessity of speech. The other Deaf people come across as disabled in comparison, their speech flawed compared to Sarah's eloquent and expressive signing. Their vocabulary is basic; in one scene their attempt at signing delights the hearing audience as they imagine the Deaf kids getting closer to being "normal".

James falls in love with Sarah's strong and commanding personality, but paradoxically still treats her in a patronising way, aiming to "improve" her by working on her speech. It becomes a battle of wills between them as Sarah seeks to have autonomy over her preferred medium of communication.

Even so, the dynamic of the relationship spurs Sarah on beyond the narrow horizons of her menial job.